Disability Arts History Australia

Items

• Chris Koufalas
• Bryan Tingey
• Bob Daly
• NSW Society for Crippled Children
• Disabled Peoples International
• Queensland Theatre of the Deaf
• QLD Theatre of the Deaf
• Mary-Elizabeth Gill
• Annette Innes
• "Back to Back Theatre - You Tube - Small Metal Objects (2005), uploaded 2016"
  Back to Back Theatre YouTube - Small Metal Objects (2005) - reads, in part "An ingenious theatrical gem, small metal objects unfolds amid the pedestrian traffic against the backdrop of the city. On a raised seating bank with individual sets of headphones, the audience is wired in to an intensely personal drama being played out somewhere in the crowd."
• Jane Muras
• “Arts Access Victoria - Nebula - Promotional Flyer"
  Arts Access Victoria - Nebula - Information about Nebula, the first fully accessible portable arts space developed for disabled artists in Australia, with flexibility to provide workshop, gallery, or performance space anywhere in Victoria
• “Arts Access Victoria - Nebula - Promotional Poster - 2020"
  Arts Access Victoria - Nebula - Promotional Poster - 2020 - Information about Nebula, the first fully accessible portable arts space developed for disabled artists in Australia, with flexibility to provide workshop, gallery, or performance space anywhere in Victoria
• "Tutti Arts - The History of Autism - Promotional Card"
  Tutti Arts 'History of Autism' 2014 Promotional Card - reads, in part "In the Adelaide Fringe this year, Company@ Autistic Theatre, Australia's only theatre company for people on the autism spectrum, is presenting an exciting original work, History of Autism. Developed with actors on the autism spectrum, History of Autism was first performed at the 2013 Asia Pacific Autism Conference to standing ovations, drawing audience comments like "truly dynamic and highly entertaining" and "Chockablock full of endearing characters". Company@ is dedicated to presenting high quality authentic theatre which entertains and informs audiences and raises awareness about autism. Company@ works in partnership with renowned multi arts organisation Tutti Ensemble Inc. and is also proudly supported by Autism SA."
• "Tutti Arts - Beastly Exhibition - Program"
  Tutti Arts and Stepping Stone 'Beastly Exhibition' Program - reads, in part "BEASTLY is the first fruit of a growing relationship between learning disabled artists and their supporters in Australia, Malaysia and Indonesia. This collaboration seeks to democratise art further through including work driven by learning disabled artists in international festivals"
• Sarah Houbolt
• "DADAA Publications Webpage, captured 2021"
  DADAA Publications Webpage, captured 2021 - Annual Reports 2014-2019, Newsletters 2016-2019, and research reports, including Art Works: Employment in the Arts for People with Disability (2012), and Same Drum CACD Project With Young People from Migrant and Refugee Backgrounds (2018), Oddysea project with Sensorium Theatre (2014), the Lost Generation project (2011)
• “Arts Access Victoria - Access Newsletter Autumn 2000”
• “Arts Access Victoria - Access Newsletter Spring 2000”
• "The Other Film Festival - Website, captured 2019"
  The Other Film Festival website, captured 2019 - reads, in part "Since 2004 The Other Film Festival has been an agent for change and the first international disability film festival in Australia." - with links to About, Program, Tickets, Access, and Archive pages
• "Tutti Arts - Tutti Choir - Happy Together - Program"
  Tutti Arts - Tutti Choir 'Happy Together' 2010 Program - reads, in part “The Tutti Choir – ‘tutti means everyone.’ Tutti began in 1997 under the leadership of SA playwright and compose Pat Rix. At first a small singing group of nine for people with a disability Tutti quickly became a choir embracing disabled and non-disabled singers from the community.”
• Larissa MacFarlane
• Larissa McFarlane
• "Bree Hadley (2019) Advocacy, allies, and 'allies of convenience' in performance and performative protest. In Grehan, H (Ed.) The Routledge companion to theatre and politics (Routledge Theatre and Performance Companions). Routledge, United Kingdom, pp. 85-88.”
  "Though allies have always played a role in the production of political performance, analysis of the work of disabled artists, women artists, queer artists, and artists of colour has yet to be combined with analysis of the work of allies addressing the same issues. In this chapter, I consider the practice of allies in a specific context, social media performance, as a newly emerging platform for political activism. After tracing the way allies are typically involved in political performance about, with, and by marginalised people and communities, I point to complexities arising when activists, campaigners, entertainers, and pranksters use new online platforms in performance that purport to support the same cause.
• "From Dust to Dust - Prologue"
  Reads, in Part, "A hybrid artist-curatorial project, inviting experimentation and conversations amongst Benjamin Hancock, Bryan Phillips, Jen Bervin, Shelley Lasica, Katie West, Simon Charles, Pippa Samaya, Gabriel Curtin, Adam Leslie, Zeno d'Evie, Anna Seymour, Ravi Vasavan, and in absentia, Aaron McPeake, Andy Slater, Jennifer Justice, and Lucreccia Quintanilla. Welcome to Country by Uncle Rick Nelson and Aunty Paulette Nelson.Afternoon tea by Murnong Mammas."