Disability Arts History Australia

Items

• Lisa Reid
• Ignition Theatre Training
• Paul Calcott
• Paul Constable Calcott
• Uncle Paul Constable Calcott
• "The Other Film Festival - Website, captured 2022"
  The Other Film Festival website, captured 2022 - reads, in part "The Other Film Festival is a groundbreaking disability-led initiative that has put Deaf and Disabled people at the centre of the Australian screen industry for almost 20 years. Founded in 2004, it is Australia’s first international disability film festival and is a major artistic program of Arts Access Victoria."
• "Tutti Arts - Sit Down Shut Up & Watch - Call For Entries 2014 - Promotional Card"
  Tutti Arts - 'Sit Down Shut Up & Watch' 2014 Call For Entries - reads, in part "The first disability-led film festival in the southern hemisphere"
• “Arts Access Victoria Connecting to Country 2018 Invitation”
• "InCite Arts - History, and 2014, 2015 Annual Reports"
  InCite Arts history, and 2014, 2015 Annual Reports, captured 2017 - including starting as Alice Springs Youth Arts Group (ASYAG) in 1998, becoming InCite Youth Arts Inc in 2004, auspicing Arts Access Central Australia (AACA) 2005, then revising its constitution to reflect the broader scope of work as it became InCite Arts in 2013
• "Interview with Asphyxia"
  Asphyxia is an artist, author, activist and performer who has founded Amplio, a music app for Deaf and hard of hearing people. She also provides free online Auslan lessons and online art courses. Interview Summary Asphyxia is a Deaf artist whose journey into the arts started with a deep love for ballet, but after facing discrimination due to her Deafness, she pivoted to a successful career in circus performance and later puppetry, which embraced her Deafness and signing skills. Her work in performance art led her to write and illustrate the Awards-winning art-journal book, Future Girl, which explores Deaf identity and environmental issues. She has now moved into music, creating an app that makes music accessible and writing music designed with Deaf and hard of hearing audiences in mind. Although not sure about the major milestones in disability arts history in Australia, she considers her art to be both political and personal, often tackling issues related to her identity as a Deaf person and the aesthetics of disability equipment. While Asphyxia identifies as a Deaf artist, above all, she sees herself as an artist whose work appeals to the mainstream while celebrating Deafness and diversity.
• "Interview with Tina Fielding"
  Tina is a writer, actor, film maker and disability advocate Interview Summary Tina is an actress with Down Syndrome who identifies strongly with her art form, viewing her disability as an ability that enhances her talent and quality in storytelling through acting. She enjoys the process of acting and finds joy in watching her family perform, which inspired her to pursue the craft; however, she acknowledges that there are difficult moments that can be challenging but ultimately rewarding. Her artistic journey has involved working with various local companies in Perth and her work has evolved by adapting to new roles, with the aim of authenticity in her performances. Tina's influence and acknowledgment in the field are growing, noted by positive media attention, and she encourages other artists with disabilities to embrace and identify with their unique abilities.
• "Bree Hadley (2019) Advocacy, allies, and 'allies of convenience' in performance and performative protest. In Grehan, H (Ed.) The Routledge companion to theatre and politics (Routledge Theatre and Performance Companions). Routledge, United Kingdom, pp. 85-88.”
  "Though allies have always played a role in the production of political performance, analysis of the work of disabled artists, women artists, queer artists, and artists of colour has yet to be combined with analysis of the work of allies addressing the same issues. In this chapter, I consider the practice of allies in a specific context, social media performance, as a newly emerging platform for political activism. After tracing the way allies are typically involved in political performance about, with, and by marginalised people and communities, I point to complexities arising when activists, campaigners, entertainers, and pranksters use new online platforms in performance that purport to support the same cause.
• "Fayden D'Evie (2022) From Dust to Dust: Hallucinating the Absent Exhibition, in Amanda Cachia ed. Curating Access: Disability Art Activism and Creative Accommodation. London: Routledge, 87-98"
  Reads, in part "Over several months in 2018, I developed a hybrid artist-curatorial project for the Old Castlemaine Gaol, with the working title From Dust to Dust , which sought to invert the site’s association with the sensorial policing of bodies."
• "From Dust to Dust - Prologue"
  Reads, in Part, "A hybrid artist-curatorial project, inviting experimentation and conversations amongst Benjamin Hancock, Bryan Phillips, Jen Bervin, Shelley Lasica, Katie West, Simon Charles, Pippa Samaya, Gabriel Curtin, Adam Leslie, Zeno d'Evie, Anna Seymour, Ravi Vasavan, and in absentia, Aaron McPeake, Andy Slater, Jennifer Justice, and Lucreccia Quintanilla. Welcome to Country by Uncle Rick Nelson and Aunty Paulette Nelson.Afternoon tea by Murnong Mammas."
• "My Brother Vinnie - IMDB"
  My Brother Vinnie' Internet Movie Database (IMDB) entry
• "It's Fine, I'm Fine - IMDB"
  It's Fine, I'm Fine' Internet Movie Database (IMDB) entry - reads, in part "A suburban psychologist and her patients explore love, loss, obsession, anxiety, and an uncertain future, while grappling with how to persist and find magic in the world."
• "Juliette Peers (2022) The ArtLink Archive Project: Inside the 'Outsider' Issue, 42(2)"
  "In 1992–93 ArtLink published Naïve & Outsider Art centring on themes linked by their shared invisibility in mainstream discussions. While the title obviously references art historian Roger Cardinal’s 1972 book Outsider Art, (after Jean Dubuffet’s ‘Art Brut’ or ‘raw art’), this outlying status was described by ArtLink’s founding editor Stephanie Britton in 2022 as ‘…the context changes, but at the time the concept [of various practices lying beyond the mainstream] functioned as a catch up on things that had been under the radar for decades already... [we were] collating a wide range of ideas'[1], a group of practices that existed but were hardly recognised in published texts. Looking back across ArtLink’s history, Naïve & Outsider Art offers much to think through about the magazine’s own platform, intentions and the trajectories of those practices foregrounded thirty years ago under what are now troubling rubrics."
• "Back to Back Theatre - Annual Report 2022"
  Back to Back Theatre Annual Report 2022 - Chair’s Report, international premiere of film SHADOW, continued international touring of original stage show THE SHADOW WHOSE PREY THE HUNTER BECOMES, continued touring GANESH VERSUS THE THIRD REICH and THE DEMOCRATIC SET, premieres of new screen works FIRST RESPONDERS (ABC) and WHATEVER SCARES YOU (SBS), immersive installation DREAMS FEEL REAL WHEN YOU'RE IN THEM from Theatre of Speed, CAMP training weekends, creative development of new Back to Back work MULTIPLE BAD THINGS, ensemble member development of their own works.
• "Access2Arts - You Tube - Access2Arts presents Beats Workshops"
  Access2Arts - You Tube - Access2Arts Beats Workshops - reads, in part "Lead by its learning disabled participants, the workshops offer the chance to get creative and connect with the world through digital technology and contemporary popular culture."
• “Arts Access Victoria – Making Moves (Mid to late 1980s)”
  AAV received funding to run programs connecting students in specialist schools with students in mainstream school settings and created EASE – the Entertainment Access Service, was an accessible ticketing service. By 1989 AAV had established its own studio program.
• "Fusion Theatre Website, captured 2008"
  Fusion Theatre Website, captured 2008 - reads, in part "Welcome to Fusion Theatre Inc Australia. Fusion Theatre is a company of actors interested in making theatre around issues of disabilities and discrimination", includes information about Fusion Theatre, its History, and three Fusion Theatre groups "Dramability, Dramatts, and Blairlogie."
• “Arts Access Victoria – Art Everywhere (2010-2015)"
  Between 2010 and 2015, Arts Access Victoria (AAV) received $2.5 million to support audio description and captioning in film as part of its worth with The Other Film Festival, launched Write-ability with Writers Victoria, the mobile, accessible arts space Nebula in Melbourne’s Federation Square in 2012, and collaborated in research such as the ‘Beyond Access’ project with University of Melbourne and Dance Haptics with Deakin University.
• "Tutti Arts - Open Studio Exhibition - SALA Festival - Promotionall Card"
  Promotional Card for Tutti Arts Visual Arts and Design Program 'Open Studio' as part of SALA 2014 (South Australian Living Arts Festival) - reads, in part "Tutti is delighted to invite you to its 2014 Open Studio SALA exhibition opening! This exhibition will showcase a range of spontaneous, introspective and out of the ordinary works produced by 30 emerging learning disabled artists working from the Tutti Visual Art Studios."
• "Tutti Arts - Carrick Hill Fantasy Estate - Program"
  Tutti Arts - Carrick Hill Fantasy Estate' Exhibition 2022 Program - reads, in part "This exhibition takes you on a fantastical adventure with real and imagined characters of Adelaide's historic 1 Carrick Hill estate. High if1 the Attic's Wall Gallery, artists William Gregory and Mawarini illuminate its curious past through installation, drawings and augmented reality."
• "Tutti Arts - Carrick Hill Fantasy Estate - Program [Small Format]"
  Tutti Arts - Carrick Hill Fantasy Estate' Exhibition 2022 Program - reads, in part "This exhibition takes you on a fantastical adventure with real and imagined characters of Adelaide's historic 1 Carrick Hill estate. High if1 the Attic's Wall Gallery, artists William Gregory and Mawarini illuminate its curious past through installation, drawings and augmented reality."