Disability Arts History Australia

Items

• Erica Berechree
• “Sally Chance works with participants with disabilities, leading to the founding of Restless Dance Theatre”
  In 1989, UK-based community dance worker Sally Chance was invited to participate in the Come Out festival in Adelaide. She returned to South Australia the next year and begun the work with participants with disabilities which lead to the founding (alongside Tania Rose) of Restless Dance Theatre in 1991. Restless Dance Theatre continues to create and exhibit work by integrated ensembles. Their extensive performance history is available in the AusStage database. (see https://www.ausstage.edu.au/pages/organisation/7046)
• "National Inquiry into the Human Rights of People with Mental Illness Report launched in 1993"
  The National Inquiry into the Human Rights of People with Mental Illness Report was launched 20th October, 1993. This led to deinstitutionalisation.
• “Salubrious Productions (QLD) established in 1999”
  Salubrious Productions (Queensland) was established in 1999. Salubrious is an agency for disabled artists, representing musicians, writers and composers, theatre performers and actors, visual artists, and technicians in the creative industries. The agency continues operation today. Their website describes them as follows: “Salubrious Productions is a Brisbane-based entertainment and production agency. We represent a core of more than 200 diverse acts and artists and draw further from a large network of professional artists throughout Queensland and Australia.”
• "Tutti Arts -10th Anniversary Concert Program"
  Tutti Arts 10th Anniversary Concert Program - Reads, in part, “Tonight we are thrilled to have Peter Goers and 891 ABC Adelaide broadcasting our 10th Anniversary Concert for this Is truly an important South Australian community event. Tonight we celebrate the first decade of an arts organisation which grew from a small seed planted at Minda Inc in August 1997 into an inspiring arts organisation which regularly involves over 200 South Australians in five levels of the performing and visual arts. Today, Tutti continues transforming the lives of people with a disability and others, through singing and music, and tonight we invite you to be part of that journey.”
• Gestures Theatre of the Deaf
• "Australian Theatre of The Deaf - Victorian Arts Council - Jukebox - Teachers Notes"
  Australian Theatre of The Deaf Victorian Arts Council Jukebox Teachers Notes - Introduction from Victorian Arts Council, synopsis, information about sign singing, pre- and post-performance activities – reads, in part “Jukebox presents Deafness with a difference. Through the device of the jukebox the audience selects well known songs from a list which are performed by the Company using sign singing - the interpretation of songs into Australian Sign Language (AUSLAN). Between the songs the actors present their own stories about Deafness and life in the Deaf community.”
• “Production company A2K Media founded in 2007, as a 'a Disabled-led production company, creating connections that entertain, educate, and empower'”
  A2K Media is “a Disabled-led production company, creating connections that entertain, educate, and empower.” In 2024, A2K launched their Disability Justice Lens course, which teaches screen professionals how to bring disabled people onto their productions and make their workplaces more accessible and empowering.
• “Incite Arts (NT) established in 1998”
  What would become Incite Arts (Northern Territory) was established in 1998, known at that time as the Alice Springs Youth Arts Group (ASYAG). “ASYAG was formed as a response to a locally identified need for a vehicle to express young people’s stories in a valid contemporary cultural context.” In 2004, the organisation adopted the name InCite Youth Arts Inc and was incorporated as a not-for-profit. The following year, they became the host and auspice of Arts Access Central Australia (AACA), an arts and disability committee. The organisation’s name was revised once again in 2013, becoming Incite Arts.
• “Access Arts (QLD) established”
  Access Arts (QLD) was established in 1983. "Access Arts is Queensland’s leading organisation creating opportunities in the performing and visual arts for people with disability or disadvantage".
• “Handicapped Persons Assistance Act 1974”
  Compared to earlier decades, the mid-1970s saw an increase in political activity pertaining to individuals with disabilities. The Handicapped Persons Assistance Act (HPAA) of 1974 is one such example, which replaced several policies and funded non-government organisations that provided care and housing. In 1983, the Hawke Labour Government instigated an evaluation of the initiatives created under the HPAA. The HPAA was replaced in 1986 by the Commonwealth Disability Services Act of 1986.
• "1963 and 1967 sees the introduction of the Disabled Persons Accommodation Act and Sheltered Employment (Assistance) Act, respectively."
  With increasing pressure to provide more services to people with disabilities, the 1960s was a decade of Commonwealth Government initiatives to support organisations providing work and accommodation to people with a disability, including the Disabled Persons Accommodation Act and Sheltered Employment (Assistance) Act.
• “The Broughton Art Society is founded in 1965”
  The Broughton Art Society was established in 1965 by Ian Broughton (as The Arts Society for the Handicapped). Broughton, who had muscular dystrophy, was a resident at The Home for Incurables. BAS offers community-based art classes to adults living with disability.
• “Crossroad Arts (Queensland) founded in 1996”
  Crossroad Arts (Queensland) was founded in 1996 by Steve Mayer-Miller. "Crossroad Arts collaboratively develops opportunities for people who experience a disability, to access and participate in the arts".
• "A contemporary visual arts exhibition, Connected 2008, is presented in 2008"
  In 2008, Arts Access Victoria produced Connected 2008, a contemporary visual arts exhibition attracting over 400 entries from artists with a disability across Victoria.
• “Access Arts establishes the SAFE Grant”
  In 2007, Access Arts established the SAFE Grant – Sacred Angel Funding Empowerment. It is a one-off grant for $1,000 to “emerging and professional artists with disability living in Queensland. It is designed to fund the costs (up to $1,000) of attending conferences, training courses, events or mentoring to help enhance an artist’s professional career.” The SAFE grant was established by Peter Vance, whose wife Marilyn passed away from angiosarcoma. In 2019, Choice, Passion, Life (CPL) “committed to upholding the legacy of Peter and Marilyn for an additional 10 years”.
• “Off The List Records (VIC) established in 2020”
  Off The List Records (VIC) was established in 2020. Their Facebook page describes them as “an access-friendly and disability-led record label, working within the DIY, experimental and indie music scenes in and around Naarm.”
• “100 disabled people protest outside Parliament House against moves to tax their government allowances”
  On 29 September 1978, 100 people with disability protested outside Parliament House against moves to tax their government allowances. Following the protest, Treasurer John Howard was forced to rescind the decision.
• "Kevin Byrne AM leads protest outside Parliament House"
  The activist Kevin Byrne AM led a protest outside Parliament House. This coupled with the release of the Richmond Report led to the Hawke Government’s Handicapped Programs Review, which in turn led ‘New Directions: Report of the Handicapped Programs Review’.
• “House Gang debuts on SBS”
  In 1996, a comedy television series debuted on SBS called ‘House Gang’ featuring three actors with intellectual disabilities.
• "Bree Hadley (2016) Cheats, charity cases and inspirations: disrupting the circulation of disability-based memes online. Disability and Society, 31(5), pp. 676-692."
  "With the increasing part online self-performance plays in day-to-day life in the twenty-first century, it is not surprising that critiques of the way the daily social drama of disability plays out in online spaces and places have begun to gain prominence. In this article, I consider memes as a highly specific style or strategy for representing disability via social media sites. I identify three commonly circulating categories of meme – the charity case, inspiration and cheat memes – all of which offer representations that people with disabilities find highly problematic. I then investigate the ways in which disabled people have begun to resist the representation and circulation of these commonly circulating categories of memes, via the production of counter or parodic memes. I focus, in particular, on the subversive potential of these counter memes, within disability communities online and within broader communities online."
• "Bree Hadley (2018) Disability, disabled dance audiences and the dilemma of neuroaesthetic approaches to perception and interpretation. In Wood, K, Brown, A, Waelde, C, Harmon, S, Blades, H, & Whatley, S (Eds.) Dance, disability and law: Invisible difference. Intellect Ltd, United Kingdom, pp. 293-315.”
  "In this chapter, I want to consider one emerging approach to spectatorship – the neuroaesthetic approach – through the lens of disability spectatorship. In the twenty-first century, neuroaesthetics is gaining traction amongst scholars looking to provide accounts of spectatorship in less story-based performing arts such as classical and contemporary dance, as well as in more story-based practices in drama, theatre and performance. ‘It would be fair to say that neuroaesthetics has become a hot field’, as Alva Noë puts it (2011). To date, though, the assumptions that underpin neuroaesthetic approaches to spectatorship have not been brought together with the assumptions that underpin the equally emergent field of disability spectatorship studies. As Carrie Sandahl (2002: 18) has noted, different cognitive, sensory and corporeal abilities result in a range of different phenomenologies, perceptual processes and perceptual preferences that can in turn produce different styles of engagement with experiences, events and objects. These differences impact on how people with disabilities produce and perceive aesthetic performances – somatically, syntactically, symbolically and socially, as disabled people hear with their eyes, see with their fingers, or perceive phenomena vicariously via the intervention of technologies or translators. Accordingly, disability spectatorship, and more detailed attention to the presence of distinctive cognitive, sensory and corporeal processes amongst disabled spectators, has the potential to complicate, extend and challenge assumptions embedded in emerging neuroaesthetic approaches to spectating."
• "Interview with Caroline Bowditch"
  Caroline Bowditch is an Australian artistic director, leader, performer, presenter, instructor, disability advocate and was the CEO of Arts Access Victoria. Interview Summary Caroline Bowditch, the CEO and Artistic Director of Arts Access Victoria, shared her journey as a performance artist and her experiences working within the Disability Arts community, highlighting her creative process and the challenges faced by disabled artists in Australia. Despite significant support and successful projects in the UK, she expressed concern over the limited progression and exposure of Disability Arts in Australia, noting a lack of ambition and opportunity deterring artists from aiming for larger, mainstream stages. Bowditch emphasized the importance of integrating access as a core component of artistic work and changing the aesthetic by including diverse bodies and perspectives. She also discussed tackling intersectionality within Disability Arts, reflecting on her own experiences as a visibly disabled and queer woman, and contemplating the future of Disability Arts, the desire for cultural equity, and the impact of potential shifts in societal barriers.
• Intellectual Disability Services Council
• "Interview with Graham Wilfred Junior"
  Graham Wilfred Junior is a Yolngu man and artist with Incite Arts were he works with different mediums including filmmaking, writing, performing, digital art, music and painting. Interview Summary Graham, an emerging artist with spina bifida whose father inspired his passion for art, has pursued various art forms including painting, music, and digital art, and is venturing into theatre and filmmaking. His digital artwork, through the creation of the emoji app, helps teach the Arrente language, a part of his cultural heritage, and he seeks to expand his impact through acting and creating films. Graham's motivation is to both celebrate and inspire people with disabilities, aiming for recognition as an artist rather than focusing solely on his disability. Graham shares his journey with Incite Arts, highlighting his involvement in music workshops, acting classes, and script development, emphasizing the importance of representation and empowerment for individuals with disabilities, ultimately aiming to document his experiences and create impactful performances that leave a legacy to encourage others to pick up where he leaves off, ensuring the continuity of artistic expression within his community.