Disability Arts History Australia

Items

• "Bree Hadley (2019) Advocacy, allies, and 'allies of convenience' in performance and performative protest. In Grehan, H (Ed.) The Routledge companion to theatre and politics (Routledge Theatre and Performance Companions). Routledge, United Kingdom, pp. 85-88.”
  "Though allies have always played a role in the production of political performance, analysis of the work of disabled artists, women artists, queer artists, and artists of colour has yet to be combined with analysis of the work of allies addressing the same issues. In this chapter, I consider the practice of allies in a specific context, social media performance, as a newly emerging platform for political activism. After tracing the way allies are typically involved in political performance about, with, and by marginalised people and communities, I point to complexities arising when activists, campaigners, entertainers, and pranksters use new online platforms in performance that purport to support the same cause.
• "VisAbility Exhibition"
  Reads, in part "Bringing together a selection of recent acquisitions from the QUT Art Collection, Vis-ability: Artworks from the QUT Art Collection has been conceived as a project to broaden understanding of the lived experiences of people who are blind or with low vision."
• "Arts Project Australia - Publications, captured 2022"
  Arts Project Australia - Publications - Includes information about SINCERELY YOURS ZINE 2022, ART ET AL. BROADSHEET ISSUE 1 2021 (inclusive, curated international art platform that commissions and presents collaborations between artists from supported studios, artist peers and arts professionals), ANTIDOTE 2021, REACHING POTENTIAL (REPORT 2021 (including exhibition essay by Dr Marion Piper Words Make Worlds), A SENSE OF PLACE 2003 (including The Significance of Space, The Meaning of Place by Dr Cheryl Daye and Kitty Ginter), VALERIO CICCONE: PERIPHERAL OBSERVER 2012 (including Peripheral Observer catalogue essay ‘This is me – some thoughts on the art of Valerio Ciccone’ by curator Glenn Barkley pp. 8-10), VIDEO DOCTOR 2013 (including essay by Geoff Newton), SO FAR… eight artists / eight stories 2014, IT TAKES MORE THAN 140 CHARACTERS TO WRITE A NOVEL (2015 (Including exhibition essay by curator Dr Vincent Alessi), AUTO BODY WORKS 2018, FEM-aFFINITY 2019 (including FEM-aFFINITY catalogue essay If Collaboration is the Method, Activism is the Intention by curator Dr Catherine Bell pp. 19-24), POP UP STALL: The Festival of the Photocopier Zine Fair
• Benjamin Hancock
• Veronica Pardo
• High Beam Festival
• "Arts Access Victoria established in 1973 and provides valuable resources and conferences throughout the decades"
  In 1973, Judy Morton successfully applied for funding to start a 6-month pilot program and Arts Access Victoria was established the following year. However, due to lack of government funding and despite public appeal, programs were suspended in 1977. Fortunately, operation resumed in 1979 and AAV was formally constituted with a small School Commission fund as Arts Access Society Inc. Arts Access Victoria had both organisational and financial growth in the mid to late 1980s. This led to a diversification of arts projects and the beginning of long-term artistic programs which remain as the core programs of AAV. Arts workshops also began in regional Victoria during this time. In 1988, Arts Access was approached to run a national conference focusing on the arts and disability. Two years later, they convened P-art-ICIPATE '90 and subsequently published ‘P-art-ICIPATE '90: a conference report’. They also published ‘Inner Words Outer Spaces’, edited by Bev Roberts (1995), ‘Arts Alive: An Information Leaflet about the Ways the Arts Can Work for Older People’ (1995), ‘Accessible Theatresports’ (1996), and Bev Roberts's ‘Work Guide: How to Establish an Artist in Community Project’ (1996). In 1998, Arts Access (Victoria) assumed responsibility for its own financial management and administration. In 1999, Arts Access Victoria presented Verve!, a national symposium on arts and disability.
• "DADAA - The Lost Generation Project"
  DADAA - The Lost Generation Project 2007 - reads, in part "The project was conceived from a partnership between DADAA and the WA Disability Services Commission, which began in 2002. After working on 15 small projects, the partners decided to develop a large-scale project in 2007 to continue developing arts and cultural interventions with and for people with intellectual disability living in supported accommodation across the Perth metropolitan area. The project's rich CACD strategy has seen numerous successful workshops, exhibitions and related projects come to fruition in partnership with local governments and other community arts organisations.?
• Lisa Havilah
• Bruce Gladwin
• "Accessible Arts - Arts and Disability Expo - Program"
  Accessible Arts - Arts and DIsability Expo 2015 - Program - reads, in part "'Welcome to the first arts + disability expo. The arts + disability expo aims to provide you with information, advice and access to arts and cultural opportunities. With a variety of arts programs, organisations, venues and practitioners on hand, we hope to provide you with all the support that you need to become involved in creative pursuits. We encourage you to watch some of the performances, listen to the talks about the National Disability Insurance Scheme (NDIS), and view the photographic exhibition. The expo is also a good opportunity to see new and different levels of creative work by artists with disability.' - Sancha Donald, CEO, Accessible Arts"
• Force Majeure
• Urban Theatre Projects
• Theatre of the Deaf
• Australian Theatre of the Deaf
• Rose Dennis
• Danielle Micich
• "Janice Rieger, Jasmien Herssens, Megan Strickfaden, Marianella Chamorro-Koc, Bree Hadley (2019) Vis-ability Exhibition."
  "The United Nations Convention on the Rights of Persons with Disabilities (UNCRPD, 2016) foregrounds the importance of cultural participation to realise human rights for people with disabilities. The creative industries play a critical role in supporting and shaping these social attitudes towards inclusion. Through the theoretical foundation of Design for All (EIDD Stockholm Declaration, 2004) new engagement processes involving a transdisciplinary team from Australia and around the world converged at QUT to co-design more equitable and collaborative forms of knowledge and practice around inclusion. International universities, the EU Commission and the European Institute for Design & Disability collaborated and presented Design for All for the first time in Australia, positioning QUT leadership in this field and as the first non-European member of EIDD-DfA. Co-design methods were employed through, Vis-ability workshops, Making Visible workshops, tactile artefacts and audio description work in the VisAbility Exhibition. Innovative practice was through the Inclusive Film Screening and Wondrous Googles technologies. An innovative model of engagement was created through the DfA Week program and events across sectors. Knowledge was disseminated through academic articles."
• "Arts Project Australia - Annual Report 1997"
  Arts Project Australia - Annual Report 1997 - Management Committee, Aims and Objectives, President's Report, Director's Report, Studio Workshop Program, Exhibitions, Financial Statements Balance Sheet, Profit and Loss Statement, Income and Expenditure Summary, Statement of Cash Flows, Notes to Statement of Cash Flows, Notes to and Forming Part of the Financial Accounts, Statement to Members, Audit Statement to Members - reads, in part "Arts Project Australia, had its beginnings in 1974. But it was not until 1984 that our first studio workshop was establish.ed, with the aid of a grant from the Commonwealth Schools Commission. Since 1984 the studio workshop programme has physically developed in fairly well-defined cycles of five to six years. Up until 1986 the programme operated in hard to find halls tucked in behind houses or a convent building."
• "Accessible Arts - ACE Arts Creativity Expression - Article: House Gang -1993 - Iss8, Pg5"
  Accessible Arts - ACE Arts Creativity Expression - Article: House Gang -1993 - Iss8, Pg5
• Zoe Coombs Marr
• Hugo Weaving
• Baz Luhrmann
• Baz Luhrman
• Saxon Graham