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“Activism leads to a Disability Royal Commission”
- Dorothy Robinson
- Dean Cornish
- Chinu Williams
- Ceri Ritchie
- Cathy Stanley
- Carolyn Williams
- Branka Kringas
- Anna Jarrett
- Angelika Peckloff
- Andrea Rhoden
- Alison Lee
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"Anthony White (2021). Anthony Mannix's mixed realities. Art Monthly Australasia, (327), pp. 80-87." The Australian artist Anthony Mannix has produced a large body of work, mostly in the form of artist books. His art has featured in dozens of exhibitions; has been the subject of catalogues, journal articles and a PhD thesis; and has entered national and international collections. One of his most recent works, the dazzling, vibrantly decorated 2020 cover of I Am Cut Viciously, features a harrowing self-portrait of the artist. The work depicts Mannix with injuries he sustained while in 'a psychotic state' during a period in 1986 when he was homeless and living in the Royal National Park, New South Wales. As an artist with experience of complex mental health issues, or what he prefers to describe as 'mixed realities', Mannix has often been categorised as an 'outsider' artist.
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"Accessible Arts - Annual Report 1988" Accessible Arts - Annual Report 1988 - includes Part 1 Artistic Report (Summary of year's activities and evaluation); Part 2 Report on Riverina Project; Part 3 Report on RBS Project; Part 4 Report on Restructuring of Project; Part 5 Report on Melbourne Trip -
“Arts Access Victoria EASE Entertainment Access Service Newsletter Summer 1993-1994" Arts Access Victoria EASE Entertainment Access Service Newsletter Summer 1993-1994 - EASE Managers and Promoters forum, Melbourne Theatre Company 1994 Season -
"The Other Film Festival Program 2018" The Other Film Festival Program 2018 – Australian words screened include The Milky Pop Kid 2016 | 7min Johanna Garvin; Paul 2017 | 5min Kasimir Burgess; GEN(d)ERATION: ROMANY AND SASCHA 2018 | 3min Akasha Temple; Yulubidyi Until The End 2017 | 12min Nathan Mewett and Curtis Taylor; ODDLANDS 2017 | 28min Bruce Gladwin; re-cal-i-brate 2016 | 6min Brendan O’Connell; Halloween 2018 | 2min Thomas Iacono; A Royal Star 2014 | 17min Nicola Byrnes and Neil Triffett; Stim Your Heart Out 2018 | 4min Akasha Temple; Lipstick Fights 2017 | 3min Jon Mitchell; I see, You say... 2018 | 10min Ramas McRae; Jaspar 2018 | 7min Zoe Glen-Norman; All of You TV Show 2015 | 11min Artlife and Lindsay Cox; CAE Workshop films 2018 | 20min David Baker, Stacey Christie, Shea MacDonough, Shanah Robison, Philippa Nichol, Imogen Newhouse, Jonathon Goodfellow, Justin O’Brien; Love You Till I Die 2017 | 2min Rudely Interrupted; Gaslit 2018 | 9min Naomi Chainey; Defiant Lives 2016 | 1hour 24min Sarah Barton; Life is Short, Time is 2016 | 4min Constant aka LISTIC and Vanna Seang; Jeremy the Dud 2017 | 21min Ryan Chamley; The Holden Family 2014 | 4min Alex Skaftouros and Lindsay Cox; RADIAL - No Limits 2017 | 4min Festival & Theater Thikwa, Tamara Searle and Rhian Hinkley -
"Accessible Arts - ACE - Exhibitions and Events" Accessible Arts - ACE - Exhibitions and Events 2002 -
"Australia Council - Annual Report 1991-92" Australia Council Annual Report 1991-92 - discusses objectives, organisation chart, year in review, support for artform development, main activities of Council and its Boards, and includes financial statements and lists of grants made including grants for programs, artists and playwrights in residence and resource development and an award for the Royal Blind Society's Talking Book of the Year for “Poppy” -
"Australia Council - Annual Report 1988-89" Australia Council Annual Report 1988-89 - discusses objectives, Council Committees and members, board members, allocation chart, main activities of Council and its Boards, and includes financial statements and lists of grants made including grants for community cultural development traineeships, training, programs, projects, performances and promotion and publications including “The Arts and People with Disabilities: A code of practice for arts organisations.” - Kevin Cho
- Drusilla Modjeska
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“Research project ‘Disability and the Performing Arts in Australia: The Last Avant Garde’ investigates the creative and aesthetic strategies of the Australian disability arts sector” A research project beginning in 2016, ‘Disability and the Performing Arts in Australia: The Last Avant Garde,’ investigated the creative and aesthetic strategies of the Australian disability arts sector. The project sought to map “disability arts practice across the nation” by examining “the role of artistic experimentation,” “co-design[ing] accessible strategies,” and raising “critical recognition, employment and funding opportunities for artists.” The project team describes themselves as a collective “of deaf and disabled and non-disabled researcher artists, performers, writers, arts managers and theatre makers.” The work was the result of a collaboration between Arts Access Victoria, University of Melbourne, and University of Sydney. The Australia Research Council provided funding for the research.
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“The National Disability Insurance Scheme (NDIS) is launched” Following the spike in interest in the mid to late 2000s, significant steps were made towards the development of the National Disability Insurance Scheme (NDIS). It came about as the result of discussions about alternatives of disability support arrangements from 2007 to 2011. This included National Disability Strategy 2010–2020. A trial phrase of the NDIS was launched in 2013, and the scheme was rolled out across the country from July 2016. The 2022 change of government, which saw the Labor party voted in for the first time in nine years, reflected voter concern for climate change and social policies. The new prime minister Anthony Albanese ordered an independent review of the NDIS. The NDIS Review report was published in 2023 and had a number of recommendations, including affording funding based on functional impairment rather than diagnosis, increasing support for children, a requirement that all providers be registered, and state governments providing supports through other services for people who do not meet NDIS criteria.
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“National Arts and Disability Strategy is launched in 2009” In 2009, the National Arts and Disability Strategy was agreed on by Australian Cultural Minister’s Council. The strategy sought to improve access and participation in the arts and identified four priority areas: barriers to access and participation, supporting the creative practice of artists with disability, developing audiences for disability arts practice, and strengthening policy and planning within governments.
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"Interview with Kath Duncan" Kath Duncan is a writer, a director, a provocateur, a visual artist, a comedian, a producer, a journalist, a radio broadcaster and disability advocate. Interview Summary Kath Duncan is an experienced and prominent figure in the disability arts community with a passion for experimental performance arts, having witnessed the beginnings of the disability arts movement in Australia and participated in its evolution. Her art is inherently political, shaped by her unique perspective as a congenital amputee. Kath firmly believes in the inherent creative revolutions and endless inspiration within all impairments. Kath highlights the ongoing struggles within the disability arts sector, including high unemployment rates for disabled individuals, systemic barriers, and the need for disabled leadership in arts organizations. While cherishing the milestones and transformative experiences she's had, Kath calls for significant systemic changes, emphasizing the importance of team playing and collective work to support and grow the disabled artist community. - Arts Access SA