Disability Arts History Australia

Items

• "Arts Project Australia - Annual Report 2010"
  Arts Project Australia - Annual Report 2010 - Board and Staff, Supporters and Volunteers, About Arts Project Australia, President's Report, Executive Director's Report, Artists, Exhibitions Report, Financial Statements, Independent Audit Report, John Northe Obituary - reads, in part "To support people with disabilities to become practitioners in the visual arts and to promote their work as integral to the broad spectrum of contemporary arts practice."
• "Commonwealth of Australia (2017) “National Arts Disability Strategy Evaluation Report 2013–2015.” Canberra: Meeting of Cultural Ministers."
  Reads, in part "The second Evaluation Report was endorsed by cultural ministers in September 2017. It concludes that progress continues to be made against the Strategy. It also identifies that there have been significant changes to the arts and disability sector since the release of the Strategy in 2009 such as the introduction of the National Disability Insurance Scheme."
• "Christopher Newall (1996). The Disability Rights Movement in Australia: A note from the trenches. Disability & Society, 11(3), 429–432. https://doi.org/10.1080/09687599627705"
  Reads, in part “A recent visitor to Australia from the UK commented to me on their return ‘I looked in vain for the disability rights movement. Can you tell me where they are?’ In essence, the Australia disability rights movement is currently fragmented, predominantly organised around disease labels and seems to have lost ground, compared with the self-help initiatives fostered around the time of the International Year of the Disabled Persons in 1981.”
• "Jung Hyoung Yoon, Caroline Ellison, Peggy Essl (2020). Shifting the perspective from ‘incapable’ to ‘capable’ for artists with cognitive disability; case studies in Australia and South Korea. Disability & Society, 36(3), 443–467. https://doi.org/10.1080/09687599.2020.1751079"
  Reads, in part "This study examined four inclusive arts organisations in Australia and South Korea, providing creative services for artists living with cognitive disability, including autism, intellectual and mental disability. This research study focused on exploring what support inclusive arts organisations and society have provided for artists living with cognitive disability to pursue professional careers."
• "Bree Hadley (2017) Disability, Sustainability, Austerity: The Bolshy Divas Arts-Based Protests Against Policy Paradoxes. Centre for Sustainable Practice in the Arts Journal 18 Spring. http://www.sustainablepractice.org."
  "In this short article, I want consider some of the ways theatrical artists, activists and advocates in Australia are tackling the paradoxical relationship between sustainability and austerity discourses, and, as a result, some changes this may be starting to produce in disabled people’s aesthetic prerogatives. For the last 30 years, artists, activists and scholars in Australia and beyond have avoided casting disability in terms of trauma, crisis, catastrophe and disaster. Accounts of the way disability theatre challenges stereotypes , as well as analysis of disability signifiers in screen, stage, and social performance , have expressed concern about deploying disability as a metaphor for disaster, or defining disabled people as monstrous, tragic, stoic, or inspirational, the way the medical model of disability traditionally defines us. Instead, modern disabled artists and the scholars who analyse them have advocated for work that deploys live art, performance art, and performative intervention in public space to challenge stereotypes, oppressive institutional systems, and other factors the social model of disability sees as the cause of disability oppression .In the last few years, though, there has been an increase in work that does associate disability with trauma, tragedy and disaster, in what seems to be a response to austerity, accountability and economic sustainability agendas that call for cuts to disability services spending to make our societies more sustainable going forward."
• "Arts Project Australia - Annual Report 1996"
  Arts Project Australia - Annual Report 1996 - Management Committee, Aims and Objectives, Obituary - A true life, Vice President's Report, Director's Report, Programs, The Exhibitions Program, Financial Statements, Balance Sheet, Profit and Loss Statement, Income and Expenditure, Summary, Statement of Cash Flows, Notes to the Statement of Cash Flows, Notes to and Forming Part of the Financial Accounts, Statement to Members, Audit Statement to Members.
• "Arts Project Australia - Annual Report 1995"
• Ignition Theatre Training
• Australian Film Commission
• "High Beam Local 2006"
  High Beam Local Festival Flyer 2006 reads "Adelaide the home to Some of Australia's most innovative festivals is aiving birth to a new invigorated High Beam Festival. In 1998, the vision and passion of many dedicated South Australians brought about the biennial High Beam Festival with unforgettable performances by artists with disabilities from Australia and around the globe. Arts Access SA's High Beam, like Australia's largest festival, the Adelaide Fringe has undergone a few changes and with it for 2006/07, comes two festivals, High Beam Local and High Beam Global. International Day for People with Disabilities on 3 December is when High Beam Local comes to life. While Beam Global will be part of Adelaide Fringe 2007. What ever takes your fancy Hiah Beam will undoubtedly provide you with a show or three that will amaze, excite and light your fire of healthy, artistic curiosity"
• "Access to the Arts for People with Disability"
  Postcard, reading 'Arts Access South Australia' and 'Access to the Arts for People with Disabilities' on the front, with space on the back for the user to write a message and send to a receipient.
• Suzon Fuks
• "Arts Disability Technology Library Program"
  Library access, equity, inclusion, and anti-discrimination seminar and presentation sessions
• Unlimited UK
• Unlimited Festival
• “Arts Access Victoria – How it all began! (1974-1979)”
  Arts Access Victoria – How it all began! (1974-1979) started in Melbourne in 1974 by Judy Morton with funding from the Australia Council for the Arts with art and theatre workshops in institutions but intermittent funding meant AAV stopped at times but state government funding in 1979 allowed long term planning.
• “Arts Access Victoria – Growth and Opportunity (Early 1980s)”
  Arts Access Victoria – Growth and Opportunity (Early 1980s) – Funding from Australia Council for the Arts enabled program and performance for IYPD AAV – “Theorem” a theatre show with Chilean Theatre Director Aldo Gennaro including over 100 performers. 
• Australian National Museum
• Pioneer/'Ethnic/Pirate CITY Projects (SA)
• Association for Community Theatre
• Self Advocacy tor Intellectually Disabled
• Community Bridging Services
• City of Melville
• Deaf Television Network Inc
• Lucy Creeth Centre for Crippled Children