Items · Disability Arts History Australia

Reads, in part "Beyond Access sought to create an evidence base for the creative case for inclusive arts practice to support greater recognition for artists with a disability by transforming and extending notions of what art is and who produces it."

"Amanda Cachia (2013) ‘Disabling’ the museum: Curator as infrastructural activist. J. 12.3. pp. 257–289"

Reads, in part "This article will explore how I attempt to ‘disable’ the museum through my infrastructural curatorial practice, which is the basis for my scholarly research and writing. By infusing my curatorial projects with critical reflection and theoretical development, I hope to begin this process of building a new vocabulary and methodology around curating disability and access."

"Kate Maguire-Rosier (2016). Moving “Misfits.” Australasian Drama Studies, (69), 29–55. https://search.informit.org/doi/10.3316/informit.590682266081795"

Reads, in part "In Dianne Reid's recent work Dance Interrogations (a Diptych), performed as part of the 2015 Melbourne Fringe Festival by Reid and collaborating artist Melinda Smith, spectators had no seats but rather roamed, observing two mature dancers. In this article, I explore Reid and Smith's live performance, a combination of structured movement improvisation and screendance, as a provocation of the relationship between movement and agency. I address the theatrical event through the multifaceted lens of the performers' experiences, spectators' responses and my own observations."

Art Gallery of New South Wales

SBS

Quippings Performance Troupe

Casula Powerhouse