Disability Arts History Australia

Items

• Anne Kwasner
• Annalea Beattie
• Anna Smith
• Angela Bailey
• Alistair McCloy
• Ali Dart
• Disability Arts History Australia Launch 2025 - Archiving, Access and AI Report
• Disability Arts History Australia Launch 2025 - Industry Report
• Disability Arts History Australia Launch 2025 - Archiving Report
• "DADAA Annual Report 2017-2018"
  DADAA Annual Report 2017-2018 - Chairperson and Executive Director’s Reports, New premises, NDIS, Workshops, Exhibitions, Galleries, Online Gallery, Art Link Programs, Arts Access Australia International Forum, Nexus Arts Grants, Professional Mentorships, Financials
• "DADAA Annual Report 2020-2021"
  DADAA Annual Report 2020-2021– Chair’s and Executive Director’s Reports, People, Partners, Arts and Client Services, Projects including The Other Film Festival WA, Digital Capacity Building, Financials
• "DADAA Annual Report 2021-2022"
  DADAA Annual Report 2021-2022 – Chair’s and Executive Director’s Reports, People, Partners, Arts and Client Services, Projects including The Other Film Festival WA, Creative Development 4:48 Psychosis Creative Development, Digital Project, Exhibitions, Financials
• "DADAA Annual Report 2022-2023"
  DADAA Annual Report 2022-2023 – Chair’s and Executive Director’s Reports, People, Partners, Arts and Client Services, Projects including 4:48 Psychosis, Digital Art for Life, Exhibitions, Financials
• "Indelability Arts - YouTube - The No Bang Theory Sizzle Reel"
  Indelability Arts - Sizzle Reel - Oliver Hetherington Page "The No Bang Theory" https://www.youtube.com/watch?v=C8HG011V06g&t=3s
• "Indelability Arts - Shows"
  Website records shows produced by Indelability Arts since 2015, including LOOK MUM...NO HANDS!!! [THE LEGLESS BAR YEARS], LOVE ME, WILBUR THE OPTICAL WHALE, SHE - See Us, Hear Us, Engage With Us, as well as production/development support for shows by ensemble members, including BETSY AND I, CHAMELEON, THE NO BANG THEORY
• "Access Arts - Brisbane Outsider Artists 2014"
  Access Arts Brisbane Outsider Artists (BOA) Studio/Programs page, with information about artists, and exhibitions, and examples of work
• "Access Arts - You Tube - Aerial Artist Lauren Watson"
  Access Arts - You Tube - Aerial artist Lauren Watson - reads, in part "Access Arts workshop participant - Lauren Watson"
• "Access Arts - The Divine Kiss, website captured 2004"
  Access Arts - The Divine Kiss, website captured 2004"- reads, in part "The Divine Kiss - The Evil is Always and Everywhere - is a music theatre work exploring the imagery of the Seven Saving Virtues. This is not a traditional text driven narrative, but a collection and superimposing of images with text. Although the perimeters may seem fluid, the work is structured around a base of Seven Virtues with twelve images per virtue of either sound, light and/or singing. Seven sections equal the Seven Virtues, each section to explore one virtue in its quarternity. The sections build one on another using the device of a palimpset of images to reinforce and deepen the audience experience through thematic reiterations."
• ”Racheal Missingham, Bree Hadley (2022) Oppression and allyship in Australia's Deaf Arts. Australasian Drama Studies, 80, pp. 304-332.”
  "In this article, we investigate the history of Deaf theatre in Australia, through the lens of oppression and allyship. Through a review of the to date limited academic, industry, and media literature, in conjunction with survey and interview research with Deaf theatre practitioners, this research sheds light on Deaf theatre makers’ perceptions of the ways in which ally support can operate to create both social benefits and barriers, and how this has impacted on the non-linear development and recent decline in Deaf theatre companies in Australia. It finds that, in developing a framework to scaffold stronger allyship relationships with d/Deaf and hard of hearing artists, it is critical to consider the accessibility and cultural requirements not just in relation to theatre methodologies, but in relation to arts management practices, which support continuing company production, too."
• Salubrious Productions
• "Access Arts - What's Hiding In The Black Box"
  "What's Hiding in the Black Box" exhibition, presented by Access Arts, Footsteps Gallery, Salubrious Productions
• "Access Arts - Interacting With People With Disabilities Handbook"
  Handbook reads "Advocacy is an important part of Access Arts' work. We developed this training program in response to the experiences of cast members during a National tour of an Access Arts performance. Cast members often found themselves in situations where they were discriminated against or did not receive appropriate service. I congratulate your company for taking the initiative to adopt this program, thereby creating disability awareness and better service provision to the general public." Training program includes information on legislation, definitions of disability/disabilities, appropriate language, basic Auslan, and standards.
• "Access Arts - Artsworkers Guidelines"
  Identifies staff, artist, support worker, and exhibition curator roles, along with policy in relation to advocacy, media, purchase of artwork, privacy, behaviour, sexual harassment, and grievances.
• Sam Nicolosi
• Rebecca Alexander