Disability Arts History Australia

Items

• "Tutti Arts - Annual Report 2015"
  Tutti Arts Annual Report 2015 – Vision, Mission and Values, President’s, Artistic Director’s, Disability & Quality Manager’s, and Arts Managers Reports, Programs, Productions and Exhibitions, including Sisters of Invention, Company @, and Sit Down, Shutup & Watch Film Festival, ‘The Day of the Song,’ ‘The Six Swans,’ and ‘Shedding Light’ Exhibition, Board, Staff, and Artists, Financials
• Simone Flavelle
• Alison Richardson
• "The Arts and Disability No Date #2"
  Except as permitted by copyright law, you may not reproduce or communicate any of the content on this website, including files downloadable from this website, without the permission of the copyright owner. The Australian Copyright Act allows certain uses of content from the internet without the copyright owner’s permission. This includes uses by educational institutions and by Commonwealth and State governments, provided fair compensation is paid to the copyright owner. For more information, see www.copyright.com.au and www.copyright.org.au.
• "The Arts and Disability 2017"
  This booklet/brochure provides images, descriptions of the work, and contact details and contact organisations for key organisations in South Australia including: Access2Arts; Company AT; Mindshare; No Strings Attached Theatre of Disability; Restless Dance Theatre; Sit Down, Shut Up and Watch Film and New Media Festival; Sisters of Invention, Tutti Arts; The Jame, The Mix, The Gig.
• Lachlan MacDowall
• Katie Ellis
• "Back to Back Theatre - Website - Shows, captured 2008"
  Back to Back Theatre 'Shows' page, captured 2008, with list of shows, and links to work from 1999 forward - Professional Productions (including ‘Big Bag’ 1987-88; ‘Stinking Houses’ 1989; ‘The Peg Machine’ 1990; ‘Everything and the Mermaid’ 1990, ‘I Don’t Want to Live in Lara Anymore 1991; ‘Yell Blue Murder’ 1991; ‘Woodenhead’ 1992; ‘The Adventures of Bobbi Dazzler’ 1992; ‘Voices of Desire’ 1993; ‘Freak Show with Circus Oz 1994; Back to Back in Shorts 1995; Road Movie with Melbourne Workers Theatre 1996; Minds Eye with Handspan Visual Theatre 1996; Peter Pan with Arena Theatre Company 1997; Mr September 1997; Boomtown with Snuff Puppets 1998; Mental 1999; Dog Farm 2000; Pornstar 2001; Soft 2002; Cow 2003; Small Metal Objects 2005), and Community Productions (including Ritual with Matthew Flinders Girls Secondary College 1998; Push Push 1999; Drag Racers in Love with Nelson Park School 1999; Arnold 2000 Fishman with Theatre of Speed 2001; Inside the Angel House with Theatre of Speed 2003; Minotaur with Theatre of Speed 2005; DMI with Theatre of Speed 2007; Pod Residences with Night School, Awakenings Festival, Brr Theatre Group, Ants Pantz Arts, Break of Day Players, Theatre of Speed, Arts Action and Amalgamation Festival 2003-2006), and films (including Mullet (1995), White Maggots (1996), Spill (1997), Mark Deans Human Cannonball (1998), Underpants (1999), Backscratch (2000), Porn Star (2002), Rhian Hinkley Theatre of Speed vs. BOZ'n'HOK, vs. HUGE COVILL (2004), D9 (2005), Out of our Minds (2001)).
• State of Flux
• Company Chaos
• "Australian Theatre of The Deaf - NSW Theatre of the Deaf 4th Deaf Community Evening"
  Australian Theatre of the Deaf program for NSW Theatre of the Deaf 4th Community Evening, including program (This Is Your Life, Clown’s Rest Home, Marx Brothers, Poem - Plight of the Deaf, Action Speaks Louder Than Words (Theatre in Education), Talk on A.C.V- T.V. and Plans), and company
• Ludmila Doneman
• Gareth Wilding Forbes
• "DADAA Inc. (2014). An evaluation of a year-long mentoring program for artists with disability in western Australia. Perth, Western Australia: Department of Family and Community Services."
• "DADAA Inc and Arts Access Australia (2012) Art Works: Employment in the Arts for People with Disability.  http://www.dadaa.org.au/wp-content/uploads/2017/01/Art-Works-Full-Report-Web.pdf"
  Reads, in part "This document provides a short overview of the full Art Works report, which captures the results from national research into employment levels, barriers and strategies around employment in the arts for people with disability. The report was produced in response to one of the key focus areas of the National Arts and Disability Strategy, released in 2009."
• "Arts Project Australia - Love from the Studio, captured 2022"
  Arts Project Australia - Love from the Studio aarticles and interviews with artists - reads, in part "A series of stories bringing you behind the scenes of Arts Project Australia. "
• "Arts Project Australia - Collections, captured 2022"
  Arts Project Australia - Collections - reads, in part "Arts Project Australia has developed five distinct and strongly related collections, including our: Online Shop Art Collection, Stockroom Art Collection, Sidney Myer Fund Permanent Collection (SMF), Arts Project Australia Permanent Collection and the Arts Project Australia Archival Collection."
• "Arts Project Australia - Knowing Me Knowing You Exhibition 2014 - Program"
• "Arts Project Australia - Knowing Me Knowing You Exhibition 2014 - Promotional Flyer"
• "Arts Project Australia - Knowing Me Knowing You Exhibition 2014 - Email Promotional Flyer"
• "Arts Project Australia - Convergence Exhibition 2013 - Program/Catalogue"
  Arts Project Australia - Convergence Exhibition 2013 - Program/Catalogue
• "Arts Project Australia - 2014 Exhibition Program - Promotional Flyer"
  Arts Project Australia - 2014 Exhibition Program - Promotional Flyer
• "Arts Project Australia - ENews - 20131014"
  Arts Project Australia - ENews - 20131014
• "Arts Project Australia - ENews - 20130530"
  Arts Project Australia - ENews - 20130530
• "Arts Project Australia - Repeat Restate Reiterate Exhibition 2013 - Promotional Card"
  Arts Project Australia - Repeat Restate Reiterate Exhibition 2013 - Promotional Card - reads, in part "Whilst sounding like a mantra, Repeat. Restate ... Rejterate contains a pause. Repetition has long been employed as a powerful tool across all art forms to convey emphasis and exaggeration but equally and importantly as a means of exploration. Used to create mood, patterns and rhythm or to expose subtle nuances and insights, repetition has long been used by artists to firmly convey an idea or conversely to reinvestigate an idea in search of a seemingly elusive answer. Repeat. Restate ... Reiterate searches for the inspiration, and pays homage to the dedication of practice, that drives artists to keep investigating an idea and in turn, revealing it anew. Do I have to repeat myself? The answer, it would seem, is yes."