Carriageworks
Item
- Title
- Carriageworks
- Identifier
- OR00198
- Relation
- Sydney
- New South Wales
- Accessible Arts
-
"Accessible Arts - Arts and Disability Expo - Program"
-
"Accessible Arts - Arts and Disability Expo - Promotional Poster"
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"Accessible Arts - Annual Report 2016"
-
"Interview with Alison Richardson"
-
"Accessible Arts - Second Skin 2012 - Program"
-
"Accessible Arts - Second Skin 2013 - Program"
-
“Restless Dance – Annual Report 2015"
- Eddie Paterson
- Madeleine Little
- Alison Richardson
- category
- Organization
- sourceOrganization
- Creative Australia
- Australia Council
- Force Majeure
- Urban Theatre Projects
- Carriageworks
- Australia Council for the Arts
- Dance Integrated Australia
- Back to Back Theatre
- Accessible Arts
- exampleOfWork
- "Accessible Arts - Arts and Disability Expo - Program"
- "Accessible Arts - Arts and Disability Expo - Promotional Poster"
- "Accessible Arts - Annual Report 2016"
- "Interview with Alison Richardson"
- "Accessible Arts - Second Skin 2012 - Program"
- "Accessible Arts - Second Skin 2013 - Program"
- “Restless Dance – Annual Report 2015"
-
"Philip Channells - Dance Integrated Australia - Off the Record - Webpage"
- "Bree Hadley (2022) Disability and the Arts, Creative, and Cultural Industries in Australia. Australian Academy of Humanities"
- "Bree Hadley (2017) Disability theatre in Australia: a survey and a sector ecology. Research in Drama Education, 22(3), pp. 305-324.”
- "Carriageworks (2015) NSW Arts and Disability Partnership Launched at Carriageworks Including $100,000 Support for Two Major New Works. Carriageworks, 30 January 2015"
- "Bree Hadley (2020) Allyship in disability arts: Roles, relationships, and practices. Research in Drama Education, 25(2), pp. 178-194.”
- "Bree Hadley, Eddie Paterson, Madeleine Little, Kath Duncan (2024) How Disability Performance Travels in Australia: The Reality Under the Rhetoric. In Czymoch, Christiane, Maguire Rossier, Kate, & Schmidt, Yvonne (Eds.) How Does Disability Performance Travel?: Access, Art, and Internationalization. Routledge, Abingdon, Oxon, pp. 62-76.”
- “Carriageworks ‘New Normal’ program plan to commission ten new works presents three performances - Lady Eats Apple (Back to Back Theatre, 2017), Off the Record (Force Majeure, Dance Integrated Australia, 2016), Simple Infinity (Urban Theatre Projects, 2016)"
- creator
- Alison Richardson
- Item sets
- Organization
Linked resources
| Title | Class |
|---|---|
| Danielle Micich | Person |
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