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“Australia Council start development of Code of Conduct for Access in The Arts”
- Nicky Perry
- Nicole Perry
- Kim Mancini
- Kate Lee
- Kate Cooper
- Helen Bradshaw
- Gill Pyke
- Bernie M Jansen
- Abbie Twiss
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“Commonwealth Disability Strategy launched in December 1994” The Commonwealth Disability Strategy was launched in December 1994. The strategy was meant to ensure compliance by Commonwealth Departments with the Disability Discrimination Act (DDA) (passed in 1992). The Museum of Australian Democracy at Old Parliament House reports that “Results have been uneven, especially in employment, but the Act has made some breakthroughs on education and disability access in new buildings.”
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"Bree Hadley (2022) A ‘Universal Design’ for audiences with disabilities? In Reason, Matthew, Connor, Lynne, Johanson, Katia, & Walmsley, Ben (Eds.) Routledge Companion to Audiences and the Performing Arts. Routledge, Abingdon, Oxon, pp. 177-189.” “Understanding of how to create inclusive performance experiences for spectators with disabilities remains nascent in research, policy, and practice. In this chapter, I survey the state of knowledge in this field – or, as it turns out, fields, given that specialist knowledge of sign language interpretation for d/Deaf spectators, audio description for blind spectators, and relaxed performance for neurodiverse spectators, has developed separately, without intersection. I then investigate recent efforts to create inclusive aesthetics that incorporate accessibility features into performance work, as an integral part of the aesthetic, rather than as interpretations, captions, or descriptions alongside the work. I examine why this ‘Universal Design’ approach has been embraced with enthusiasm, both by disabled producers and spectators, and by non-disabled producers and spectators.”
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"Jodee Mundy Collaborations - Imagined Touch - Documentary" Reads, in part "When two deafblind women Heather Lawson and Michelle Stevens approached director Jodee Mundy to make a show, they pulled off the impossible. They turned their small community performance into IMAGINED TOUCH, a theatre production that became a sell-out success at the Sydney Festival, going on to win at the Victorian Green Room Awards. This documentary has followed Imagined Touch with cameras from the very beginning." -
"Katherine Gale (2013) Review - Take Up Thy Bed and Walk, Arts Hub" Review of 'Take Up Thy Bed and Walk' (2013) by Vitalstatisix and Gaelle Mellis - reads, in part "The latest Vitalstatistix Theatre Company production asks subtle questions about society’s perception of people with disabilities."
- Geelong Arts Alliance
- National Multicultural Arts Festival
- Bipolar Bears
- Screech Arts
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"Sprung!! Integrated Dance Theatre - River Stories" Page reads, in part, "River Stories is an inclusive and accessible workshop bringing First Nations contemporary culture and disability culture together, drawing on the yarns of Bundjalung Elder Julia Paden and led by local First Nations artists Mitch King (Yaegl/Bundjalung) and Jade Dewi Tyas Tunggal (Aust/Java)." -
"Blue Roo Theatre Company - AnnualReport 2019-20" - Yvette Forster
- Shelley Sicurello
- Sue Werner
- Suellen Maunder
- Robert Bradley
- Oliver Hetherington-Page