Disability Arts History Australia

Items

• Queensland Performing Arts Centre (QPAC)
• Royal Blind Society
• Sydney Theatre Company
• Queensland Writers Centre
• Snuff Puppets
• Arts Are Access
• Melbourne International Arts Festival (MIAF)
• Circus Oz
• "Accessible Arts - Second Skin 2012 - Promotional Flyer"
  Accessible Arts - Second Skin 2012 - Programotional Flyer - reads, in part "The Accessible Arts Catalyst Dance Masterclass Series provides skills development and training for dance practitioners, teachers, choreographers and dancers with and without disability currently working or interested in inclusive practice."
• Tamara Winikoff
• Russell Dykstra
• Peter Woodford Smith
• Pru Jobling
• Nicholas Wishart
• Karen Bulgin
• Julee-Anne Van Der Boor
• David Rodgers
• Andrew Jakubowicz
• Alan Giddy
• "Accessible Arts - International Day of People With Disability, captured 2022"
  Accessible Arts - International Day of People With Disability - reads, in part "The International Day of People with Disability (IDPwD) on December 3 provides a valuable opportunity every year to acknowledge, honour and celebrate people with disability and the vital contributions they make to arts and culture here in Australia and throughout the world."
• "Interview with Jess Cochran"
  Jess Cochran (they/them) is an actor, model, writer and disability advocate. Interview Summary: Jess Cochran is a queer, non-binary, neurodivergent, performing artist, advocate, writer, and consumer consultant with a background in both physical and psychosocial disabilities. Their journey into the performing arts began accidentally with a role in the Awards winning Melbourne Fringe Festival production, Qualia, which opened doors to more local and international Awards-winning work in film and stage. Jess identifies proudly with their disabilities and considers their art both a personal expression and a political act aimed at highlighting the issues faced by the disability community. Jess’s work spans across writing, modelling, and various performance arts, and they wish to see an increase of disability arts representation in mainstream media with authentic casting, opportunities and improved accessibility for disabled performers. Jess is also passionate about highlighting intersectionality in disability arts.
• "Arts Project Australia - Annual Report 2001"
  Arts Project Australia - Annual Report 2001 - Management Committee, Aims and Objectives, President's Report, Director's Report, Exhibitions Program, Studio Report, Financials - reads, in part "Since 1984 the organisation has run a visual arts studio program where people with an intellectual disability have the opportunity to work in a community based setting, using high quality art materials, and to receive advice and assistance from practising contemporary artists."
• "Interview with Roz Hervey"
  Roz Hervey is a Creative Producer with Restless Dance Theatre and is also a director, dance theatre performer and lecturer. Interview Summary: Roz Hervey, the creative producer of Restless Dance in Adelaide, previously worked as a dancer and dance theatre artist in Australia and the UK. Her approach with Restless Dance involves creating personal and reflective dance theatre by giving dancers specific tasks. Roz does not view the performers as disabled but as exceptional artists telling unique stories, and she aspires to change societal attitudes and encourage diversity in art. Despite progressing towards inclusive perceptions, she still encounters patronizing attitudes and misconceptions about artists with disabilities.
• "Bree Hadley, Donna McDonnald (2019) Introduction: disability arts, culture, and media studies - mapping a maturing field. In Hadley, B & McDonald, D (Eds.) The Routledge handbook of disability arts, culture, and media. Routledge, United Kingdom, pp. 1-18.”
  Reads, in part "In this book, an internationally recognised collection of established and emerging scholars, artists, and activists from across the US, UK, Europe, Asia, and Australasia come together to trace the development of disability arts, culture, and media studies in recent decades, flag current interests, and forecast future concerns."
• "Bree Hadley, Donna McDonald, Sarah Austin, Kath Duncan, Gerard Goggin, Lachlan MacDowall, Veronica Pardo, Eddie Paterson, with collaborators Dave Calvert, Jori De Coster, Shawn Goh, Alice Fox, Ann M. Fox, Andy Kempe, Petra Kuppers, Justin Lee, Alex Lubet, Sarah Meisch Lionetto, Ann Millett-Gallant, Laura Misener, Bronwyn Preece, Megan Strickfaden, Joanne Tay, Matthew Reason, Nancy Quinn, and Sarah Whatley (2019) Conclusion: practicing interdependency, sharing vulnerability, celebrating complexity - the future of disability arts, culture, and media research. In Hadley, B & McDonald, D (Eds.) The Routledge handbook of disability arts, culture, and media. Routledge, United Kingdom, pp. 362-372."
  "In this chapter, the authors conclude The Routledge Handbook of Disability Art, Culture, and Media studies by reflecting on the past, present, and potential future of disability art practice debated throughout the book. Based on research currently underway in the work of many of the Australian contributors, and including reflections from the global contributors, this concluding chapter reflects on what the disability arts, culture, and media practice and research of the future might look like, do, and achieve in the public sphere."