Disability Arts History Australia

Items

• "Accessible Arts - Resources, captured 2022"
  Accessible Arts - Resources - includes Accessible Arts Event Series Video Resources, Top 10 Tips For Running Accessible Online Events, Access Checklists, Universal Access Symbols, Service Providers, National Disability Insurance Scheme (NDIS), Arts Access Organisations in Australia, and toolkits
• “Arts Access Victoria – Annual Report 1999-2000”
• "Incite Arts - NT Arts Access Awards Media Release 2013"
  Media release reads, in part, "Through honoring the valuable partnerships that exist between the disability and arts sectors, award winners were selected based on their initiative, leadership, and involvement in projects that embody the spirit of genuine partnership and the benefits for people with disability and the communities we live in."
• “Tutti Arts – Electric Winter Exhibition – Catalogue/Program”
  Tutti Arts – ‘Electric Winter’ Exhibition 2021 Catalogue/Program – reads, in part “Tutti Arts is one of Australia's leading disability arts companies where artists with learning disability create visual art, music, theatre, dance, film, new media and installations for a growing local and international audience. In 2017, Tutti was awarded a prestigious Arts SA Ruby Award for Sustained Contribution to the Arts by an Organisation or Group. Tutti has been operating visual arts and film & new media programs in the Barossa since 2017. In 2021 Tutti Arts Barossa and Chateau Tanunda, an icon of the Barossa since 1890, have come together to celebrate SALA."
• “Tutti Arts – End of Year Concert 2018 – Program”
  Tutti Arts – End of Year Concert 2018 Program - reads, in part “'Tutti' means everyone. Tutti is South Australia's only multi arts organisation where artists with a learning disability create visual art, theatre, music, film, new media and installations for a growing local and international audience. Tutti also offers disability-led collectives like Company AT, The Sisters of Invention and Sit Down Shutup and Watch Film & New Media Festival a rare opportunity to work in an artistic and administrative environment.”
• 'Festivals' Infographic
• 'Government Policy, Strategy, Funding' Infographic
• Welcome!
• 'Conferences' Infographic
• Website Tour Video
• Erica Berechree
• Sally Shrimpton
• Samraing Chea
• Timothy Charles Williams
• Tim Williams
• “Arts Access The Other Film Festival 2018 Invitation”
• “Arts Access Victoria –- BodySuits 1997 - Program"
• "DADAA Annual Report 2017-2018"
  DADAA Annual Report 2017-2018 - Chairperson and Executive Director’s Reports, New premises, NDIS, Workshops, Exhibitions, Galleries, Online Gallery, Art Link Programs, Arts Access Australia International Forum, Nexus Arts Grants, Professional Mentorships, Financials
• "DADAA Annual Report 2020-2021"
  DADAA Annual Report 2020-2021– Chair’s and Executive Director’s Reports, People, Partners, Arts and Client Services, Projects including The Other Film Festival WA, Digital Capacity Building, Financials
• "DADAA Annual Report 2021-2022"
  DADAA Annual Report 2021-2022 – Chair’s and Executive Director’s Reports, People, Partners, Arts and Client Services, Projects including The Other Film Festival WA, Creative Development 4:48 Psychosis Creative Development, Digital Project, Exhibitions, Financials
• “Restless Dance – Annual Report 2003"
  Restless Dance Theatre Annual Report 2003 - Chair's, Artistic Director’s, Dancers’, and Company Manager Reports, Members and Board, Financials, information about productions ‘Starry Eyed,’ ‘Home,’ ‘Singing of Angels,’ Reviews, Supporters
• ”Bree Hadley, Janice Rieger, Sarah Barron, Sarah Boulton, Catherine Parker (2023) Codesigning Access: A New Approach to Cultures of Inclusion in Museums and Galleries. In Cachia, Amanda (Ed.) Curating Access: Disability Art Activism and Creative Accommodation. Routledge, Abingdon, Oxon, pp. 183-195.”
  "In museums and galleries, access is often designed and implemented by staff and informed by regulations and guidelines. Codesign approaches have the potential to shift this understanding away from designing access “for” visitors and toward access as a creative process developed “with” visitors. This chapter focuses on the exhibition and practice-led research project Vis-ability: Artworks from the QUT Art Collection, which was presented at the Queensland University of Technology (QUT) Art Museum in Australia in 2019. Vis-ability represented the culmination of five years of international research into access in museums and galleries for visitors who are blind or have low vision."
• “Angharad Butler-Rees, Bree Hadley(2023) Exploring the Role of the Disabled Body as a Vehicle and Art Form within Anti-Austerity Protest. In Zebracki, Martin & McNeill, Z. Zane (Eds.) Politics as Public Art: The Aesthetics of Political Organizing and Social Movements. Routledge, Abingdon, Oxon, pp. 116-132.”
  "The impact of neoliberal austerity policy is being felt by people with disabilities across the globe. This chapter attends to disability protest in response to austerity across two contexts—the United Kingdom and Australia. It examines how people with disabilities are choreographing their protest, the strategies they are using, and the outcomes they are seeking."
• "Boram Lee, Ruth Rentschler, and Shin-Eui Park (2022) Connect2Abilities: Staging Virtual Intercultural Collaboration during COVID-19 in Amanda Cachia ed. Curating Access: Disability Art Activism and Creative Accommodation. London: Routledge, 45-58"
  Reads, in part "As a pilot project, Restless Dance Theatre in Adelaide, Australia and SNU MUSIC in Seoul, Korea collaborated to create a digital performing arts piece entitled Dialogue for Six Strings."
• The Other Film Festival