Kate Sulan

Item

Title
Kate Sulan
Identifier
PE04042
Relation
Geelong
Melbourne
Victoria
Rawcus
Theatreworks
Dance Massive
Arts House
Melbourne Symphony Orchestra
Melbourne Fringe Festival
Restless Dance Theatre
Company @
Tutti Arts
No Strings Attached Theatre of Disability
Accessible Arts
Tutti Arts
Arts Activated
Melbourne Fringe Festival
Quippings Performance Troupe
Back to Back Theatre
Melbourne International Arts Festival (MIAF)
Arts Access Victoria
Image of Arts Access Victoria – Annual Report 2001-02“Arts Access Victoria – Annual Report 2001-02”
Image of Rawcus - Catalogue - Program"Rawcus - Catalogue - Program"
Image of Rawcus - Catalogue"Rawcus - Catalogue"
Image of Rawcus - Song for a Weary Throat - Program"Rawcus - Song for a Weary Throat - Program"
Image of Rawcus - Song for a Weary Throat - Program"Rawcus - Song for a Weary Throat - Program"
Image of Rawcus - Song for a Weary Throat"Rawcus - Song for a Weary Throat"
Image of Rawcus - The Heart of Another is A Dark Forrest"Rawcus - The Heart of Another is A Dark Forrest"
Image of Rawcus - Hunger"Rawcus - Hunger"
Image of Rawcus - Small Odysseys"Rawcus - Small Odysseys"
Image of Rawcus - Small Odysseys - Program"Rawcus - Small Odysseys - Program"
Image of Back to Back Theatre - Information Pack"Back to Back Theatre - Information Pack"
Image of Back to Back Theatre - Annual Report 2004"Back to Back Theatre - Annual Report 2004"
Image of Back to Back Theatre - Annual Report 2005"Back to Back Theatre - Annual Report 2005"
Image of Back to Back Theatre - Annual Report 2006"Back to Back Theatre - Annual Report 2006"
Image of Back to Back Theatre - Annual Report 2007"Back to Back Theatre - Annual Report 2007"
Image of Back to Back Theatre - Annual Report 2008"Back to Back Theatre - Annual Report 2008"
Image of Back to Back Theatre - Annual Report 2009"Back to Back Theatre - Annual Report 2009"
Image of Back to Back Theatre - Annual Report 2010"Back to Back Theatre - Annual Report 2010"
Image of Back to Back Theatre - Annual Report 2011"Back to Back Theatre - Annual Report 2011"
image of Back to Back Theatre - Annual Report 2012"Back to Back Theatre - Annual Report 2012"
Image of Back to Back Theatre - Annual Report 2022"Back to Back Theatre - Annual Report 2022"
Image of Restless Dance – Howling Like A Wolf Promotional Card “Restless Dance – Howling Like A Wolf Promotional Card"
Image of Restless Dance – Howling Like A Wolf Program“Restless Dance – Howling Like A Wolf Program"
Image of Restless Dance – Annual Report 2008“Restless Dance – Annual Report 2008"
Image of Restless Dance – Annual Report 2011“Restless Dance – Annual Report 2011"
Image of Restless Dance – Annual Report 2012“Restless Dance – Annual Report 2012"
Image of Back to Back Theatre Lady Eats Apple webpage"Back to Back Theatre - Lady Eats Apple - Webpage"
Image of Accessible Arts - Arts Activated Conference 2010 - Program"Accessible Arts - Arts Activated Conference 2010 - Program"
Image of Rawcus - Sideshow - Program"Rawcus - Sideshow - Program"
Image of Restless Dance Theatre website - Past Shows 2012 - 2016"Restless Dance - Past Shows 2012 - 2016"
Image of IDPWD website - Quippings presents Risky Business"Quippings presents Risky Business"
Image of Rawcus Website, captured 2014"Rawcus Website, captured 2014"
Image of Back to Back Theatre - Website - Brief History, captured 2008"Back to Back Theatre - Website - BriefHistory, captured 2008"
Image of Back to Back Theatre - Ganesh Versus the Third Reich -(2011), uploaded 2013"Back to Back Theatre - Ganesh Versus the Third Reich -(2011), uploaded 2013"
"Sarah Austin, Kath Duncan, Gerard Goggin, Lachlan MacDowall, Veronica Pardo, Eddie Paterson, Jax Jacki Brown, Morwenna Collett, Fiona Cook, Bree Hadley, Jess Kapuscinski-Evans, Donna McDonald, Julie McNamara, Gayle Mellis, Kate Sulan (2019). The last avant garde? In B. Hadley, D. McDonald ed. The Routledge Handbook of Disability Art, Culture, and Media. London & New York: Routledge, 251-262."
“Research project ‘Disability and the Performing Arts in Australia: The Last Avant Garde’ investigates the creative and aesthetic strategies of the Australian disability arts sector”
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Person
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