Disability Arts History Australia

Items

• "Indelability Arts - Theatre Ensemble for Artists With Disability"
  News article by Kymberly Martin in Freedom2Live reads, in part, "The company, founded in 2015 by Rebecca Alexander and Catarina Hebbard, was inspired by local and international trailblazers and identified a gap within the creative sector for students with disabilities interested in pursuing a career in the arts after leaving school."
• "House Gang - IMDB"
  Reads, in part "House Gang is an energetic and irreverent domestic comedy with a naughty sense of fun. Featuring three remarkable young actors, each with an intellectual disability, it takes an unconventional look at "family" in the 90s. Above all else House Gang celebrates diversity-you don't need to have a disability to be challenged by the problems of modern life. And being "normal" doesn't give us sole rights on love, sex, ambition, or laughter."
• "Accessible Arts - Creative Initiatives, captured 2022"
  Accessible Arts - Creative Initiatives - reads, in part "The unique perspectives and experiences of artists with disability – as well as the intersection of cultural identities across all types of disability – present exciting avenues for new artistic possibilities right across the spectrum of visual, performing, literary, screen and digital arts. We’re here to work with arts and cultural organisations, government agencies and other funding partners to deliver creative initiatives focused on providing development and production opportunities for all kinds of artists with disability or who are d/Deaf."
• "Bree Hadley (2015) Participation, politics and provocations: People with disabilities as non-conciliatory audiences. Participations: journal of audience and reception studies, 12(1), pp. 154-174.”
  "Disability has always had a prominent place on the theatrical stage. Throughout the C19th, C20th and C21st to date, disabled characters have been used to signify corruption, innocence or suffering, and, of course, as salutary examples of how to overcome such suffering. In the past three decades, the work of disability scholars, activists and artists has also provided opportunities for people with disabilities to produce their own plays, performances or installations challenging these stereotypes. Interestingly, though both the body of literature on theatre makers with disabilities and the body of literature on theatre audiences has grown apace over the past decade, there is still surprisingly little written on people with disabilities as theatre audiences. In this article, I draw on observations made during five years of practical, empirical and theoretical research into disability theatre to discuss how people with disabilities work as a distinctive sub-group of spectators, with distinctive spectatorial processes, modalities and preferences, within contemporary theatre audiences. I begin with the factors that make attending theatre difficult for people with disabilities. I note that people with disabilities respond to the challenges they face in attempting to become active audiences of contemporary theatre in three common ways. I then unpack what these spectatorial modalities teach us about people with disabilities as audiences, other marginalised groups as audiences, as well as about audiences, audiencing and the part audiences play in theatre practice more generally."
• "Bree Hadley, Clark Crystal (2017) Style, stage presence, and the poetic subversion of stereotypes: A case study of Blue Roo Theatre Company. Social Alternatives, 36(4), pp. 15-21."
  "In this article, we consider the work of Blue Roo Theatre Company (http://www.bluerootheatre.org.au/), a Brisbane-based theatre company which “creates contemporary performances lead by the artistry, experiences and imaginations of an ensemble of artists with diverse ability and impairment” (http://www.bluerootheatre.org.au/). Writing from a dual insider-outsider perspective – as a scholar of disability theatre and a creator of disability theatre in conversation – we discuss the work done in the training and rehearsal room in the lead up to Blue Roo Theatre Company’s performances, such as the company’s recent sell-out performance of Orpheus and Eurydice in collaboration with Opera Queensland at the Judith Wright Centre for Contemporary Arts, and the way it creates a distinctive performance style, poetics, stage presence, pleasure for the spectators who come along to witness the results of the work, and sense of community. We document moments in which facilitators, collaborators, co-creating artists, audiences and the media alike feel the physical, psychological, and aesthetic focus and force of voice, movement and character work by people with disabilities. We identify ways in which this stage presence can subvert dominant depictions of people with disabilities as innocent, childlike, or inspirational as significantly as the content of a show. In doing so, we provide insights into Blue Roo Theatre Company’s processes, and the aesthetic results it produces, and contribute to a growing body of commentary around disability theatre and performance, which – though increasingly well understood by those working in the form – clearly can still provide surprises for audiences and commentators anticipating conventional representations of people with disabilities onstage."
• "Katie Ellis, Gerard Goggin, Beth Haller, Rosemary Curtis ed. (2019) Routledge Companion to Disability and Media. London & New York: Routledge."
  Reads, in part "An authoritative and indispensable guide to disability and media, this thoughtfully curated collection features varied and provocative contributions from distinguished scholars globally, alongside next-generation research leaders."
• "Writeability website, captured 2018"
  Webpage reads, in part "Write-ability aims to remove some of the barriers that have traditionally prevented people with disability from connecting with writing and publishing. It provides tools and information to support people with disability who want to tell their own stories in their own way. The Write-ability ethos has been based on the importance of self-told stories, disability-leadership and peer support, and the creation of opportunities for even the quietest voices to be heard."
• "Writeability website, captured 2019"
  Webpage reads, in part "Write-ability aims to remove some of the barriers that have traditionally prevented people with disability from connecting with writing and publishing. It provides tools and information to support people with disability who want to tell their own stories in their own way. The Write-ability ethos has been based on the importance of self-told stories, disability-leadership and peer support, and the creation of opportunities for even the quietest voices to be heard."
• "Writeability website, captured 2015"
  Webpage reads, in part "Write-ability aims to support writers with disability wishing to develop their skills and writing careers. Our projects and activities change every year and can include workshops, writing groups and performances. In 2015 Melbourne writers with disability can join us for our fortnightly Write-ability Writers Group sessions from 1-3pm on the following dates. Please book one or more sessions."
• Multicultural Disability Advocacy Association (MDAA)
• Multicultural Disability and Advocacy Service
• Sunnyhaven Disability Services
• Studio ARTES
• "Incite Arts - Arts And Disability Workshop Programs Poster"
  InCite Arts Poster, promoting Disability Arts Workshops programs
• "Access Arts Moving Matters Workshops"
  Access Arts Moving Matters Workshops, with Monique de Goey, flyer reads "These workshops are designed to develop body awareness, creativity, self expression, imagination and play through participation in visual arts and movement based activities."
• "Accessible Arts and Tin Sheds Gallery - AART-BOXX 2008 - Program"
  Accessible Arts and Tin Sheds Gallery- AART-BOXX 2008 Program - reads, in part "AART.BOXX is an exhibition and cultural initiative that highlights the current and diverse art practices of young and emerging artists with a disability. Initiated by Accessible Arts, the peak arts and disability body in NSW, AART.BOXX aims to extend and challenge current discourses within contemporary art by including art practices that are informed by cultures of disability. These artists are a creative force whose unique voices are often marginalized within the broader cultural context."
• "Accessible Arts - Annual Report 2015"
  Accessible Arts - Annual Report 2015 - From the Chair, From the CEO, Sector Development, Arts Development, Access Development, Communications, Board, Staff and Volunteers
• "Accessible Arts - Create Ability: A Conference on Creativity and Disability 1989 - Report"
  Accessible Arts - Create Ability: A Conference on Creativity and Disability 1989 - Report - Welcome Address- Michael Champion, Key Note Address: Vivienne Binns, Opening Up the Arts- Jeffrey St. John, The Philosophy of Arts Accessibility- Gay Hawkins, Community Attitudes to Integration (Summary) Barbara McEvoy, Tannia Vassallo, Models for Changing Community Attitudes- Jan Spencer, Locating Community Arts Activities and Setting Up an Arts Activity Group in a Community Centre- Judy Finlason, Resources for Community Arts Activities- Maria Guppy, Training the Community Artist to work with People with Disabilities- Annie Harvey, Gizmos, Gadgets and Ramps (Summary)- Bill Watson, Transport- a Moving Issue- Tim Sussman
• "Accessible Arts - ACE Arts Creativity Expression - Promotional Notice - Public Television Conference and Commonwealth State Disability Agreement - 1992 - Iss7, Pg5"
  Accessible Arts - ACE Arts Creativity Expression - Promotional Notice - Public Television Conference and Commonwealth State Disability Agreement - 1992 - Iss7, Pg5
• "Accessible Arts - ACE Arts Creativity Expression - Helen Connors - Article: Why Do All The Bad Guys Have A Disability - Iss17, 1997, Pg11-13"
  Accessible Arts - ACE Arts Creativity Expression - Helen Connors - Article: Why Do All The Bad Guys Have A Disability - Iss17, 1997, Pg11-13
• Jax Jacki Brown
• South Australia
• Australia
• Western Australia
• "DADAA Find A Program Webpage, captured 2023"
  DADAA Find A Program Webpage, captured 2023 – includes information about Visual Art, Digital Art, Dance and Performance, Music, Children and Young Adult, and Mentorship programs