Disability Arts History Australia

Items

• "Arts Project Australia - Website, captured 2016"
  Arts Project Australia - Website, captured 2016 - includes Home, About, Studio, Artists & Art Gallery, Exhibitions & Events, Get Involved, Shop, Blog, Contact
• "Arts Project Australia - Annual Reports 2016-2021, captured 2022"
  Arts Project Australia - Annual Reports 2016-2021 - reads, in part "Arts Project Australia is a creative social enterprise that supports artists with intellectual disabilities, promotes their work and advocates for their inclusion in contemporary art practice."
• "Arts Project Australia - Studio, captured 2022"
  Arts Project Australia - Studio - reads, in part "Arts Project Australia offers creative and accessible spaces for artists with intellectual disability. Join the studio program at the Northcote building or via online platform 'Satellite Arts.'"
• "Arts Project Australia - Satellite Arts, captured 2022"
  Arts Project Australia - Satellite Arts - reads, in part "Arts Project Australia's latest creative and accessible program supports artists living with an intellectual disability with remote online access to the supportive studio."
• "Access2Arts Artist Profiles as first added to website in 2017"
  Access to Arts Artist Profiles as first added to website in 2017
• "Announcement of transition from DATT to Access2Arts"
  Announcement of transition from DATT (Disability and Arts Transition Team) to Access2Arts
• "Access2Arts Artist Space artist development program as first added to website 2016"
  Access2Arts Artist Space, 4 March 2016.Includes information about Access2Arts "Artist development program creates activity and opportunities to support and stimulate Deaf and disabled artists’ professional practice and develop arts projects that explore new territory. Access2Arts supports emerging and professional artists in the following areas: Contemporary arts practice; Deaf arts and disability arts; Professional skills development; One-on-one artist consultations; Innovative arts projects; Information, forums, training; Auspicing services"
• "Quippings presents Risky Business"
  Reads, in part "Risky Business is the Quippings crew daredevils taking over the Melba Spiegeltent with our cabaret wordfest game show extravaganza!"
• "YouTube - Take Up Thy Bed and Walk - presented by Vitalstatistix and Gaelle Mellis"
  YouTube of 'Take Up Thy Bed and Walk' (2013) by Vitalstatisix and Gaelle Mellis - "Take Up Thy Bed & Walk is a subversive performance about women, disability & fiction."
• "Ron Grainer and Doctor Who - Interview - NFSA"
  Australian composer Ron Grainer, disabled in WWII, wrote the theme song to Doctor Who.
• ”Racheal Missingham, Bree Hadley (2022) Oppression and allyship in Australia's Deaf Arts. Australasian Drama Studies, 80, pp. 304-332.”
  "In this article, we investigate the history of Deaf theatre in Australia, through the lens of oppression and allyship. Through a review of the to date limited academic, industry, and media literature, in conjunction with survey and interview research with Deaf theatre practitioners, this research sheds light on Deaf theatre makers’ perceptions of the ways in which ally support can operate to create both social benefits and barriers, and how this has impacted on the non-linear development and recent decline in Deaf theatre companies in Australia. It finds that, in developing a framework to scaffold stronger allyship relationships with d/Deaf and hard of hearing artists, it is critical to consider the accessibility and cultural requirements not just in relation to theatre methodologies, but in relation to arts management practices, which support continuing company production, too."
• "Sarah Austin, Chris Brophy, Lachlan MacDowell, Edward Paterson, and Winsome Roberts (2015) Beyond Access: The Creative Case for Inclusive Arts. Melbourne: Arts Victoria."
  Reads, in part "Beyond Access sought to create an evidence base for the creative case for inclusive arts practice to support greater recognition for artists with a disability by transforming and extending notions of what art is and who produces it."
• "Kate Maguire-Rosier (2016). Moving “Misfits.” Australasian Drama Studies, (69), 29–55. https://search.informit.org/doi/10.3316/informit.590682266081795"
  Reads, in part "In Dianne Reid's recent work Dance Interrogations (a Diptych), performed as part of the 2015 Melbourne Fringe Festival by Reid and collaborating artist Melinda Smith, spectators had no seats but rather roamed, observing two mature dancers. In this article, I explore Reid and Smith's live performance, a combination of structured movement improvisation and screendance, as a provocation of the relationship between movement and agency. I address the theatrical event through the multifaceted lens of the performers' experiences, spectators' responses and my own observations."
• "Anthea Skinner, Jess Kapuscinski-Evans (2021) Facilitate This! Reflections from Disabled Women in Popular Music. Journal of Popular Music Studies 1 June 2021; 33 (2): 3–14. doi: https://doi.org/10.1525/jpms.2021.33.2.3"
  Reads, in part "This article is a reflection by the authors on the impact that their identities as disabled women have had on their ongoing music careers. Skinner and Kapuscinski-Evans make up two-thirds of the Australian crip-folk trio, the Bearbrass Asylum Orchestra (the term “crip” is a cultural reappropriation of “cripple”). The Bearbrass Asylum Orchestra is a band that performs as part of the Disability Music Scene in Melbourne, Australia, using folk music to portray their experiences as people with disabilities. In this article Skinner and Kapuscinski-Evans discuss the formation of and philosophy behind the band, as well as the impact that growing up as disabled women had on their musical education, careers, and influences."
• "Bree Hadley (2007) Review - Mirage, by Igneous, Australian Stage Online"
  Reads, in part "In Mirage, a performance installation by Brisbane-based multimedia company Igneous, dancer James Cunningham uses a combination of dance and data projection to draw the audience into a strange new perceptual space, in which body parts can be transposed, twinned and mirrored, providing new capacity for movement in the face of challenges to a body’s conventional structure and integrity. The work, like Cunningham’s previous collaboration with multimedia artist Suzon Fuks on The Body in Question (1999), is based on Cunningham’s experience after a motorcycle accident in 1992 left him paralysed in his left arm. Both works touch on the perceptions and realities of the human body as it reacts, recovers and rediscovers its potentialities in the wake of injury"
• “Australia Council (1989) The Arts and People with Disabilities: A code of practice for arts organisations. https://webarchive.nla.gov.au/awa/20000324231832/http://www.ozco.gov.au/publicat/Inprint.htm”
  Australia Council- 'The Arts and Disability: A code of practice for arts organisations' in print publications https://webarchive.nla.gov.au/awa/20000324231832/http://www.ozco.gov.au/publicat/Inprint.htm
• "Juliette Peers (2022) The ArtLink Archive Project: Inside the 'Outsider' Issue, 42(2)"
  "In 1992–93 ArtLink published Naïve & Outsider Art centring on themes linked by their shared invisibility in mainstream discussions. While the title obviously references art historian Roger Cardinal’s 1972 book Outsider Art, (after Jean Dubuffet’s ‘Art Brut’ or ‘raw art’), this outlying status was described by ArtLink’s founding editor Stephanie Britton in 2022 as ‘…the context changes, but at the time the concept [of various practices lying beyond the mainstream] functioned as a catch up on things that had been under the radar for decades already... [we were] collating a wide range of ideas'[1], a group of practices that existed but were hardly recognised in published texts. Looking back across ArtLink’s history, Naïve & Outsider Art offers much to think through about the magazine’s own platform, intentions and the trajectories of those practices foregrounded thirty years ago under what are now troubling rubrics."
• "Safe in Sound Website, captured 2020"
  Safe in Sound Website - reads, in part "Safe in Sound (SIS) offers in-home concerts for people with disability and their families/supporters."
• David Gookegen Nanangi Peters
• David Gookegen Nanangi Peters
• "Blue Roo Theatre - Productions, captured 2022"
  Blue Roo Theatre Company - Productions, captured 2022 - reads, in part "Blue Roo performances and activities assist the performers, through a mentoring process to learn performing arts skills. The performers learn acting techniques, chorus work, voice, singing, movement, dance, different styles of performance-melodrama, clown, tragedy, commedia dell’ arte, visual and physical theatre" - with information about PERFORMANCES TO DATE (including A Midsummer Night's Dream 2021, Boss 2021, Around 2019, Time To Go 2018, Sea 2018, Now 2017, Orpheus and Eurydice 2016, The Bulimba Opera 2015, Song Circle 2014, Darcy O and the Browbeat Factory 2013, Flood Country 2012, The Last Night at the Grand 2011, Sugar Cane Ball 2010, Lily Pilly Letters 2009), COMMEDIA DELL'ARTE (including Hotel Pantelone, A Waddle of Ducks, Capitano Pretends Again 2015), MELODRAMA ENSEMBLE, COLLABORATIONS, ARTIST IN RESIDENCY PROGRAM
• "A Frame Exhibition And Art Auction"
  Catalogue reads “The A Frame Exhibition and Auction was initially developed to address the critical need for development oi pathways for artists with a disability toward recognition of their work in the visual arts mainstream. To achieve that goal it was important to present works in a prestigious venue, provide a catalogue to document artists work and offer a realistic opportunity for a sale."
• "Tutti Ensemble - Membership Form/Flyer"
  Tutti Ensemble Membership Flyer - reads, in part "At the heart of Tutti's work is the mission to develop a pioneering approach to integrated methods of performing arts and choral training. Together, the Tutti Choir and Tutti Arts perform to thousands of people every year. Hundreds of people of all ages and abilities from all walks of life regularly participate in Tutti's local and regional choral workshops."
• Timothy Cook
• Bearbrass Asylum Orchestra