Disability Arts History Australia

Items

• "CreativeAustralia/AustraliaCouncil - Website - NameChange 2023"
  The website reads “On Thursday 24 August 2023 the Australia Council became Creative Australia; a bigger, bolder champion and investor in arts and creativity”
• "Ellan A. Lincoln-Hyde (2018) Opera, Publicity, Disability : A Case Study of the Public Persona of Marjorie Lawrence, Master of Music/Musicology, Melbourne Conservatorium of Music, The University of Melbourne"
  Reads, in part "This thesis is an investigation of the public life of the Australian dramatic soprano Marjorie Florence Lawrence (b. Deans Marsh, Victoria 1907 – d. Little Rock, Arkansas 1979). Lawrence, who begun her professional stage career in Monte Carlo in 1932, was permanently paralysed from the waist down in 1941 after contracting poliomyelitis (at the time better known as infantile paralysis, now commonly referred to as polio)."
• "Cultural Ministers Council (2009) National Arts & Disability Strategy."
  Reads, in part "On 9 October 2009, the Cultural Ministers Council agreed to the National Arts and Disability Strategy, which sets out a vision for improving access and participation in the artistic and cultural activities for people with disabilities. The Strategy provides a framework within which jurisdictions can assess and improve existing activities. It also identifies new priority projects that could be progressed as national initiatives or by individual jurisdictions."
• "Australia Council - Annual Report 2019-20"
  Australia Council - Annual Report 2019-20
• "Australia Council - Annual Report 1976-77"
  Australia Council Annual Report 1976-77 discusses membership, the year in review including NSW Theatre of the Deaf as the only funded organisation working in nonverbal theatre with production of “King Lear”, and grants paid by Australia Council including Salaries, travel and costs for NSW Theatre of the Deaf and Braille Book of the Year Award, funding the program of entertainment for the old, sick and handicapped in homes, programs including salary and costs for Arts Access Society (Victoria) and performances by Arts Access Society and Arts Council of Australia (Victoria).
• "InCite Arts - History, and 2014, 2015 Annual Reports"
  InCite Arts history, and 2014, 2015 Annual Reports, captured 2017 - including starting as Alice Springs Youth Arts Group (ASYAG) in 1998, becoming InCite Youth Arts Inc in 2004, auspicing Arts Access Central Australia (AACA) 2005, then revising its constitution to reflect the broader scope of work as it became InCite Arts in 2013
• "Australian Theatre of The Deaf - Quiz Night - Fundraiser"
  Promotional flyer for Australian Theatre of the Deaf Quiz night, reads, in part "The Australian Theatre of the Deaf announces its social event of the year : QUIZ NIGHT! A fundraiser for Australian Theatre of the Deaf - Australia's only professional Deaf theatre company."
• “Australia Council (1989) The Arts and People with Disabilities: A code of practice for arts organisations. https://webarchive.nla.gov.au/awa/20000324231832/http://www.ozco.gov.au/publicat/Inprint.htm”
  Australia Council- 'The Arts and Disability: A code of practice for arts organisations' in print publications https://webarchive.nla.gov.au/awa/20000324231832/http://www.ozco.gov.au/publicat/Inprint.htm
• “Arts Access Australia established”
  Arts Access Australia was established in 1992 as a national body for arts and disability with funding support from the Australian Council for the Arts.
• "Jodee Mundy Collaborations - Imagined Touch - Live Show"
  Reads, in part "Imagined Touch is a multi-sensory arts performance project exploring the fascinating world of Deafblind culture with its own tactile sign language, unique relationship to the senses, space and navigation of the world."
• "Bree Hadley (2007) Review - Mirage, by Igneous, Australian Stage Online"
  Reads, in part "In Mirage, a performance installation by Brisbane-based multimedia company Igneous, dancer James Cunningham uses a combination of dance and data projection to draw the audience into a strange new perceptual space, in which body parts can be transposed, twinned and mirrored, providing new capacity for movement in the face of challenges to a body’s conventional structure and integrity. The work, like Cunningham’s previous collaboration with multimedia artist Suzon Fuks on The Body in Question (1999), is based on Cunningham’s experience after a motorcycle accident in 1992 left him paralysed in his left arm. Both works touch on the perceptions and realities of the human body as it reacts, recovers and rediscovers its potentialities in the wake of injury"
• "Tutti Ensemble - History"
  Tutti Ensemble History - reads, in part "Tutti ~nsemble is a fully integrated choir including people with disabilities and members of the wider community in Adelaide. It has become known for its nonstereotypical music-theatre productions for the main stage and community events."
• Michael Camakaris
• Boris Cipusev
• "Janice Rieger, Jasmien Herssens, Megan Strickfaden, Marianella Chamorro-Koc, Bree Hadley (2019) Vis-ability Exhibition."
  "The United Nations Convention on the Rights of Persons with Disabilities (UNCRPD, 2016) foregrounds the importance of cultural participation to realise human rights for people with disabilities. The creative industries play a critical role in supporting and shaping these social attitudes towards inclusion. Through the theoretical foundation of Design for All (EIDD Stockholm Declaration, 2004) new engagement processes involving a transdisciplinary team from Australia and around the world converged at QUT to co-design more equitable and collaborative forms of knowledge and practice around inclusion. International universities, the EU Commission and the European Institute for Design & Disability collaborated and presented Design for All for the first time in Australia, positioning QUT leadership in this field and as the first non-European member of EIDD-DfA. Co-design methods were employed through, Vis-ability workshops, Making Visible workshops, tactile artefacts and audio description work in the VisAbility Exhibition. Innovative practice was through the Inclusive Film Screening and Wondrous Googles technologies. An innovative model of engagement was created through the DfA Week program and events across sectors. Knowledge was disseminated through academic articles."
• "Opening Doors To Creativity"
  Opening Doors To Creativity: Arts for People with Disabilities in South Australia, by Laurie Strathdee, Field Officer, Arts in Action, 1 September 1989. This study finds that "greater physical access, more affordable arts, more relevant information about the arts and greater social acceptance need to be developed to enable people with disabilities to develop their artistic potential," and makes the case for funding Arts in Action to employ a Community Arts Officer to support people with disabilities to achieve their full artistic potential.
• "Australian Theatre of the Deaf - Company History"
  Australian Theatre of the Deaf Company History, on Arts Access Victoria website, captured 2015 - Includes information on history, from funding from the Australian Elizabethan Theatre Trust and the Australia Council for the Arts to support Nola Colefax, Adam Salzer, David London, and Colin Allen to start the Theatre of the Deaf in the 1970s, to highlights in more recent work in the 1990s and 2000s - for example first Australian Deaf musical “The Sign of the Phantom” (1995); bi-lingual play “Deaf and Gay” at Sydney Mardi Gras Festival (1999); Deaf cabaret show “Dislabelled” at Adelaide Cabaret Festival (2002); production of “There and Back” at Sidetrack Theatre (2005); commissioning and production of “The Cat Lady of Bexley” by Sofya Gollan and directed by Caroline Conlon (2006)
• "Access Arts Annual Report 2018"
  Access Arts Annual Report 2018 - Brisbane Outsider Artists (BOA), Visual Arts Studio, Access Arts Singers, Rhythm Circle Drummers, Theatre and Dance Ensemble, Circus and Dance Workshop, First Nations Projects, Professional Development, Grants, Awards, National Disability Insurance Scheme (NDIS)
• "High Beam Festival 1998 Poster"
  High Beam Festival Poster 1998 reads "High Beam Festival PRESENTED BY: SPARC DISABILITY FOUNDATION in association with ARTS IN ACTION INC"
• Jayne Boase
• Jane Boase
• "Australia Council - Awards - National Arts and Disability Awards 2019-2021"
  The website reads “The Australia Council National Arts and Disability Awards 2019-21 celebrate the work and achievements of both established and young artists, and the significant contribution of artists with disability to the vibrancy of Australian arts”
• "Arts Access Australia appoints Emma Bennison (2012) and Megan Shand (2017) as CEO"
  Prior CEO Kate Larsen statesin 'Disability Leadership: If You're Gonna Talk the Talk .... ABC: Ramp Up, 30 March 2012' - "Now, I love my job. I'm good at it. I think that I've been useful here. But on the same day I accepted the position last February I also did something else. I gave notice of my resignation, and undertook to hand over the organisation by the end of 2012. The reason? Because I believe that Arts Access Australia should be led by a person with disability."
• "Australia Council (1999) Access All Areas: Guidelines for Marketing the Arts to People with Disabilities. https://webarchive.nla.gov.au/awa/20080720180431/http://www.australiacouncil.gov.au/publications/disability_and_the_arts/access_all_areas_guidelines_for_marketing_the_arts_to_people_with_disabilities"
  Australia Council 'Access all areas: guidelines for marketing the arts to people with disabilities' 1999 - reads, in part "Access all areas: guidelines for marketing the arts to people with disabilities For most people, the decision to be exposed to the experience of an arts event is a simple one. You go, because you choose to go. Providing that choice to people with disabilities is the issue of Access all areas. This guide is intended to be practical, covering actions which are within reach of arts organisations, especially marketing officers and their departments. How to identify this audience, how to reach them and how to provide what they want is the key advice contained in Access all areas."
• "Australia Council - Annual Report 2011-12"
  Australia Council Annual Report 2011-2012 – discusses year in review, letter from chairman, vision, list of council staff, message from the CEO, Strategic priorities, funding overview, statement of outcome, about the Australia Council including governance, boards, organisation, accountability, workplace; financial review and discussion of Arts Organisations having two sections: Major Performing Arts and Key Organisations with a view to making the performing arts broadly accessible.