Disability Arts History Australia

Items

• Roxy Bent
• Nancy Bridges
• Nancye Bridges
• Noelle Janaczewska
• Max Colwell
• Lloyd Nickson
• Kate O'Brien
• John Foubister
• Ingrid Weisfelt
• Danalyn Gunzberg
• Christina Halliday
• Bronwyn Platten
• "Jung Hyoung Yoon, Caroline Ellison, Peggy Essl (2020). Shifting the perspective from ‘incapable’ to ‘capable’ for artists with cognitive disability; case studies in Australia and South Korea. Disability & Society, 36(3), 443–467. https://doi.org/10.1080/09687599.2020.1751079"
  Reads, in part "This study examined four inclusive arts organisations in Australia and South Korea, providing creative services for artists living with cognitive disability, including autism, intellectual and mental disability. This research study focused on exploring what support inclusive arts organisations and society have provided for artists living with cognitive disability to pursue professional careers."
• "Access to the Arts for People with Disability"
  Postcard, reading 'Arts Access South Australia' and 'Access to the Arts for People with Disabilities' on the front, with space on the back for the user to write a message and send to a receipient.
• Suzon Fuks
• "Arts Project Australia - Annual Report 2005"
  Arts Project Australia - Annual Report 2005 - Board and staff, supporters,about arts project australia, president's report, director's report, studio manager's report, exhibitions report, financial reports - reads, in part "Arts Project Australia was founded in 1974 as an organisation dedicated to supporting people with disabilities to become practitioners in the visual arts and to promote their work as integral to the broad spectrum of contemporary arts practice"
• Disability Arts History Australia Launch 2025 - Archiving Report
• Disability Arts History Australia Launch 2025 - Industry Report
• "Back to Back Theatre - You Tube - Soft (2002), uploaded 2016"
  Back to Back Theatre You Tube - Soft (2002)
• “Arts Access Victoria - Arts Access Society Inc. - Access Newsletter September 1990”
  Arts Access Arts Access Society Access Newsletter September 1990 – Integrated Dance Project, Participant's Report, Artists in prison report, Special Accommodation Houses Art report, art exhibitions for Mental Health Awareness Week - Inside Art-Outer Images of Inner V isions, Austin Hospital Up-date, exhibitions - "Occhio dell' Artista", "6 Women", ''.Art/Craft Works”, resource centre update, Anti-Cancer Council poster project, Senior Citizens Week 1991 Encouragement Grants, Salamanca National Script Centre distributes unpublished and published playscripts, membership
• "Accessible Arts - Annual Report 1992"
  Accessible Arts - Annual Report 1992 - Staff, Management Committee, and contents including BACKGROUND INFORMATION REGARDING ACCESSIBLE ARTS, ACCESSIBLE ARTS' AIMS, CHAIRPERSON'S REPORT, SECRETARY'S REPORT, CO-ORDINATOR'S REPORT, TREASURER'S REPORT & AUDITOR’S REPORT, A.C.E. MAGAZINE, establishment of a national body - DISABILITY IN THE ARTS, DISADVANTAGED IN THE ARTS, AUSTRALIA (DADAA)
• Des Walsh
• Debra Kenahan
• Caroline Conlon
• "Bree Hadley (2017) Disability, Sustainability, Austerity: The Bolshy Divas Arts-Based Protests Against Policy Paradoxes. Centre for Sustainable Practice in the Arts Journal 18 Spring. http://www.sustainablepractice.org."
  "In this short article, I want consider some of the ways theatrical artists, activists and advocates in Australia are tackling the paradoxical relationship between sustainability and austerity discourses, and, as a result, some changes this may be starting to produce in disabled people’s aesthetic prerogatives. For the last 30 years, artists, activists and scholars in Australia and beyond have avoided casting disability in terms of trauma, crisis, catastrophe and disaster. Accounts of the way disability theatre challenges stereotypes , as well as analysis of disability signifiers in screen, stage, and social performance , have expressed concern about deploying disability as a metaphor for disaster, or defining disabled people as monstrous, tragic, stoic, or inspirational, the way the medical model of disability traditionally defines us. Instead, modern disabled artists and the scholars who analyse them have advocated for work that deploys live art, performance art, and performative intervention in public space to challenge stereotypes, oppressive institutional systems, and other factors the social model of disability sees as the cause of disability oppression .In the last few years, though, there has been an increase in work that does associate disability with trauma, tragedy and disaster, in what seems to be a response to austerity, accountability and economic sustainability agendas that call for cuts to disability services spending to make our societies more sustainable going forward."