Disability Arts History Australia

Items

• “Arts Access Access All Areas August 2002”
• “Arts Access Victoria – Bandmates Victoria - Promotional Card 1"
  Arts Access Victoria - Bandmates Victoria – Promotional Card – information about AAV program matching people with disabilities and/or mental health conditions with volunteers with comparable music tastes to see live music
• Sandy Jeffs
• Big hART
• Jennie Swain
• "Bree Hadley (2017) Disability, Sustainability, Austerity: The Bolshy Divas Arts-Based Protests Against Policy Paradoxes. Centre for Sustainable Practice in the Arts Journal 18 Spring. http://www.sustainablepractice.org."
  "In this short article, I want consider some of the ways theatrical artists, activists and advocates in Australia are tackling the paradoxical relationship between sustainability and austerity discourses, and, as a result, some changes this may be starting to produce in disabled people’s aesthetic prerogatives. For the last 30 years, artists, activists and scholars in Australia and beyond have avoided casting disability in terms of trauma, crisis, catastrophe and disaster. Accounts of the way disability theatre challenges stereotypes , as well as analysis of disability signifiers in screen, stage, and social performance , have expressed concern about deploying disability as a metaphor for disaster, or defining disabled people as monstrous, tragic, stoic, or inspirational, the way the medical model of disability traditionally defines us. Instead, modern disabled artists and the scholars who analyse them have advocated for work that deploys live art, performance art, and performative intervention in public space to challenge stereotypes, oppressive institutional systems, and other factors the social model of disability sees as the cause of disability oppression .In the last few years, though, there has been an increase in work that does associate disability with trauma, tragedy and disaster, in what seems to be a response to austerity, accountability and economic sustainability agendas that call for cuts to disability services spending to make our societies more sustainable going forward."
• "Bree Hadley (2014) Disability, Public Space Performance, and Spectatorship: Unconscious Performers. London: Palgrave Macmillan."
  "Why would disabled people want to re-engage, re-enact and re-envisage the everyday encounters in public spaces and places that cast them as ugly, strange, stare-worthy? In Disability, Public Space Performance and Spectatorship: Unconscious Performers, Bree Hadley examines the performance practices of disabled artists in the US, UK, Europe and Australasia who do exactly this. Operating in a live or performance art paradigm, artists like James Cunningham (Australia), Noemi Lakmaier (UK/Austria), Alison Jones (UK), Aaron Williamson (UK), Katherine Araniello (UK), Bill Shannon (US), Back to Back Theatre (Australia), Rita Marcalo (UK), Liz Crow (UK) and Mat Fraser (UK) all use installation and public space performance practices to re-stage their disabled identities in risky, guerilla-style works that remind passersby of their own complicity in the daily social drama of disability. In doing so, they draw spectators' attention to their own role in constructing Western concepts of disability. This book investigates the way each of us can become unconscious performers in a daily social drama that positions disability people as figures of tragedy, stigma or pity, and the aesthetics, politics and ethics of performance practices that intervene very directly in this drama. It constructs a framework for understanding the way spectators are positioned in these practices, and how they contribute to public sphere debates about disability today."
• "A Month Of Mayhem"
  RealTime article on A Month of Mayhem, "A program of screenings, exhibitions, performances, seminars, and workshops by Deaf and colourblind artists for all audiences," presented by Access2Arts, in partnership with Adelaide Film Festival, Australian Network for Art and Technology (ANAT), Arts Access Australia, Unlimited UK, Tutti Arts, Sit Down Shut Up and Watch Film Festival
• "The Arts and Disability"
• "Interview with Alison Bennett"
  Dr Alison Bennett is a senior lecturer in photography at RMIT School of Art specialising in expanded photography, webXR, queer and feminist creative practices. Interview Summary Alison Bennett, an artist and academic, spoke about her work in expanded photography, their experiences with autism, and the intersection of disability discourse with queer activism in their life and work. Their current project, vegetal/digital, arose from their experiences during the pandemic and connects audiences with plant sentience through interactive digital art. Alison also discussed the political nature of their work, aiming to shift ontological frameworks and exploring new modes of engagement through art. They reflected on the significant cultural changes regarding neurodiversity in the last few decades, highlighting the growing self-advocacy among autistic artists and their increasing impact in the arts.
• “Arts Access Victoria – Calendar 1999 – Promotional Calendar”
  Calendar reads “Arts Access has always enjoyed the artwork produced in these classes. We are now very proud to share same of this work with you in the Saturday Morning Art Class: 1999 Calendar” showcasing the artwork of twelve artists who are participants in the program - Caroline Thompson, Cathy Staughton, Chris Black, Estell Carew, Grant McCormack, John Shirres, Jordan Gestos, Lorna Cleave, Rebecca Stauch, Rebecca Watson, Rosalie Fitzsimmons, Vicki Wilbur.
• “Arts Access Victoria – Heavens About Café 1993 - Invitation - Promotional Flyer"
• "Arts Access Victoria - Homage to… Exhibition 2017 - Promotional Flyer"
• "Arts Access Victoria - Ignite Exhibition 2018 - Promotional Flyer"
• "Arts Access Victoria - The Delta Project - Promotional Flyer"
• Maureen Brees
• Maureyn Brees
• Timothy Heywood-Smith
• Beats Crew
• Raquel Ormella
• Gerard O’Dwyer
• Caroline Ellison
• "Back to Back Theatre - You Tube - Food Court (2008), uploaded 2016"
  Back to Back Theatre You Tube - Food Court (2008) - reads, in part "Set in the lush minimalism of an illuminated white void, the story of one woman’s humiliation is played out in a psychological space constructed from light and sound. Luminously fragile, FOOD COURT is a near death experience in a suburban wonderland where a small fatality of dignity takes place between The Asian Hut and The Juice Bar."
• "Back to Back Theatre - You Tube - Small Metal Objects (2005), uploaded 2016"
  Back to Back Theatre YouTube - Small Metal Objects (2005) - reads, in part "An ingenious theatrical gem, small metal objects unfolds amid the pedestrian traffic against the backdrop of the city. On a raised seating bank with individual sets of headphones, the audience is wired in to an intensely personal drama being played out somewhere in the crowd."
• Ingle Knight