Disability Arts History Australia

Items

• "Tutti Arts - Website - Strategic Plan 2023-2026 captured 2023"
  Tutti Arts Annual Reports 2023-2026, captured 2023 - reads, in part "Established in 1997, Tutti Arts is South Australia’s only multi-arts organisation where learning disabled, and neurodiverse artists create visual art, theatre, music, screen, dance and experiment with art and technology. Tutti Arts has grown, changed, rearranged, and developed over time. Tutti now works with more than 200 learning disabled and neurodiverse artists, with over 340 artist engagements every week across 3 Creative Hubs (Brighton, Port Adelaide, and the Barossa), and online. Tutti is the home for renowned disability-led collectives The Sisters of Invention, Company AT and Sit Down Shutup and Watch Film & Media Festival and has supported the career paths of many disabled artists. The Tutti Arts Centre was opened in Brighton 2020. In 2022 Tutti opened a new Regional Hub in Nuriootpa."
• "Crossroad Arts StrategicPlan 2022-2025"
  Crossroad Arts Strategic Plan 2021-2025 - includes Vision, Mission, and Goals, Artistic Program and Artists, Community, Markets, Board and Staff, Partners, Impact
• "Access Arts CPL Ltd Constitution"
  Access Arts CPL Ltd Constitution 2022
• "Blue Roo Theatre Company - SongCircleReport"
  The Song Circle Evaluation Report (2014), written by Kirsty Martin, reads "In 2013 a creative partnership was formed between Blue Roo Theatre Company Inc. and Opera Queensland’s Open Stage. The Arts Queensland and Centacare Disability Services Queensland funded partnership resulted in ‘Song Circle’, a song-based production performed over three days at the Judith Wright Centre of Contemporary Arts, Fortitude Valley, Brisbane."
• "Incite Arts Annual Report 2014 - Online"
  InCite Arts Annual Report 2014 - Chairperson, Artistic Director and Community Cultural Development Manager Messages, Projects (SPRUNG Youth Dance, Partnership with Warlpiri Youth Development Aboriginal, ‘Red Sand Culture’ Music & Dance Mentoring, ‘Southern Ngalia’ Cultural Dance, ‘stArts with D’ Performance Ensemble, School Partnerships - Artists in Residence program: Acacia Hill School & Centralian Middle School)
• "The Arts and Disability"
• "ARTAbility Conference"
  The national Disability and Arts Disadvantage and the Arts Australia (DADAA) committee was established in Melbourne, Victoria, in 1991, and – as described in the Access Arts Annual Report 1992 – at the inaugural meeting of this group in 1991, Access Arts offered to organise a conference for the group in 1992, with funding from the Queensland Performing Arts Trust, at the Queensland Cultural Centre - the Access Arts Annual Report 1992 says “Drawing on the experience of the Queensland ARTability conference of 1990 enabled Access Arts staff and members to be fully involved in the planning of the conference. It was a big success. Access Arts has also set up the Queensland DADAA network.”
• "A Month Of Mayhem"
  RealTime article on A Month of Mayhem, "A program of screenings, exhibitions, performances, seminars, and workshops by Deaf and colourblind artists for all audiences," presented by Access2Arts, in partnership with Adelaide Film Festival, Australian Network for Art and Technology (ANAT), Arts Access Australia, Unlimited UK, Tutti Arts, Sit Down Shut Up and Watch Film Festival
• "Safe in Sound Website, captured 2020"
  Safe in Sound Website - reads, in part "Safe in Sound (SIS) offers in-home concerts for people with disability and their families/supporters."
• "Stepping Out - 1980"
  Australian Screen entry/clip for 'Stepping Out' 1980 - reads, in part "Romayne, a Sunshine Home drama group member, introduces us to the idiosyncrasies of some of the other members." - Press kit from Ronin Films available at http://web.archive.org/web/20231102095120/https://www.roninfilms.com.au/get/files/18222/stepping-out-original-1981-press-kit.pdf
• Bronwyn Hack
• "Janice Rieger, Bree Hadley, Katherine Dionysius, Michael Whelan (2019) VIS-ABILITY: Audio Description of Karla Marchesis' artwork, 'Trashout' (2010)."
  "This is an audio description of Karla Marchesi's painting, 'Trashout' (2010), narrated by Dr Bree Hadley and recorded by Michael Whelan. This recording was produced in partnership with QUT Creative Industries Faculty for the exhibition, 'Vis-ability' at QUT Art Museum, from 11 May to 4 August 2019."
• "Janice Rieger, Bree Hadley, Katherine Dionysius, Michael Whelan, Megan Strickfaden(2019) VIS-ABILITY: Audio Description of Karla Dicken's artworks, 'Bottom feeder I-IV' (2018)."
  "This is an audio description of Karla Dickens' artworks, 'Bottom feeder I-IV' (2018), narrated by Dr Bree Hadley and recorded by Michael Whelan. This recording was produced in partnership with QUT Creative Industries Faculty for the exhibition, 'Vis-ability' at QUT Art Museum, from 11 May to 4 August 2019."
• "Janice Rieger, Bree Hadley, Katherine Dionysius, Michael Whelan (2019) VIS-ABILITY: Audio Description of Denise Green's 'Saar elegy: Opposites' 2014."
  "This is an audio description of Denise Green’s artwork, ‘Saar elegy: opposites’ (2014) narrated by Dr Bree Hadley. This recording was produced in partnership with QUT Creative Industries Faculty for the exhibition, 'Vis-ability' at QUT Art Museum, from 11 May to 4 August 2019."
• "Janice Rieger, Bree Hadley, Katherine Dionysius, Michael Whelan (2019) VIS-ABILITY: Audio Description of Brown, Green and Cattapan's 'War and peace #7: Empire' (2011)."
  "This is an audio description of Lyndell Brown, Charles Green and Jon Cattapan's artwork 'War and peace #7: Empire', narrated by Dr Bree Hadley and recorded by Michael Whelan. This recording was produced in partnership with QUT Creative Industries Faculty for the exhibition, 'Vis-ability' at QUT Art Museum, from 11 May to 4 August 2019."
• "Bree Hadley, Katherine Dionysius, Sarah Boulton (2019) Vis-Ability: Audio descriptions. In Vis-ability: Artworks from the QUT Art Collection. QUT Art Museum, Brisbane, Qld, pp. 45-53."
  "Bringing together a selection of recent acquisitions from the QUT Art Collection ,Vis-ability has been conceived as a project to broaden understanding of the lived experiences of people who are blind and people with low vision. Drawing on research in QUT's Creative Industries Faculty, Vis-ability proposes alternative ways of engaging with the collection, considering how technologies can deepen our understanding of vision and challenging our sight-driven experience of art. In this essay, QUT artist scholar and audio description author Associate Professor Bree Hadley, curator Katherine Dionysius, and blind artist and exhibition guide Sarah Boulton examine the principles, processes, and challenges of producing audio descriptions and associated engagement strategies to enable creative new forms of audio encounter with visual art works."
• "Janice Rieger, Jasmien Herssens, Megan Strickfaden, Bree Hadley (2019) International Inclusive Film Screening, DfA Week (with films from Finland, Canada, China and Australia)."
  "The inclusive international film screening included films from Australia, Finland, Canada and China that represent different kinds of abilities, disabilities, inclusion and exclusion through material culture, architecture, urban spaces, landscapes and design. This screening was about access, inclusion and community outreach and included live audio descriptions and Auslan interpretation. The Film screening was separated into two parts with a total of 9 films screened: Part 1: ‘Seeing’ things from a Different Perspective, which included the films: Bakala, Australia (Aboriginal); Eske, (Finland); Musical Notes (Canada); Visitability #1 (Canada) Part 2: Part 2: Temporal and Embodied Encounters: Design, Disability and Slowing Down, which included the films: Smoke Time (Canada & China); Visitability #2 (Canada); Heel of a Time, Canada; Visitability #3 (Canada) ; Wandering on the Braille Trail (Australia)."
• "Janice Rieger, Jasmien Herssens, Megan Strickfaden, Marianella Chamorro-Koc, Bree Hadley (2019) Vis-ability Exhibition."
  "The United Nations Convention on the Rights of Persons with Disabilities (UNCRPD, 2016) foregrounds the importance of cultural participation to realise human rights for people with disabilities. The creative industries play a critical role in supporting and shaping these social attitudes towards inclusion. Through the theoretical foundation of Design for All (EIDD Stockholm Declaration, 2004) new engagement processes involving a transdisciplinary team from Australia and around the world converged at QUT to co-design more equitable and collaborative forms of knowledge and practice around inclusion. International universities, the EU Commission and the European Institute for Design & Disability collaborated and presented Design for All for the first time in Australia, positioning QUT leadership in this field and as the first non-European member of EIDD-DfA. Co-design methods were employed through, Vis-ability workshops, Making Visible workshops, tactile artefacts and audio description work in the VisAbility Exhibition. Innovative practice was through the Inclusive Film Screening and Wondrous Googles technologies. An innovative model of engagement was created through the DfA Week program and events across sectors. Knowledge was disseminated through academic articles."