Disability Arts History Australia

Items

• Aspy Jones
• Ann Leen
• Angus Macfarlane
• Angus Douglas
• Andrew Coote
• Andrea Carroll
• Amelia Dowe
• Alyssa Maughan
• Allycia Staples
• Allison Jones
• Alicia Cush
• Alex Lawton
• Alex Jack
• Adrian Berry
• "Hot Pink Goanna Studios - Deadly With Disabilities, Website captured 2024"
  Hot Pink Goanna Studios: Deadly With Disabilities, website captured 2024 - with About, Gallery, Commisions, and Prints sections - reads, in part "Hot Pink Goanna was developed by Uncle Paul Constable Calcott a proud Wiradjuri man and artist living with a disability on Gubbi Gubbi Country. Hot Pink Goanna showcases the works of Uncle Paul and other First Nations artists living with a disability."
• "Hot Pink Goanna Studios - Deadly With Disabilities, Gallery captured 2024"
  Hot Pink Goanna Studios: Deadly With Disabilities, Gallery captured 2024 - featuring imagews of works by Paul Constable Calcott
• "Hot Pink Goanna Studios - Deadly With Disabilities - Walu Win Series by Uncle Paul Constable Calcott, Episode 1"
  Walu Win Series by Uncle Paul Constable Calcott, episode 1 - reads, in part "A mini-series exploring the benefits of art and how it is halping as a tool in the healing process. This episode is about Uncle Paul Calcott, a Wiradjuri man who is now living on Gubbi Gubbi country."
• "Sprung!! Integrated Dance Theatre - About Us, captured 2019"
  Webpage reads, in part "Sprung Integrated Dance Theatre Inc is a not for profit community organisation providing dance and theatre training and workshops for people with a disability. We use a collaborative and disability-led process to develop inspiring dance theatre works that explore the human condition and promote a more inclusive society."
• "Sprung!! Integrated Dance Theatre - Website, captured 2019"
  Sprung!! Integrated Dance Theatre Website, captured 2019 - About, Projects, Programs, Community
• "Sprung!! Integrated Dance Theatre - Open Doors Clowning, Tintenbar 2019"
  Sprung!! Open Doors Clowning, Tintenbar 2019 - Sprung!! describes Open Doors Dance as a program for anyone who enjoys movement and music
• "Sprung!! Integrated Dance Theatre - Open Doors Dance, Tintenbar 2019"
  Sprung!! Open Doors Dance, Tintenbar 2019 - Sprung!! describes Open Doors Dance as a program for anyone who enjoys movement and music
• "Sprung!! Integrated Dance Theatre - Lismore Open Doors 2019"
  Sprung!! Open Doors Lismore 2019 - Sprung!! describes Open Doors Dance as a program for anyone who enjoys movement and music
• "Sprung!! Integrated Dance Theatre - Website, captured 2023"
  Sprung!! Integrated Dance Theatre Website, captured 2023 - About Us, Studios, Sprung!! Performances, Ensemble Auditions, Ensemble Dance Program, Workshops, Community Performances, Sprung!! Online, Auslan Choir, Healthy Living Program
• "Sprung!! Integrated Dance Theatre - Blog captured 2019"
  Sprung!! Integrated Dance Theatre Website, captured 2019 - News (French Cafe community dance project, 'Share House' plays at Brisbane Anywhere Festival May, Sprung!! makes finals for an Australian Dance Award, Sprung!! Appoints a new Business Manager)
• "Bree Hadley, Clark Crystal (2017) Style, stage presence, and the poetic subversion of stereotypes: A case study of Blue Roo Theatre Company. Social Alternatives, 36(4), pp. 15-21."
  "In this article, we consider the work of Blue Roo Theatre Company (http://www.bluerootheatre.org.au/), a Brisbane-based theatre company which “creates contemporary performances lead by the artistry, experiences and imaginations of an ensemble of artists with diverse ability and impairment” (http://www.bluerootheatre.org.au/). Writing from a dual insider-outsider perspective – as a scholar of disability theatre and a creator of disability theatre in conversation – we discuss the work done in the training and rehearsal room in the lead up to Blue Roo Theatre Company’s performances, such as the company’s recent sell-out performance of Orpheus and Eurydice in collaboration with Opera Queensland at the Judith Wright Centre for Contemporary Arts, and the way it creates a distinctive performance style, poetics, stage presence, pleasure for the spectators who come along to witness the results of the work, and sense of community. We document moments in which facilitators, collaborators, co-creating artists, audiences and the media alike feel the physical, psychological, and aesthetic focus and force of voice, movement and character work by people with disabilities. We identify ways in which this stage presence can subvert dominant depictions of people with disabilities as innocent, childlike, or inspirational as significantly as the content of a show. In doing so, we provide insights into Blue Roo Theatre Company’s processes, and the aesthetic results it produces, and contribute to a growing body of commentary around disability theatre and performance, which – though increasingly well understood by those working in the form – clearly can still provide surprises for audiences and commentators anticipating conventional representations of people with disabilities onstage."