”Racheal Missingham, Bree Hadley (2022) Oppression and allyship in Australia's Deaf Arts. Australasian Drama Studies, 80, pp. 304-332.”
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Title
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”Racheal Missingham, Bree Hadley (2022) Oppression and allyship in Australia's Deaf Arts. Australasian Drama Studies, 80, pp. 304-332.”
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Description
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"In this article, we investigate the history of Deaf theatre in Australia, through the lens of oppression and allyship. Through a review of the to date limited academic, industry, and media literature, in conjunction with survey and interview research with Deaf theatre practitioners, this research sheds light on Deaf theatre makers’ perceptions of the ways in which ally support can operate to create both social benefits and barriers, and how this has impacted on the non-linear development and recent decline in Deaf theatre companies in Australia. It finds that, in developing a framework to scaffold stronger allyship relationships with d/Deaf and hard of hearing artists, it is critical to consider the accessibility and cultural requirements not just in relation to theatre methodologies, but in relation to arts management practices, which support continuing company production, too."
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Identifier
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BK00007
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Publisher
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Australasian Drama Studies
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datePublished
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2022
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category
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abstract
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Type
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Article
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Format
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URL
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inLanguage
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English
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keywords
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Theatre and Performance
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D/deaf Arts and Artists
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d/Deaf or hard of hearing
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Grant
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Advocacy and awareness raising
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Access
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Equity and non-discrimination
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Education and employment
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Participation in political and public life
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Participation in cultural life
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copyrightNotice
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Linked resources
Items with "exampleOfWork: ”Racheal Missingham, Bree Hadley (2022) Oppression and allyship in Australia's Deaf Arts. Australasian Drama Studies, 80, pp. 304-332.”"
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Bree Hadley |
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