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“Australia Council start development of Code of Conduct for Access in The Arts”
- Winston Stearn
- Wiriya Sati
- Xavia Nou
- Xenia Hackett
- Yuskai Akei
- Yvonne Chong
- Yvonne Gates
- Yvonne Masters
- Zahra Smith
- Zanerin Rumbal
- Zannie Flanagan
- Zarah Butcher
- Zeb Schultz
- Zoe Barnes
- Zoe Brissett
- Zoe Houghton
- Zoe Prince
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"Quippings presents Risky Business" Reads, in part "Risky Business is the Quippings crew daredevils taking over the Melba Spiegeltent with our cabaret wordfest game show extravaganza!" -
"It's Fine, I'm Fine - IMDB" It's Fine, I'm Fine' Internet Movie Database (IMDB) entry - reads, in part "A suburban psychologist and her patients explore love, loss, obsession, anxiety, and an uncertain future, while grappling with how to persist and find magic in the world." -
"Bree Hadley, Janice Rieger, Eddie Paterson (2024) Reinhabiting, Reimagining, and Recreating Ableist Spaces: Embodied Criticality In Art. In Ellis, Katie, Kent, Mike, & Cousins, Kim (Eds.) The Routledge International Handbook of Critical Disability Studies. Routledge, pp. 48-58." "In this chapter we bring critical disability studies into dialogue with disability artworks that resituate critiques of inaccessibility and exclusion as complicated encounters with space, lived experience and embodiment. Drawing on Irit Rogoff’s (2003, 2006) notions of embodied criticality, and the pioneering work of performance studies scholar Petra Kuppers (2003, 2014), we argue for an embodied, embedded and creative form of critical disability studies – enacted through art. We examine two recent performance and installation works in hotels: Welcome Inn (2019) by British artist Christopher Samuel, and Intimate Space (2017) by Australian performance company Restless Dance Theatre."
- State of Flux
- Company Chaos
- Canberra Dance Theatre
- Dance Massive
- Dancehouse