Disability Arts History Australia

Items

• "The Arts and Disability 2016-2017"
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• "The Arts and Disability No Date #1"
  Except as permitted by copyright law, you may not reproduce or communicate any of the content on this website, including files downloadable from this website, without the permission of the copyright owner. The Australian Copyright Act allows certain uses of content from the internet without the copyright owner’s permission. This includes uses by educational institutions and by Commonwealth and State governments, provided fair compensation is paid to the copyright owner. For more information, see www.copyright.com.au and www.copyright.org.au.
• ”Racheal Missingham, Bree Hadley (2022) Oppression and allyship in Australia's Deaf Arts. Australasian Drama Studies, 80, pp. 304-332.”
  "In this article, we investigate the history of Deaf theatre in Australia, through the lens of oppression and allyship. Through a review of the to date limited academic, industry, and media literature, in conjunction with survey and interview research with Deaf theatre practitioners, this research sheds light on Deaf theatre makers’ perceptions of the ways in which ally support can operate to create both social benefits and barriers, and how this has impacted on the non-linear development and recent decline in Deaf theatre companies in Australia. It finds that, in developing a framework to scaffold stronger allyship relationships with d/Deaf and hard of hearing artists, it is critical to consider the accessibility and cultural requirements not just in relation to theatre methodologies, but in relation to arts management practices, which support continuing company production, too."
• "Interview with Daniel Savage"
  Daniel Savage is an artist and disability advocate working in mediums of photography, video and performance. Interview Summary: Daniel discussed his background as a disabled contemporary artist primarily focused on photography, with additional interests in video and performance. Daniel detailed the journey through his artistic career, highlighting significant experiences such as art school education, early influences, and the impact of acquiring a disability. He also explored the evolution of his style and interests, particularly his shift towards digital technology and his involvement in advocacy for accessibility in the arts. Daniel also shared his perspectives on the challenges and achievements within the disability arts scene in Australia, including public awareness and integration with contemporary art.
• “Arts Access Victoria - Access Newsletter December 1998”
• “Arts Access Victoria - Arts Access Society Inc. - Access Newsletter December 1990”
• “Arts Access Victoria - Arts Access Society Inc. - Access Newsletter December 1991”
• “Arts Access Victoria - Arts Access Society Inc. - Access Newsletter December 1987”
• "The Commonwealth Rehabilitation Service (CRS) established in 1941."
  Following the first and second world wars, there was better recognition of veteran disability and the Commonwealth Rehabilitation Service (CRS) was established.
• "Australia Council - Annual Report 2020-21"
  Australia Council - Annual Report 2020-21 - reads, in part "• We awarded two new prestigious National Arts and Disability Awards on the International Day of People with Disability in December 2020, to Emily Crockford and Gaelle Mellis. The Council partnered with Arts Access Australia (AAA) on our 2020 Arts and Disability Awards supporting the Arts Access Australia’s National Leadership Award to recipient Abbie Madden.", and "Research underway includes analysis of data from the Australian Consortium for Social and Political Research Incorporated (ACSPRI) national study on social inequality, analysis of access and equity in the online sphere and an Australian Research Council (ARC) Linkage Partnership exploring the evolution of Disability Arts in Australia."
• Philip Channells
• Zoe Coombs Marr
• "Victoria's Disability Resources Centre (DRC) created"
  1981 saw a number of Disability Activists create the first Australian Disability Resources Centre (DRC) for Victorians with disabilities.
• “Inaugural High Beam festival in 1998”
  High Beam was a biennial community-based disability arts festival. It was a joint initiative of SPARC Disability Foundation and Arts In Action (through the direction of Tony Doyle). (Arts in Action later became Arts Access SA.) The 10-day event was the first of its kind in the Southern hemisphere, attracting around 20,000 people at each festival. The festival showcased theatre, dance, comedy, and music. Some celebrity artists included Adam Hills and David Helfgott. The inaugural festival (1998) invited Swedish Disability Theatre Company Mooms Teatern to perform; the company also conducted workshops with a disability-led Australian theatre company, No Strings Attached. This first festival was also the site of Tutti's first public performance as a choir.
• "The first ACT DisAbility Arts Festival is held"
  In 2004, the first ever ACT DisAbility Arts Festival was held as part of International Day of DisAbility celebration.
• "A number of theatre companies are established in the 2000s"
  A number of theatre companies were established in the 2000s, particularly towards the end of the decade. Some key companies in disability theatre or inclusive arts practice to emerge in the 2000s are: Second Echo Ensemble (2005, integrated, often producing work in partnership with the Tasmanian Theatre Company), Ever After Theatre Company (2006, performers with disability), Rollercoaster Theatre Company (2007, performers with disability), DirtyFeet (2008, inclusive), and Blue Roo Theatre (2009, performers with disability).
• “Creative Australia’s National Arts and Disability Awards are awarded to their inaugural recipients in 2019”
  Creative Australia’s National Arts and Disability Awards were first awarded to their inaugural recipients in 2019. The three awards go to an emerging or early career artist, and established artist, and someone who’s proven themselves as a leader in disability arts. From 2019 to 2023, the recipients span across artforms and the country.
• Katie Ellis
• Madeleine Little
• Noelene Gration
• “Advocates fight for accessible public transport”
  In 1994, Maurice Corcoran (a wheelchair user) lodged a complaint about the South Australian government ordering 50 new buses that were not accessible. The Australian Human Rights Commission successfully negotiated for all new buses to be fitted with ramps. Then, in 1999, a protest about the lack of public transport options for people with disability saw Citizens for Accessible Public Transport block traffic in Sydney’s city centre.
• Melbourne Fringe Festival
• Disability Employment Service
• Melbourne Festival
• "Arts Project Australia - Canvas Stock Exhibition 2010 - Promotional Card"
  Arts Project Australia - Canvas Stock Exhibition 2010 - Promotional Card - reads, in part "Launched prior to Arts Project's 2010 official exhibition schedule, the Canvas Stock Exhibition will feature a large array of recent canvases in a salon hung presentation."