Disability Arts History Australia

Items

• "Arts Project Australia - Annual Christmas Salon Show 1992 - Invitation - Promotional Flyer"
  Arts Project Australia - Annual Christmas Salon Show 1992 - Invitation - Promotional Flyer
• "Tutti Arts - Open Studio Exhibition - SALA Festival - Promotionall Card"
  Promotional Card for Tutti Arts Visual Arts and Design Program 'Open Studio' as part of SALA 2014 (South Australian Living Arts Festival) - reads, in part "Tutti is delighted to invite you to its 2014 Open Studio SALA exhibition opening! This exhibition will showcase a range of spontaneous, introspective and out of the ordinary works produced by 30 emerging learning disabled artists working from the Tutti Visual Art Studios."
• "Tutti Arts - Kurt Bosecke - Beastly Projects - Promotional Card"
  Tutti Arts - Kurt Bosecke 'Beastly Projects' Exhibition 2017 Promotional Card - reads, in part "Tutti's out of this world Fringe exhibition showcases a series of original artworks by Tutti artist Kurt Bosecke together with interpretatlons of his creatures into limited edition t-shlrt by the inimitable Dave Court of foolsandtrolls."
• "Tutti Arts - Kurt Bosecke - Beastie Boy - Exhibition - Promotional Card"
  Tutti Arts - Kurt Bosecke 'Beastie Boy' Exhibition 2017 Promotional Card - reads, in part "Be hurled into the psychedelic, parallel world of Beastie Boy. A keen exploration of anthropomorphism through hybridity, colour and pattern. Kurt Bosecke, with support from Tutti Arts, presents his second solo exhibition and invites you to enter the world of his imagination. A richly populated place full of expressive characters that have been mixed and matched into unique hybrid creations."
• "Tutti Arts - Kathryn Evans - Frozen Girl - Promotional Flyer"
  Tutti Arts - Kathryn Evans 'Frozen Girl' 2017 Promotional Flyer - reads, in part "DREAMBIG CHILDREN'S FESTIVAL AND TUTTI ARTS PRESENTS FROZEN GIRL All of us remember that time in early adolescence when having a best friend is everything. Similarly, every parent knows that one day the little child they are dose to will grow and begin to separate from them. But what happens when a child separates so completely that even when with you they are unable to communicate or move. Frozen Girl is Kathryn Evans story, first told in 2014 during storytelling workshops, when she revealed that between the ages of 11 and 13 she did not speak or move. Kathryn's story and the way she told it with her small intricate facial expressions and her unhurried physicality was so powerful that I and members of the ensemble wanted to explore it further with her."
• "Queensland Theatre of the Deaf - Kenneth J Donnell - Actor, Director, and Foundation Committee Member - CV"
  CV of Kenneth J Donnell, Foundation Committee Member, Actor, Director, and Artistic Director Queensland Theatre of the Deaf from 1980, dated 1998 - training (including as first profoundly Deaf Australian to be awarded a Churchill Fellowship), awards, shows as actor (An Evening with the Theatre of the Deaf, Snow White & Company, Ondine, The Crane, Jack the Simpleton & his master, Dick Woodington-Lord Mayor of Where?, Treasure Map, Seasons, Christmas Carol, Only an Orphan Girl, The Man from Snowy river, A Stranger at the Inn, Gotze, Wolf Boy), as director (Medieval Mime, Mime Skits for Expo'88', Spring Mime Madness), and as director/author (Follow That Sign, Robert the Bruce, Anonymous Addict, Nara's Journey, Our Eyes are Your Ears, Assimilation, The Devious Black Marble, Fate of The Rose)
• "Intimacy- Torque Show and Michelle Ryan"
  Intimacy- Torque Show and Michelle Ryan' - reads, in part "Intimacy is a dance-theatre piece created by Michelle Ryan, Ingrid Weisfelt, Ross Ganf and Vince Crowley. Our lighting design responded to the traverse seating arrangement, the content of the show and the set design by Adrienne Chisholm, creating a space that worked for the dance performance, music integrated into the show (by the duo Lavender vs Rose) and text based theatre elements."
• "Accessible Arts - ACE Arts Creativity Expression -1998 Sum - Iss3"
  Accessible Arts - ACE Arts Creativity Expression News Publication issue 2 Summer 1998 - information/reviews of Creative Writing, Music, Dance, Theatre and Performance programs,opportunities, resources
• "Accessible Arts - ACE Arts Creativity Expression - Article: Video Making Project At Rozelle Neighbourhood Centre - Iss15, Pg9"
  Accessible Arts - ACE Arts Creativity Expression - Article: Video Making Project At Rozelle Neighbourhood Centre - Iss15, Pg9
• "Access2Arts Blog"
  Access2Arts Blog postings of news, events, and projects, as first added 2016
• "Accessible Arts - Membership Form 2001"
  Accessible Arts - Membership Form 2001
• "Accessible Arts - Membership Form 2000"
  Accessible Arts - Membership Form 2000
• "Accessible Arts - Membership Form 1999"
  Accessible Arts - Membership Form 1999
• "Accessible Arts - Membership Form 1995"
  Accessible Arts - Membership Form 1995
• "Organisation Profile - Salubrious Productions, ACE Magazine Issue 27 April 2003"
  Organisation Profile, descibing the work of Salubrious Productions, in ACE Magazine, Issue 27 2003, published by Accessible Arts (New South Wales)
• "Accessible Arts - Grants And Competitions- List - 2002-03"
  Accessible Arts - Grants And Competitions- List - 2002-03
• "Interview with Graham Wilfred Junior"
  Graham Wilfred Junior is a Yolngu man and artist with Incite Arts where he works with different mediums including filmmaking, writing, performing and music. Interview Summary Graham, an emerging artist with spina bifida whose father inspired his passion for art, has pursued various art forms including painting, music, and digital art, now calls Mparntwe/Alice Springs home, and is venturing into theatre and filmmaking. His digital artwork, through the creation of the indigemoji app, helps teach the Arrernte, the language of the First Nations people of Mparntwe/Alice Springs. He now seeks to expand his impact through acting and creating films. Graham's motivation is to both celebrate and inspire people with disability, aiming for recognition as an artist rather than focusing solely on his disability. Graham shares his journey with Incite Arts, highlighting his involvement in music workshops, acting classes and script development, emphasizing the importance of representation and empowerment for individuals with disability. Ultimately, he aims to document his experiences and create impactful performances that leave a legacy to encourage others to pick up where he leaves off, ensuring the continuity of artistic expression within his community.
• "Interview with Daniel Savage"
  Daniel Savage is an artist and disability advocate working in mediums of photography, video and performance. Interview Summary: Daniel discussed his background as a disabled contemporary artist primarily focused on photography, with additional interests in video and performance. Daniel detailed the journey through his artistic career, highlighting significant experiences such as art school education, early influences, and the impact of acquiring a disability. He also explored the evolution of his style and interests, particularly his shift towards digital technology and his involvement in advocacy for accessibility in the arts. Daniel also shared his perspectives on the challenges and achievements within the disability arts scene in Australia, including public awareness and integration with contemporary art.
• "Interview with Veronica Pardo"
  Veronica Pardo is a disability arts ally and has been a disability advocate with previous leadership positions in organisations such as Arts Access Victoria and Multicultural Arts Victoria, Interview Summary Veronica Pardo, former Executive Director of Arts Access Victoria, discussed the evolution and impact of Disability Arts in Australia, detailing the political dimensions of the field and the importance of genuine representation and intersectionality. Pardo highlighted the importance of leadership transitions in arts organizations informed by a spirit of solidarity and mutual support, particularly citing Caroline Bowditch's role as significant in the sector. She emphasized a need for systems-level change within the arts to reflect true diversity, beyond tokenism, advocating for dismantling exclusive structures and creating new ones informed by those marginalized. Finally, Pardo stressed the importance of acknowledging the work of predecessors in Disability Arts to honour their legacy and inform current artistic and cultural practices.
• "Interview with Luke Cambpell and Kelly Drummond Cawthon"
  Luke Campbell is a theatre performer, writer and director and has been with Second Echo since 2015. Interview Summary In the interview Luke Campbell and Kelly Drummond Cawthon from Second Echo Ensemble share insights into their creative processes and the significance of their work. Luke, a core artist for the ensemble, emphasizes the role of deep listening and communication in his art, comparing his work to a meditative exploration of sound and connection, akin to the themes in the movie "Avatar." Kelly, as the ensemble's creative director, highlights the importance of presenting their work across diverse platforms to reach broader audiences and foster inclusive discussions. Throughout the conversation, they express views on the challenges and perceptions surrounding disability arts, advocating for recognition of diverse voices and stories in the arts community.
• "Interview with David Doyle"
  David Doyle is the Executive Director of DADAA and has spent over 30 years leading large-scale Community Arts and Cultural Development (CACD) and arts projects globally and in Western Australia, significantly contributing to the arts and disability sectors through his work with DADAA and his dedication to community wellbeing and access to arts and culture. Interview Summary David Doyle, who originally trained in printmaking and ceramics with a background in community arts, has worked extensively in community arts and cultural development with a focus on addressing social issues through the arts. His experience with a disability from a young age and a deep understanding of power dynamics and privilege have influenced his motivation and commitment to disability arts in Australia. David highlights the significance of the Disability Discrimination Act and NDIS in empowering artists with disabilities and notes the uneven distribution of resources for disability arts across Australia. As the leader of an arts organization, he values the transition of power to individual artists with disabilities, stressing the importance of equipping them with the skills and contacts needed to lead and redefine the sector.
• "Interview with Pat Rix"
  Pat Rix is a Disability Ally and Social Change advocate, and the recently retired Founder and CEO of TUTTI ARTS Incorporated. Interview Summary Pat Rix is an Artistic Director who has made extraordinary and sustained contributions to Australia’s cultural life through her artistic practice and leadership. A significant arts contributor since 1985, Pat made her early mark through plays and music-theatre productions which drew attention to social injustice and championed social inclusion. Her journey in disability arts began in 1997 with the formation of an inclusive choir at Minda Inc. which in 2001 incorporated to become the independent multi arts organisation known as ‘Tutti’ - embodying the inclusive Italian term meaning ‘everyone’. At a time when there were no vocational pathways for learning disabled and neuro divergent people, Tutti became a national trailblazer in creating a work environment where learning disabled and neuro diverse artists could create visual art, theatre, music, film and experimental art in a way that authentically nurtured their professional growth and recognition. Pat stresses the importance of disabled artists having control over their work. She believes that art is inherently political, and that it is finding your voice, being heard and being taken seriously that contributes to any artist's success. Pat looks forward to the future evolution of disability arts and the role of technology in enabling disabled artists to develop local and global partnerships which continue to provide exciting opportunities for artistic development.
• "Interview with Kath Duncan"
  Kath Duncan is a writer, a director, a provocateur, a visual artist, a comedian, a producer, a journalist, a radio broadcaster and disability advocate. Interview Summary Kath Duncan is an experienced and prominent figure in the disability arts community with a passion for experimental performance arts, having witnessed the beginnings of the disability arts movement in Australia and participated in its evolution. Her art is inherently political, shaped by her unique perspective as a congenital amputee. Kath firmly believes in the inherent creative revolutions and endless inspiration within all impairments. Kath highlights the ongoing struggles within the disability arts sector, including high unemployment rates for disabled individuals, systemic barriers, and the need for disabled leadership in arts organizations. While cherishing the milestones and transformative experiences she's had, Kath calls for significant systemic changes, emphasizing the importance of team playing and collective work to support and grow the disabled artist community.
• "Interview with Peter Vance"
  Peter Vance is a singer, songwriter, musician, performer, facilitator and disability arts advocate. Interview Summary: Peter Vance is a songwriter, performer, musician and singer. Peter suggested disability arts in the last 20 years has become more visible and popular reflecting a positive shift in how society views disability as part of the rich tapestry of human experience. This is reflected in how the arts now tell the stories of individuals with disabilities, not simply as artists with a disability, but as whole people whose varied experiences - visible and invisible - inform and enrich their creative expression. However, there are still challenges with funding and accessibility and ongoing struggles for recognition and support of disability art. Changes in how organisations operate to suit new funding such as the NDIS have potentially limited the spontaneity and personal touch that smaller, community-driven organizations once offered. Peter said it is essential to continue to push for better understanding, support, and visibility for people with all kinds of disabilities in every aspect of life, including the arts, to truly embrace inclusivity.
• "Interview with Nick Hughes"
  Nick has worked as an actor, director, writer, artistic director, dramaturg and was the Company Manager for Restless Dance Theatre Interview Summary Nick Hughes is a retired arts administrator who has worked in various capacities within the arts industry, including as an actor, writer, stage manager, and notably as the company manager for Restless Dance Theatre. Nick gained degrees in drama, and sociology, and moved from the UK to Australia in 1973. During the interview, Nick reflects on his significant contributions to the arts and disability sectors. Despite being unfamiliar with disability arts in the beginning, Nick says he became deeply involved and committed to the field, valuing disability arts for the social and political aspects. Nick discusses witnessing first-hand the growth and development of individuals through creative expression. Throughout his career, Nick says he has seen the evolution and increasing recognition of disability arts as a legitimate and powerful art form capable of altering people’s perceptions and advocating for inclusivity and equality in society.