"Bree Hadley, Janice Rieger, Eddie Paterson (2024) Reinhabiting, Reimagining, and Recreating Ableist Spaces: Embodied Criticality In Art. In Ellis, Katie, Kent, Mike, & Cousins, Kim (Eds.) The Routledge International Handbook of Critical Disability Studies. Routledge, pp. 48-58."

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Title: "Bree Hadley, Janice Rieger, Eddie Paterson (2024) Reinhabiting, Reimagining, and Recreating Ableist Spaces: Embodied Criticality In Art. In Ellis, Katie, Kent, Mike, & Cousins, Kim (Eds.) The Routledge International Handbook of Critical Disability Studies. Routledge, pp. 48-58."
Description: "In this chapter we bring critical disability studies into dialogue with disability artworks that resituate critiques of inaccessibility and exclusion as complicated encounters with space, lived experience and embodiment. Drawing on Irit Rogoff’s (2003, 2006) notions of embodied criticality, and the pioneering work of performance studies scholar Petra Kuppers (2003, 2014), we argue for an embodied, embedded and creative form of critical disability studies – enacted through art. We examine two recent performance and installation works in hotels: Welcome Inn (2019) by British artist Christopher Samuel, and Intimate Space (2017) by Australian performance company Restless Dance Theatre."
Identifier: BK00003
Publisher: Routledge
datePublished: 2024
sourceOrganization: Restless Dance Theatre; Weave Movement Theatre; Rawcus
exampleOfWork: “Restless Dance – Intimate Space Promotional Poster"; "Restless Dance - Program 2022"
creator: Janice Rieger; Bree Hadley; Eddie Paterson; Michelle Ryan; Anna Hickey-Moody; Darcy Carpenter; Jason Sweeney; Michael Noble
category: abstract
Type: Chapter
Format: URL
inLanguage: English
keywords: Theatre and Performance; Dance. Visual Arts and Galleries; Participation in cultural life; Participation in political and public life; Equity and non-discrimination; Advocacy and awareness raising
copyrightNotice: Except as permitted by copyright law, you may not reproduce or communicate any of the content on this website, including files downloadable from this website, without the permission of the copyright owner. The Australian Copyright Act allows certain uses of content from the internet without the copyright owner’s permission. This includes uses by educational institutions and by Commonwealth and State governments, provided fair compensation is paid to the copyright owner. For more information, see www.copyright.com.au and www.copyright.org.au.
url: https://doi.org/10.4324/9780429324604-6

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Items with "Relation: "Bree Hadley, Janice Rieger, Eddie Paterson (2024) Reinhabiting, Reimagining, and Recreating Ableist Spaces: Embodied Criticality In Art. In Ellis, Katie, Kent, Mike, & Cousins, Kim (Eds.) The Routledge International Handbook of Critical Disability Studies. Routledge, pp. 48-58.""
Title	Class
"Interview with Darcy Carpenter"	CreativeWork
"Interview with Michael Noble"	CreativeWork
"Interview with Michelle Ryan"	CreativeWork
Darcy Carpenter	Person
Janice Rieger	Person
Jason Sweeney	Person
Michael Noble	Person
Michelle Ryan	Person
Rawcus	Organization
Restless Dance	Organization
Restless Dance Company	Organization
Restless Dance Theatre	Organization
Weave Movement Theatre	Organization

Items with "exampleOfWork: "Bree Hadley, Janice Rieger, Eddie Paterson (2024) Reinhabiting, Reimagining, and Recreating Ableist Spaces: Embodied Criticality In Art. In Ellis, Katie, Kent, Mike, & Cousins, Kim (Eds.) The Routledge International Handbook of Critical Disability Studies. Routledge, pp. 48-58.""
Title	Class
“Research project ‘Disability and the Performing Arts in Australia: The Last Avant Garde’ investigates the creative and aesthetic strategies of the Australian disability arts sector”	Action
Anna Hickey-Moody	Person
Bree Hadley	Person

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