Disability Arts History Australia

Items

• Sprung!! Integrated Dance Theatre
• Indelability Arts
• Mary Hutchison
• Jax Jacki Brown
• Fiona Cook
• Caroline Ellison
• Boram Lee
• Disability Arts History Australia - Launch 2025 - Media Release
• Disability Arts History Australia Launch 2025 - 3 Page Information Sheet
• "Kevin Cho (1980) 1981 International Year of Disabled Persons. Melbourne, Australia: Royal Melbourne Institute of Technology."
• "Screen Australia (2023) Seeing Ourselves 2: Diversity, equity and inclusion in Australian TV drama. Screen Australia"
  Reads, in part "Screen Australia has released new research into diversity on Australian screens, titled Seeing Ourselves 2: Diversity, Equity and Inclusion in Australian TV Drama. A follow up to the landmark 2016 study, Seeing Ourselves 2 examines the diversity of main characters in 361 scripted Australian TV and online dramas broadcast between 2016 and 2021, how this compares to the Australian population, and what has changed since the previous Seeing Ourselves report."
• "Screen Australia (2016) Seeing ourselves: Reflections on diversity in Australian TV drama. Screen Australia"
  Reads, in part "Whose stories are our TV dramas exploring? Screen Australia has benchmarked current levels of diversity in Australian TV drama and explore the challenges and opportunities involved in making TV drama more broadly representative of Australian society."
• "Bree Hadley (2019) Advocacy, allies, and 'allies of convenience' in performance and performative protest. In Grehan, H (Ed.) The Routledge companion to theatre and politics (Routledge Theatre and Performance Companions). Routledge, United Kingdom, pp. 85-88.”
  "Though allies have always played a role in the production of political performance, analysis of the work of disabled artists, women artists, queer artists, and artists of colour has yet to be combined with analysis of the work of allies addressing the same issues. In this chapter, I consider the practice of allies in a specific context, social media performance, as a newly emerging platform for political activism. After tracing the way allies are typically involved in political performance about, with, and by marginalised people and communities, I point to complexities arising when activists, campaigners, entertainers, and pranksters use new online platforms in performance that purport to support the same cause.
• "Bree Hadley (2022) A ‘Universal Design’ for audiences with disabilities? In Reason, Matthew, Connor, Lynne, Johanson, Katia, & Walmsley, Ben (Eds.) Routledge Companion to Audiences and the Performing Arts. Routledge, Abingdon, Oxon, pp. 177-189.”
  “Understanding of how to create inclusive performance experiences for spectators with disabilities remains nascent in research, policy, and practice. In this chapter, I survey the state of knowledge in this field – or, as it turns out, fields, given that specialist knowledge of sign language interpretation for d/Deaf spectators, audio description for blind spectators, and relaxed performance for neurodiverse spectators, has developed separately, without intersection. I then investigate recent efforts to create inclusive aesthetics that incorporate accessibility features into performance work, as an integral part of the aesthetic, rather than as interpretations, captions, or descriptions alongside the work. I examine why this ‘Universal Design’ approach has been embraced with enthusiasm, both by disabled producers and spectators, and by non-disabled producers and spectators.”
• "Hot Pink Goanna Studios - Deadly With Disabilities, Website captured 2024"
  Hot Pink Goanna Studios: Deadly With Disabilities, website captured 2024 - with About, Gallery, Commisions, and Prints sections - reads, in part "Hot Pink Goanna was developed by Uncle Paul Constable Calcott a proud Wiradjuri man and artist living with a disability on Gubbi Gubbi Country. Hot Pink Goanna showcases the works of Uncle Paul and other First Nations artists living with a disability."
• "From Dust to Dust - Prologue"
  Reads, in Part, "A hybrid artist-curatorial project, inviting experimentation and conversations amongst Benjamin Hancock, Bryan Phillips, Jen Bervin, Shelley Lasica, Katie West, Simon Charles, Pippa Samaya, Gabriel Curtin, Adam Leslie, Zeno d'Evie, Anna Seymour, Ravi Vasavan, and in absentia, Aaron McPeake, Andy Slater, Jennifer Justice, and Lucreccia Quintanilla. Welcome to Country by Uncle Rick Nelson and Aunty Paulette Nelson.Afternoon tea by Murnong Mammas."
• "It's Fine, I'm Fine - IMDB"
  It's Fine, I'm Fine' Internet Movie Database (IMDB) entry - reads, in part "A suburban psychologist and her patients explore love, loss, obsession, anxiety, and an uncertain future, while grappling with how to persist and find magic in the world."
• "My Brother Vinnie - IMDB"
  My Brother Vinnie' Internet Movie Database (IMDB) entry
• "Noise - IMDB"
  Noise' Internet Movie Database (IMDB) entry - reads, in part "This is a story about the wrong person in the right place at the wrong time. Two heinous crimes have left a suburban town reeling." Simon Laherty plays a young man with a mental disability and another character suffers from tinnitus.
• "Dance Me To My Song - IMDB"
  Dance me to my song' Internet Movie Database (IMDB) entry - reads, in part "A woman with cerebral palsy communicates with the world via her computer with a voice box. Her caretaker is a short-tempered woman who begrudges the woman the care she needs"
• "Incite Arts - News, captured 2018"
  InCite Arts News, captured 2018 – Awards, Announcement of plan to host Arts Access Australia Meeting Place Arts and Disability Forum in 2018, new ‘Sounds Good to Me’ music program, visit from Tutti Arts’s Choir and Sisters of Invention music group, and ‘stArts with D’ Performance Ensemble
• "Back to Back Theatre - Website - About, captured 2008"
  Back to Back Theatre 'About' page, captured 2008 - reads, in part "Back To Back Theatre is a pioneering contemporary theatre company based in Geelong with a full-time ensemble of five actors considered to have an intellectual disability."
• "Accessible Arts - Activated Arts Podcasts"
  Accessible Arts - Activated Arts Podcasts - reads, in part "Get turned on to a different kind of creativity! The Activated Arts podcasts, produced in association with Accessible Arts and 2RPH Radio, explore and showcase the unconventional talent and distinctive work of professional arts practitioners with disability."
• "Australia Council - Annual Report 2017-18"
  Australia Council Annual Report 2017-2018 – discusses Rawcus and Julia Hales as examples of highquality work - reads, in part "Through our Disability Action Plan we continued to build the capability of our staff, including Easy English and the continuity of our audio description group. "
• "Restless Dance - Links Workshop"
  Restless Dance Theatre website, 'Links' captured 2020 – reads, in part, "Restless Dance Theatre presents Links, a dance theatre workshop for 8-14 year olds. The workshops involve creating movement in a safe and fun environment where the participants’ ideas become dance. No experience is necessary, just the desire to take part. Workshops are open to people with and without disability and are led by highly experienced tutors in an accessible space."