Bree Hadley

Item

Title
Bree Hadley
Identifier
PE01165
Relation
Brisbane
Queensland
Melbourne
Victoria
QUT Art Museum
Access Arts
Back to Back Theatre
Image of Access Arts Annual Report 2020-2021"Access Arts Annual Report 2020-2021"
Image of Access Arts Annual Report 2019-2020"Access Arts Annual Report 2019-2020"
Image of Access Arts Annual Report 2017"Access Arts Annual Report 2017"
Image of VisAbility Exhibition website"VisAbility Exhibition"
Image of Back to Back Theatre - Annual Report 2010"Back to Back Theatre - Annual Report 2010"
Image of Undercover Artist Festival Program Released 2021 YouTube"Undercover Artist Festival Program Released 2021"
Image of QUT Art Museum Vis-Ability exhibition workshop space"Janice Rieger, Jasmien Herssens, Megan Strickfaden, Marianella Chamorro-Koc, Bree Hadley (2019) Vis-ability Exhibition."
Image of QUT International Inclusive Film screening - Screen, Interpreter, Audience members"Janice Rieger, Jasmien Herssens, Megan Strickfaden, Bree Hadley (2019) International Inclusive Film Screening, DfA Week (with films from Finland, Canada, China and Australia)."
Image of Michael Whelan and Bree Hadley recording Audio Descriptions for Vis-Ability Exhibition taken by Janice Rieger"Janice Rieger, Bree Hadley, Katherine Dionysius, Michael Whelan (2019) VIS-ABILITY: Audio Description of Brown, Green and Cattapan's 'War and peace #7: Empire' (2011)."
Image of Michael Whelan and Bree Hadley recording Audio Descriptions for Vis-Ability Exhibition taken by Janice Rieger"Janice Rieger, Bree Hadley, Katherine Dionysius, Michael Whelan (2019) VIS-ABILITY: Audio Description of Karla Marchesis' artwork, 'Trashout' (2010)."
Image of Michael Whelan and Bree Hadley recording Audio Descriptions for Vis-Ability Exhibition taken by Janice Rieger"Janice Rieger, Bree Hadley, Katherine Dionysius, Michael Whelan, Megan Strickfaden(2019) VIS-ABILITY: Audio Description of Karla Dicken's artworks, 'Bottom feeder I-IV' (2018)."
Image of Michael Whelan and Bree Hadley recording Audio Descriptions for Vis-Ability Exhibition taken by Janice Rieger"Janice Rieger, Bree Hadley, Katherine Dionysius, Michael Whelan (2019) VIS-ABILITY: Audio Description of Denise Green's 'Saar elegy: Opposites' 2014."
Image of Michael Whelan and Bree Hadley recording Audio Descriptions for Vis-Ability Exhibition taken by Janice Rieger"Bree Hadley, Katherine Dionysius, Sarah Boulton (2019) Vis-Ability: Audio descriptions. In Vis-ability: Artworks from the QUT Art Collection. QUT Art Museum, Brisbane, Qld, pp. 45-53."
"Bree Hadley (2007) Review - Mirage, by Igneous, Australian Stage Online"
"Janice Rieger and Megan Strickfaden(2019) “Dis/ordered assemblages of disability in museums.” In The Routledge Handbook of Disability Art, Culture, and Media, edited by Bree Hadley and Donna McDonald, 48–61. London & New York: Routledge."
"Queensland Government (2024) Arts and Disability Plan. 25 September 2024. https://www.arts.qld.gov.au/projects-and-initiatives/arts-and-disability-plan-web"
"Commonwealth of Australia, 2018. Research Overview: Arts and Disability in Australia. Barton: Department of Communication and the Arts, Cultural Ministers Council. Available from: https://www.arts.gov.au/sites/g/files/net1761/f/research_overview_of_arts_and_disability.pdf."
"Amanda Cachia (2022) Curating Access: Disability Art Activism and Creative Accommodation. London: Routledge"
"Bree Hadley (2022) Disability and the Arts, Creative, and Cultural Industries in Australia. Australian Academy of Humanities"
"Sarah Austin, Kath Duncan, Gerard Goggin, Lachlan MacDowall, Veronica Pardo, Eddie Paterson, Jax Jacki Brown, Morwenna Collett, Fiona Cook, Bree Hadley, Jess Kapuscinski-Evans, Donna McDonald, Julie McNamara, Gayle Mellis, Kate Sulan (2019). The last avant garde? In B. Hadley, D. McDonald ed. The Routledge Handbook of Disability Art, Culture, and Media. London & New York: Routledge, 251-262."
"Bree Hadley (2008) Mobilising the monster: Modern disabled performers' manipulation of the freakshow. M/C Journal, 11(3), pp. 1-7.”
"Bree Hadley (2014) Practice as method: The ex/centric fixations project. In Bolt, B & Barrett, E (Eds.) Material inventions: applying creative arts research. I.B. Tauris Publisher, United Kingdom, pp. 145-165.”
"Bree Hadley (2016) Cheats, charity cases and inspirations: disrupting the circulation of disability-based memes online. Disability and Society, 31(5), pp. 676-692."
"Bree Hadley, Clark Crystal (2017) Style, stage presence, and the poetic subversion of stereotypes: A case study of Blue Roo Theatre Company. Social Alternatives, 36(4), pp. 15-21."
"Bree Hadley (2017) Disability, Sustainability, Austerity: The Bolshy Divas Arts-Based Protests Against Policy Paradoxes. Centre for Sustainable Practice in the Arts Journal 18 Spring. http://www.sustainablepractice.org."
"Bree Hadley (2015) Participation, politics and provocations: People with disabilities as non-conciliatory audiences. Participations: journal of audience and reception studies, 12(1), pp. 154-174.”
"Bree Hadley (2014) Disability, Public Space Performance, and Spectatorship: Unconscious Performers. London: Palgrave Macmillan."
"Bree Hadley (2017) Disability theatre in Australia: a survey and a sector ecology. Research in Drama Education, 22(3), pp. 305-324.”
"Bree Hadley (2018) Disability, disabled dance audiences and the dilemma of neuroaesthetic approaches to perception and interpretation. In Wood, K, Brown, A, Waelde, C, Harmon, S, Blades, H, & Whatley, S (Eds.) Dance, disability and law: Invisible difference. Intellect Ltd, United Kingdom, pp. 293-315.”
"Bree Hadley, Gerard Goggin, Petra Kuppers, Colette Conroy, Meagan Shand, Donna McDonald, Martin Paten, Norm Horton, Sarah Moynigan, Veronica Pardo, Caroline Bowditch, Morwenna Collett, Kerry Comerford, David Doyle, Pat Swell, Clark Crystal, Peter Stuart (2019) The NDIS and disability arts in Australia: Opportunities and challenges. Australasian Drama Studies, 74, pp. 9-38."
"Bree Hadley, Donna McDonald, Sarah Austin, Kath Duncan, Gerard Goggin, Lachlan MacDowall, Veronica Pardo, Eddie Paterson, with collaborators Dave Calvert, Jori De Coster, Shawn Goh, Alice Fox, Ann M. Fox, Andy Kempe, Petra Kuppers, Justin Lee, Alex Lubet, Sarah Meisch Lionetto, Ann Millett-Gallant, Laura Misener, Bronwyn Preece, Megan Strickfaden, Joanne Tay, Matthew Reason, Nancy Quinn, and Sarah Whatley (2019) Conclusion: practicing interdependency, sharing vulnerability, celebrating complexity - the future of disability arts, culture, and media research. In Hadley, B & McDonald, D (Eds.) The Routledge handbook of disability arts, culture, and media. Routledge, United Kingdom, pp. 362-372."
"Bree Hadley (2019) Disability arts in an age of austerity. In Hadley, B & McDonald, D (Eds.) The Routledge handbook of disability arts, culture, and media. Routledge, United Kingdom, pp. 347-361."
"Bree Hadley, Donna McDonnald (2019) Introduction: disability arts, culture, and media studies - mapping a maturing field. In Hadley, B & McDonald, D (Eds.) The Routledge handbook of disability arts, culture, and media. Routledge, United Kingdom, pp. 1-18.”
”Bree Hadley, Donna McDonnald (Eds.) (2019) The Routledge Handbook of Disability Arts, Culture, and Media. Routledge International Handbooks. Routledge, London; New York.”
"Bree Hadley (2020) Allyship in disability arts: Roles, relationships, and practices. Research in Drama Education, 25(2), pp. 178-194.”
"Bree Hadley (2019) Advocacy, allies, and 'allies of convenience' in performance and performative protest. In Grehan, H (Ed.) The Routledge companion to theatre and politics (Routledge Theatre and Performance Companions). Routledge, United Kingdom, pp. 85-88.”
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Items with "Relation: Bree Hadley"
Title Class
Image of Access Arts Annual Report 2017"Access Arts Annual Report 2017" CreativeWork
Image of Access Arts Annual Report 2019-2020"Access Arts Annual Report 2019-2020" CreativeWork
Image of Access Arts Annual Report 2020-2021"Access Arts Annual Report 2020-2021" CreativeWork
Image of Back to Back Theatre - Annual Report 2010"Back to Back Theatre - Annual Report 2010" CreativeWork
Image of interview with David Doyle"Interview with David Doyle" CreativeWork
Image of Interview with Kath Duncan"Interview with Kath Duncan" CreativeWork
Image of Interview with Morwenna Collett"Interview with Morwenna Collett" CreativeWork
Access Arts Organization
Australia Council Organization
Australia Council for the Arts Organization
Back to Back Theatre Organization
Blue Folk Theatre Organization
Blue Roo Theatre Company Organization
Bolshy Divas Organization
Creative Australia Organization
Quippings Performance Troupe Organization
QUT Art Museum Organization
Items with "creator: Bree Hadley"
Title Class
"Amanda Cachia (2022) Curating Access: Disability Art Activism and Creative Accommodation. London: Routledge" Article
"Bree Hadley (2007) Review - Mirage, by Igneous, Australian Stage Online" Article
"Bree Hadley (2008) Mobilising the monster: Modern disabled performers' manipulation of the freakshow. M/C Journal, 11(3), pp. 1-7.” Article
"Bree Hadley (2014) Practice as method: The ex/centric fixations project. In Bolt, B & Barrett, E (Eds.) Material inventions: applying creative arts research. I.B. Tauris Publisher, United Kingdom, pp. 145-165.” Article
"Bree Hadley (2015) Participation, politics and provocations: People with disabilities as non-conciliatory audiences. Participations: journal of audience and reception studies, 12(1), pp. 154-174.” Article
"Bree Hadley (2016) Cheats, charity cases and inspirations: disrupting the circulation of disability-based memes online. Disability and Society, 31(5), pp. 676-692." Article
"Bree Hadley (2017) Disability theatre in Australia: a survey and a sector ecology. Research in Drama Education, 22(3), pp. 305-324.” Article
"Bree Hadley (2017) Disability, Sustainability, Austerity: The Bolshy Divas Arts-Based Protests Against Policy Paradoxes. Centre for Sustainable Practice in the Arts Journal 18 Spring. http://www.sustainablepractice.org." Article

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