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“Australia Council start development of Code of Conduct for Access in The Arts”
- Patricia Higgins
- Sandra Brown
- Tania Lieman
- Veronica Hagan
- Yo Bell
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"A contemporary visual arts exhibition, Connected 2008, is presented in 2008" In 2008, Arts Access Victoria produced Connected 2008, a contemporary visual arts exhibition attracting over 400 entries from artists with a disability across Victoria.
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“The arts sector is forced to adapt in the face of COVID-19 lockdowns” Government-enforced lockdowns in response to the COVID-19 pandemic saw arts events cancelled and disability arts organisations temporarily close physical premises as social distancing rules came into play. While Coronavirus 19 restricted social contact, there were some benefits that arose such as increased digital access for social connection, online ordering accessible via screen readers and home delivery, virtual tours of art galleries, online choirs, and telehealth appointments.
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"Tutti Arts - I Want It All - Program" Tutti Arts 'I Want It All' 2014 Program - reads, in part "Tutti is Australia's first indusive choir and takes its name from the musical term. ‘'Tutti', means everyone. From its origins in 1997 as a small singing group at Minda, the choir has grown into a vibrant independent multi arts organisation, deeply connected into the disability and mainstream arts worlds of South Australia and beyond. With its strong commitment to access and inclusion, Tutti is both a grass roots nurturer of disabled artists and a creator and presenter of high quality work which brings disabled artists, and community and professional artists together for performances and exhibitions.” -
"DADAA Accessibility Services Webpage, captured 2023" DADAA Accessibility Services Webpage, captured 2023 - reads, in part "Working towards larger social and political goals of cultural democracy, DADAA offers services that are designed to facilitate access to arts and cultural activity for artists and audiences with disability." -
"Undercover Artist Festival Program Released 2021" Undercover Artist Festival 2021, curated by Festival Director Madeleine Little, including Lauren Watson’s Nerve, Andi Snelling’s Happy-Go-Wrong, Naavikaran’s Brown Church, Oliver Hetherington-Page’s The No Bang Theory in the ‘Creative’ program track, and work by Timothy Orton, Mitchell Runcie and Allycia Staples from The Sunshine Troupe in the ‘Community’ track. -
"The Other Film Festival Program 2004" The Other Film Festival Program 2004 - Australian work screened includes CALLAHAN: HE WON'T GET FAR ON FOOT D: Liz O'dea Documentary, 26 Min, Aust, 2001; D-TUNE: MOTIF 1 D: Katherine Chinnick & Tony Nirta, Animation, 5 Min, Aust, 2004; PART ANIMAL, PART MACHINE D: Warren Macdonald, Documentary, 20 Min, Aust, 2003; THE WORLD REALLY IS W… D: Kim Miles, Experimental, 6 Min, Aust, 2003; THE COMPANY YOU KEEP D: Lucy Paplinska, Documentary, 28 Min, Aust, 2003; UNTOLD DESIRES D: Sarah Barton, Documentary, 52 Min, Aust, 1994; BIRD from Art Day South Program, Fiction, 6 Min, Aust, 2001. Australian work screend in the ‘The Other Program’, described as “Screening films by Australia’s new, emerging and independent filmmakers and featuring Q&A sessions,” Australian work screened includes THE ABILITY TREK from Guiness Entertainment, 8TH OF MAY from Winfred Kwan Weng Fook, JAM from Lee Galea, WHEEL LOVE from Emma Butler, THE DANCE from Bee Williamson, THEATRE OF HOPE from City of Port Phillip, 12 WAYS TO OPEN A DOOR from Theatre of Speed/ Back to Back Theatre, A DAY IN THE LIFE from No Strings Attached, EXIT Q from Phil Heuzenroeder, THE JOB from David King, IN THEORY from Remo Camerot, THE TOY TUB from Telen Rodwell, THE GOODLOOKING FILM from Art Day South, STAR STREET from The Geelong Arts Alliance, FUTURE FILMS from Yum Productions, BLACK DANCE and MILES TO GO from Tony Sarre, THROUGH MY EYES from Lisa Warne, EACH NEW MORNING from Alycia Johnston, TEAMHANDCYCLE, A FISTFUL OF HEART, and SIZE 9(RIGHT) from Bernzerk Productions. -
“Captioned films launched in Australia” In 2001, captioned films were launched in Australia with a speech by then Disability Discrimination Commissioner Dr Sev Ozdowski OAM. The process with a series of submissions from both the film industry and the Deaf and hard of hearing community. These submissions led to the establishment of a Forum comprised of representatives from the film distribution and exhibition sector, the Deaf and hearing impaired communities and the Australian Caption Centre. After a trial run in Sydney and Melbourne, three major cinema exhibiters (Greater Union, Hoyts, and Village) agreed to show open captioned films at selected venues throughout the country.
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"Screen Australia (2016) Seeing ourselves: Reflections on diversity in Australian TV drama. Screen Australia" Reads, in part "Whose stories are our TV dramas exploring? Screen Australia has benchmarked current levels of diversity in Australian TV drama and explore the challenges and opportunities involved in making TV drama more broadly representative of Australian society."
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"Screen Australia (2023) Seeing Ourselves 2: Diversity, equity and inclusion in Australian TV drama. Screen Australia" Reads, in part "Screen Australia has released new research into diversity on Australian screens, titled Seeing Ourselves 2: Diversity, Equity and Inclusion in Australian TV Drama. A follow up to the landmark 2016 study, Seeing Ourselves 2 examines the diversity of main characters in 361 scripted Australian TV and online dramas broadcast between 2016 and 2021, how this compares to the Australian population, and what has changed since the previous Seeing Ourselves report."
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"DADAA Annual Report 2022-2023" DADAA Annual Report 2022-2023 – Chair’s and Executive Director’s Reports, People, Partners, Arts and Client Services, Projects including 4:48 Psychosis, Digital Art for Life, Exhibitions, Financials - Jackie Saunders
- BlakDance
- Meryl Tankard
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"The Other Film Festival Revisited 2021" The Other Film Festival 2021 Revisited - Information about the Festival, program, achievements, including in 2021 tour to Western Australia, Industry Resources, and Platforms for artists -
"Arts Project Australia - Visual Arts Program - Promotional Flyer - 2012" Arts Project Australia - Visual Arts Program - Promotional Flyer - 2012 - reads, in part "Arts Project Australia is a specialist agency which supports people with disabilities to participate in the visual arts. The program is open to all age-groups from school-leavers to older adults." -
"Undercover Artist Festival Program 2023" Undercover Artist Festival Program 2023 – Curated by Festival Director Madeleine Little - ‘Breathe In: Multilingual Storytelling in Performance’ by Crossroad Arts, ‘Sleep and the City’ by Emma-June Curik, ‘Sheltered’ by Kathryn Hall, ‘Betsy and I’ by Alexandra Ellen, ‘type-a-poet’ by Andi Snelling, ‘Are You Pulling My Leg?’ with Accessible Arts and Crips & Creeps, ‘The Jingo Brothers’ with Jolly Jingo and Steady Eddy, ‘Otherwise’ by Access Arts, ‘Celebrate All’ by Donna Dyson, ‘Blind in the Rabbit Hole’ by Screech Arts, Embrace’ by lnsideOutside Dance, Club Undercover with Deaf Indigenous Dance Group and Goddess Naavikaran, and WunderSounds with Aspy Jones and Eliza Hull. -
"The Other Film Festival - Website, captured 2011" The Other Film Festival website, captured 2011 - including a links to 2010 Festival Program in standard, plain text and Vision Australia formats, and a report on the 2010 Festival -
"The Other Film Festival - Website, captured 2018" The Other Film Festival website, captured 2018 - with links to About and Archive pages, and 2016 Festival report -
"The Other Film Festival - Website, captured 2022" The Other Film Festival website, captured 2022 - reads, in part "The Other Film Festival is a groundbreaking disability-led initiative that has put Deaf and Disabled people at the centre of the Australian screen industry for almost 20 years. Founded in 2004, it is Australia’s first international disability film festival and is a major artistic program of Arts Access Victoria." -
"IMDB Sparkles" Reads, in part "A 30-something-year-old Down syndrome woman leaves her past behind, and runs away from a small country town. Along her journey, she makes an unlikely friendship, teaching us all not to be afraid to celebrate who we are."