Disability Arts History Australia

Items

• Timothy Brown
• Noelene Gration
• Magda Labuda
• Meagan Shand
• Larissa MacFarlane
• Larissa McFarlane
• "Interview with Tim McCallum"
  Tim McCallum is a singer, performer and speaker and disability advocate. Interview Summary Tim McCallum is a performer who specializes in singing and acting, with singing being his foremost talent. Having sustained a spinal cord injury resulting in quadriplegia before beginning his studies at the Western Australian Academy of Performing Arts, Tim's childhood passion for the performing arts has continued to motivate his career. Through his experiences, both positive and negative, regarding inclusion and discrimination in the arts, Tim has become determined to challenge preconceived notions and make disability a visible and celebrated aspect of performance. He is a strong advocate for the representation of artists with disabilities in leadership roles within arts governance, stressing the importance of lived expertise over tokenism for lasting change in the industry.
• "Interview with Jeremy Hawkes"
  Jeremy Hawkes is a multidisciplinary artist working in sculpture, drawing, painting and photography as well as being a writer, educator and disability arts leader. Interview Summary Jeremy Hawkes, a visual artist, opened up about his life and identity during his interview. After a debilitating workplace accident, he had to reimagine his sculptural practice due to his acquired disability and ventured into drawing, which helped him cope with multiple operations and diagnoses. Jeremy's art explores themes of identity and the interconnectedness between the macro and the micro, drawing inspiration from neurobiology and medical imagery. Despite his struggles, Jeremy commits to his studio daily, aims for success without fear, and advocates for greater visibility and opportunities for artists with disabilities.
• Jodee Mundy
• Harmonie Downes
• Colleen Stevenson
• "Indelability Arts - Business Plan 2020-22"
  Indelability Arts Business Plan 2020-2022 provides information about Indelability Arts Mission “To provide creative, innovative opportunities for Queensland artists,” Board, Artistic Directors, Company Development, Program, and Marketing Staff, Associate Artists and Ensemble, Performance and Workshop programs, Funding, Goals, and Point of Difference – stated as “indelabilityarts pushes boundaries and expectations with its artists and audiences to think outside the box of what is attainable”
• “Australia Council praises NSW Theatre of the Deaf and provides some funding to the Deaf theatres throughout the 1970s”
  The 1976/77 Australia Council annual report stated: "The NSW Theatre of the Deaf is a significant achievement. The only funded organisation in Australia working in nonverbal theatre, its production of King Lear received widespread praise. This company is now accepted as operating in a legitimate area of theatre rather than performing mime works for the deaf. This offers wide scope for innovation." The Council’s 1977/78 annual report recorded that it granted funding to the NSW Theatre of the Deaf “towards salaries of artistic director, deaf director, and tutors’ fees in 1978” for $25,000; the “presentation of theatre pieces (mime, clowning, puppetry) in public performance” for $2,500, and “towards costs of a production in 1978” for $4,000. It also awarded $1,980 to Queensland Theatre of the Deaf “towards the cost of transporting company to Sydney for seminar with NSW Theatre of the Deaf”. Drama Resource Centre (Victoria) received $2,840 “to develop student theatre at Victoria School for Deaf Children” and $630 went to Children’s Activities Time Society (Western Australia) for the “cost of deaf mime artist, Rae Gibson, to undertake four week visit to Melbourne and Sydney to work with deaf artists”. The following annual report for 1978/79 recorded that the Council granted $25,000 to the NSW Theatre of the Deaf “towards salaries of artistic director, administrator and tutors” in 1979. The Council also awarded $1,800 to the Queensland Theatre of the Deaf towards a salary for Geoffrey Rush to work with the company in 1979. The 1979/1980 Australia Council annual report mentions funding “provided for a playwright-in-residence at the NSW Theatre of the Deaf.”
• The Queensland Arts Council
• Youth Arts Queensland
• “Screen producer, editor, and accessibility consultant Stephanie Dower is interviewed for Screen Queensland On Air, in an episode called How They See Us: Disability in the Screen Industry”
  Stephanie Dower was interviewed in 2020 for Screen Queensland On Air, in an episode called How They See Us: Disability in the Screen Industry. Dower is an editor, producer, and writer for screen. She has also worked with Get Skilled Access and as an accessibility consultant for Queenslanders with Disability Network.
• "Queensland Theatre of the Deaf - Kenneth J Donnell - Actor, Director, and Foundation Committee Member - CV"
  CV of Kenneth J Donnell, Foundation Committee Member, Actor, Director, and Artistic Director Queensland Theatre of the Deaf from 1980, dated 1998 - training (including as first profoundly Deaf Australian to be awarded a Churchill Fellowship), awards, shows as actor (An Evening with the Theatre of the Deaf, Snow White & Company, Ondine, The Crane, Jack the Simpleton & his master, Dick Woodington-Lord Mayor of Where?, Treasure Map, Seasons, Christmas Carol, Only an Orphan Girl, The Man from Snowy river, A Stranger at the Inn, Gotze, Wolf Boy), as director (Medieval Mime, Mime Skits for Expo'88', Spring Mime Madness), and as director/author (Follow That Sign, Robert the Bruce, Anonymous Addict, Nara's Journey, Our Eyes are Your Ears, Assimilation, The Devious Black Marble, Fate of The Rose)
• QLD Theatre of the Deaf
• "Cultural Ministers Council (2009) National Arts & Disability Strategy."
  Reads, in part "On 9 October 2009, the Cultural Ministers Council agreed to the National Arts and Disability Strategy, which sets out a vision for improving access and participation in the artistic and cultural activities for people with disabilities. The Strategy provides a framework within which jurisdictions can assess and improve existing activities. It also identifies new priority projects that could be progressed as national initiatives or by individual jurisdictions."
• "Bree Hadley (2019) Advocacy, allies, and 'allies of convenience' in performance and performative protest. In Grehan, H (Ed.) The Routledge companion to theatre and politics (Routledge Theatre and Performance Companions). Routledge, United Kingdom, pp. 85-88.”
  "Though allies have always played a role in the production of political performance, analysis of the work of disabled artists, women artists, queer artists, and artists of colour has yet to be combined with analysis of the work of allies addressing the same issues. In this chapter, I consider the practice of allies in a specific context, social media performance, as a newly emerging platform for political activism. After tracing the way allies are typically involved in political performance about, with, and by marginalised people and communities, I point to complexities arising when activists, campaigners, entertainers, and pranksters use new online platforms in performance that purport to support the same cause.
• "Unbroken Land - review by Dani Powell 2016, captured 2018"
  Review of Unbroken Land (InCite Arts/Red Hot Arts Central Australia) by Dani Powell in Limelight Magazine, 18/09/2016, reads, in part “According to Co-Artistic Directors Jenine Mackay and Virginia Heydon, the show endeavoured to “share the stories of how we feel and experience connection to nature, place and belonging”.”
• "Australia Council - Access and audience development in Australia"
  Australia Council - 'Access and audience development in Australia' reports - reads, in part "These reports were commissioned in 2004 to assess what is currently being done, and what needs to be done, to increase access to the performing arts and museums & galleries in Australia for people with a disability."
• “Australia Council - Grants, captured 1997”
  Australia Council (Creative Australia) grants captured December 1997. Website reads “extracted from the Australia Council Grants Handbook 1997” and includes Grant Categories: an Overview, Aboriginal and Torres Strait Islander Arts Board, Community Cultural Development Fund, Dance Fund, Literature Fund, Major Organisations Fund, Music Fund, New Media Arts Fund, Theatre Fund, Visual Arts/Craft Fund, Awards
• "Accessible Arts - Career Advancement, captured 2022"
  Accessible Arts - Career Advancement - reads, in part "We’re here to empower the creativity and careers of arts practitioners with disability right across NSW. We do this by providing a range of professional development programs for both artists and arts workers."
• "Tutti Arts - Website - Artist Collectives, captured 2023"
  Tutti Arts Website Artist Collectives captured 2023 - includes links to information about Company AT, Sit Down Shut up and Watch, The Sisters of Invention, and artist profiles