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“Australia Council start development of Code of Conduct for Access in The Arts”
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"Accessible Arts and Casula Powerhouse - Seeking Nimbus Exhibition - Program" Accessible Arts and Casula Powerhouse - Seeking Nimbus Exhibition 2015- Program - reads, in part “This personal exploration varies in form and the paths we select to journey diverse. Our search is often conducted in solitude and even secret. Like clutching at vapour or clouds, the prize often eludes us. It drives an artist, whether the world This search and our need for creative expression is something that defines our humanity. It unites us all - both people with and without disabilities.” -
"Accessible Arts - High Flying Workshop - Promotional Poster" Accessible Arts - High Flying Workshop - Promotional Poster -
"Accessible Arts - Promotional Flyer - 2005-06" Accessible Arts - Promotional Flyer - 2005-06 -
"Accessible Arts - ACE - Resources List - 2002" Accessible Arts - ACE - Resources List - 2002 -
"Accessible Arts - ACE - Workshop List - 2002" Accessible Arts - ACE - Workshop List - 2002 -
"Accessible Arts - ACE - Exhibitions and Events" Accessible Arts - ACE - Exhibitions and Events 2002 -
"Accessible Arts - Grants And Competitions- List - 2002-03" Accessible Arts - Grants And Competitions- List - 2002-03 -
"Accessible Arts - Membership Form 1995" Accessible Arts - Membership Form 1995 -
"Accessible Arts - Membership Form 1999" Accessible Arts - Membership Form 1999 -
"Accessible Arts - Membership Form 2000" Accessible Arts - Membership Form 2000 -
"Accessible Arts - Membership Form 2001" Accessible Arts - Membership Form 2001 -
"Organisation Profile - Salubrious Productions, ACE Magazine Issue 27 April 2003" Organisation Profile, descibing the work of Salubrious Productions, in ACE Magazine, Issue 27 2003, published by Accessible Arts (New South Wales) - Sarah Tracton
- Melissa Noonan
- Ludmila Doneman
- Kathryn Hall
- David Waldie
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"The No Bang Theory - Presenter Pack" Presenter Pack for Indelability Arts show by Oliver Hetherington Page, The No Bang Theory - reads, in part, "Autistic performer/playwright Oliver Hetherington-Page is fed up with people thinking Sheldon Cooper somehow represents all people on the spectrum. He’s using Arts Queensland funding, show tunes and anecdotes to set the record straight. The No Bang Theory is a musical journey from dating disasters to diagnosis through #actuallyautistic eyes." The No Bang Theory was independently created by Oliver Hetherington-Page. -
"Jung Hyoung Yoon, Caroline Ellison, Peggy Essl (2020). Shifting the perspective from ‘incapable’ to ‘capable’ for artists with cognitive disability; case studies in Australia and South Korea. Disability & Society, 36(3), 443–467. https://doi.org/10.1080/09687599.2020.1751079" Reads, in part "This study examined four inclusive arts organisations in Australia and South Korea, providing creative services for artists living with cognitive disability, including autism, intellectual and mental disability. This research study focused on exploring what support inclusive arts organisations and society have provided for artists living with cognitive disability to pursue professional careers."
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"Interview with Mike Moshos" Mike Moshos is a creative director, writer, actor and disability advocate. Interview Summary Mike Moshos is an arts worker and creator living with achondroplasia who provides support to young adult artists with disabilities and engages in community theatre and interactive performances for children with special needs. His personal experiences and growing political awareness have led him to advocate for the rights of disabled individuals and strive for equity in the arts. Mike has a deep passion for storytelling and is currently writing a science fiction novel while enjoying his role as Bing in an interactive children's show. He believes that all art is inherently political and that every piece of work, whether overtly or subtly, expresses a stance on societal issues. - Lindsay Cox
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"Interview with Darcy Carpenter" Darcy Carpenter is a professional dancer and has performed with Restless Dance Theatre since 2014. Interview Summary: Darcy is a professional dancer with a family history in dance, who works with Restless Dance Theatre and has worked with the Riverland Youth Theatre. Darcy expressed her passion for dance and acting, mentioning her desire to share emotional experiences with her audience and her personal growth as an artist through the support of Restless Dance Theatre organisation. Throughout the interview, Darcy’s pride as a third-generation dancer shone through, along with her aspirations to continue developing her artistry. -
“Captioned films launched in Australia” In 2001, captioned films were launched in Australia with a speech by then Disability Discrimination Commissioner Dr Sev Ozdowski OAM. The process with a series of submissions from both the film industry and the Deaf and hard of hearing community. These submissions led to the establishment of a Forum comprised of representatives from the film distribution and exhibition sector, the Deaf and hearing impaired communities and the Australian Caption Centre. After a trial run in Sydney and Melbourne, three major cinema exhibiters (Greater Union, Hoyts, and Village) agreed to show open captioned films at selected venues throughout the country.
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"Screen Australia (2023) Seeing Ourselves 2: Diversity, equity and inclusion in Australian TV drama. Screen Australia" Reads, in part "Screen Australia has released new research into diversity on Australian screens, titled Seeing Ourselves 2: Diversity, Equity and Inclusion in Australian TV Drama. A follow up to the landmark 2016 study, Seeing Ourselves 2 examines the diversity of main characters in 361 scripted Australian TV and online dramas broadcast between 2016 and 2021, how this compares to the Australian population, and what has changed since the previous Seeing Ourselves report."
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"Screen Australia (2016) Seeing ourselves: Reflections on diversity in Australian TV drama. Screen Australia" Reads, in part "Whose stories are our TV dramas exploring? Screen Australia has benchmarked current levels of diversity in Australian TV drama and explore the challenges and opportunities involved in making TV drama more broadly representative of Australian society."