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“Australia Council start development of Code of Conduct for Access in The Arts”
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"Back to Back Theatre - Website - BriefHistory, captured 2008" Back to Back Theatre 'Brief History' page, with PDF document of history captured 2008 - reads, in part "Back to Back Theatre evolved out a community arts project that began in Geelong in 1987. The project included disability service providers Corilong and Karingal, the Geelong Children's and Youth Support Services (CYSS) and Deakin University's Performing Arts Course (attached to the Mill Theatre) Individual artists and other members of the Geelong community were also involved." Includes list of Professional Productions (including ‘Big Bag’ 1987-88; ‘Stinking Houses’ 1989; ‘The Peg Machine’ 1990; ‘Everything and the Mermaid’ 1990, ‘I Don’t Want to Live in Lara Anymore 1991; ‘Yell Blue Murder’ 1991; ‘Woodenhead’ 1992; ‘The Adventures of Bobbi Dazzler’ 1992; ‘Voices of Desire’ 1993; ‘Freak Show with Circus Oz 1994; Back to Back in Shorts 1995; Road Movie with Melbourne Workers Theatre 1996; Minds Eye with Handspan Visual Theatre 1996; Peter Pan with Arena Theatre Company 1997; Mr September 1997; Boomtown with Snuff Puppets 1998; Mental 1999; Dog Farm 2000; Pornstar 2001; Soft 2002; Cow 2003; Small Metal Objects 2005), and Community Productions (including Ritual with Matthew Flinders Girls Secondary College 1998; Push Push 1999; Drag Racers in Love with Nelson Park School 1999; Arnold 2000 Fishman with Theatre of Speed 2001; Inside the Angel House with Theatre of Speed 2003; Minotaur with Theatre of Speed 2005; DMI with Theatre of Speed 2007; Pod Residences with Night School, Awakenings Festival, Brr Theatre Group, Ants Pantz Arts, Break of Day Players, Theatre of Speed, Arts Action and Amalgamation Festival 2003-2006), and films (including Mullet (1995), White Maggots (1996), Spill (1997), Mark Deans Human Cannonball (1998), Underpants (1999), Backscratch (2000), Porn Star (2002), Rhian Hinkley Theatre of Speed vs. BOZ'n'HOK, vs. HUGE COVILL (2004), D9 (2005), Out of our Minds (2001)). -
"The Clothesline - Intimacy: Torque Show & Michelle Ryan Celebrate Love, Dance, Fragility, Courage and The Ability To Live Life To Your Physical Best – Interview" The Clothesline (2015) 'Intimacy: Torque Show & Michelle Ryan Celebrate Love, Dance, Fragility, Courage and The Ability To Live Life To Your Physical Best – Interview' -
"Intimacy- Torque Show and Michelle Ryan" Intimacy- Torque Show and Michelle Ryan' - reads, in part "Intimacy is a dance-theatre piece created by Michelle Ryan, Ingrid Weisfelt, Ross Ganf and Vince Crowley. Our lighting design responded to the traverse seating arrangement, the content of the show and the set design by Adrienne Chisholm, creating a space that worked for the dance performance, music integrated into the show (by the duo Lavender vs Rose) and text based theatre elements." -
"Restless Dance - Exposed Program" Restless Dance Theatre Program 'Exposed' - reads, in part “Most of us are free to make choices about what parts of our life we keep private and what is public. But for some, this choice Is often not so straight forward We need to rely on others, sometimes strangers to help us with moments in life that you might take for granted And if we are lucky, we win have people around us who we trust. Trust is built slowly over time, relinquishing ourselves to the hands of others. With our backs to !he wall creating edges and boundaries, we build a community around us to keep our fragility protected is when we feel safe enough to let our guards down, we can show the little pieces of ourselves that are our most personal To be brave, yet vulnerable, is when we feel safe and not exposed.” -
"Restless Dance - Program 2022" Restless Dance Theatre Program 2022 – information about works Seeing Through Darkness, Ecoute Pour Voir (Listen To See), Exposed, and Home, and promotion of tour ready works Guttered and Intimate Space - National Association of Visual Arts (NAVA)
- Chrissie Tucker
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"Crossroad Arts Program Shades of White 2000" Crossroad Arts program images - Shades of White 2000 - Royal Blind Society
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"Access Arts Annual Report 2015" Access Arts Annual Report 2015 - Undercover Artist Festival, Performing Arts Program, Exhibitions, Indigenous Advancement Strategy, Awards, Grants -
“Arts Access Victoria - Arts Access News The Blue Edition 2005" - Steven Worrell
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“Disability in the Arts, Disadvantage in the Arts, Australia (DADAA), based in Western Australia, is established in 1994” The National Participate Conference, hosted by Arts Access Victoria in 1990, set the scene for the emergence of the DADAA network. This came after several years of conversations among Western Australian artists about starting an organisation; the organisation was officially established in 1994. “In 1986, a small group of artists with disability met to discuss starting their own WA-based arts organisation. It is from this meeting that DADAA slowly grew, from a pilot project it became an organisation in its own right in 1994: taking the name Disability in the Arts, Disadvantage in the Arts, Australia – DADAA.”
- Veronica Pardo
- Trina Gaskill
- Ian Gold
- Julia Pucci
- Katrina Pimm
- Suzanne Lutherborrow
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"Back to Back Theatre - Annual Report 2005" Back to Back Theatre Annual Report 2005 - General Manager, Artistic Director, and Ensemble reports, information about work and participating artists, including premiere performance of Small Metal Objects and MInotaur, and POD residencies in regional Victoria with Brrrr Theatre and Antz Pants -
"Back to Back Theatre - Annual Report 2009" -
"Arts Access Victoria - Website - About, captured 2024" Arts Access Victoria - Website - About, captured 2024 - Information about Arts Access Victoria (AAV) advocacy, programs, services, to increasing access and participation in the arts for people with disabilities. -
“Arts Access Victoria - Access Newsletter April 1999” -
“Arts Access Victoria - Access Newsletter Autumn 2000” -
“Arts Access Victoria - Access Newsletter Spring 2000”