Disability Arts History Australia

Items

• "Australia Council - Annual Report 2002-03"
  Australia Council Annual Report 2001-2002 - discusses letter from chair of council, corporate overview, year in review, financial statements, analysis of funding and grants for projects, initiatives, new work, programs, presentation and promotions including funding for implementing the Commonwealth Disability Strategy by evaluating current and changing needs of people with disabilities in the arts sector and reflecting this in funding and policies, arts marketing and audience development and triennial grants to disability arts organisations in NSW, South Australia and Victoria as well as a Fellowship by the Community Cultural Development Board (CCDB) to Tony Doyle to develop models for disability-led community building and on-the-job training for disability support workers and performance of “Soft” by Back to Back theatre at the Melbourne Festival and on tour to Switzerland and Germany.
• "Australia Council - Annual Report 1995-96"
  Australia Council Annual Report 1995-96- discusses functions, organisation chart, arts funding, audience development and advocacy with collaboration with various government departments to focus on advocacy for minority groups including people with disabilities, strategy and policy with Arts and Disability report, describing the barriers to intellectual and physical access to the arts experienced by people with a disability and the implications for arts organisations of the Disability Discrimination Act 1992, main activities of Council and its Boards, and includes financial statements and lists of grants made including grants for programs, projects, information and advocacy.
• "Australia Council - Annual Report 2000-01"
  Australia Council Annual Report 2000-2001 - discusses letter from chair of council, corporate overview, year in review, financial statements, analysis of funding and grants for projects, initiatives, new work, programs, presentation and promotions including funding for music development, implementing the Commonwealth Disability Strategy by evaluating current and changing needs of people with disabilities in the arts sector and reflecting this in funding and policies, arts marketing and audience development and triennial grants to disability arts organisations in NSW, South Australia and Victoria
• "DADAA Art Works Key Findings: Employment in the Arts for People with Disability – Current Status, Barriers and Opportunities (2012)"
  Reads, in part, "This document provides a short overview of the full Art Works report, which captures the results from national research into employment levels, barriers and strategies around employment in the arts for people with disability. The report was produced in response to one of the key focus areas of the National Arts and Disability Strategy, released in 2009."
• "The report Shut Out: The Experience of People with Disabilities and their Families in Australia is published in 2009"
  In 2009, Shut Out: The Experience of People with Disabilities and their Families in Australia was published. This report was commissioned by the Australian Government as part of the National Disability Strategy. It was prepared by the National People with Disabilities and Carer Council.
• "DADAA Inc and Arts Access Australia (2012) Art Works: Employment in the Arts for People with Disability.  http://www.dadaa.org.au/wp-content/uploads/2017/01/Art-Works-Full-Report-Web.pdf"
  Reads, in part "This document provides a short overview of the full Art Works report, which captures the results from national research into employment levels, barriers and strategies around employment in the arts for people with disability. The report was produced in response to one of the key focus areas of the National Arts and Disability Strategy, released in 2009."
• Jung Yoon
• Jung Hyoung Yoon
• "Bree Hadley, Eddie Paterson, Madeleine Little, Kath Duncan (2024) How Disability Performance Travels in Australia: The Reality Under the Rhetoric. In Czymoch, Christiane, Maguire Rossier, Kate, & Schmidt, Yvonne (Eds.) How Does Disability Performance Travel?: Access, Art, and Internationalization. Routledge, Abingdon, Oxon, pp. 62-76.”
  "The last three decades has witnessed the development of a distinct narrative about how disability performance has become a much celebrated component of the Australian theatre landscape. A central aspect of this narrative is the critical importance of festivals, events, and other industry initiatives that allow disabled performers to travel - both conceptually and corporeally - to meet and be mentored by other artists, and to present their work to new and more mainstream audiences, in new spaces and places, around the country, and around the world. In this chapter, we draw on historical data, collected as part of an AusStage ARC LIEF project designed to database information about disability drama, theatre, performance, and dance over the past 100 years, as well as the Last Avant Garde ARC Linkage project on disability performance in Australia, to unpack areas where the reality seems to challenge some of the dominant rhetoric."
• "DADAA - The Lost Generation Project"
  DADAA - The Lost Generation Project 2007 - reads, in part "The project was conceived from a partnership between DADAA and the WA Disability Services Commission, which began in 2002. After working on 15 small projects, the partners decided to develop a large-scale project in 2007 to continue developing arts and cultural interventions with and for people with intellectual disability living in supported accommodation across the Perth metropolitan area. The project's rich CACD strategy has seen numerous successful workshops, exhibitions and related projects come to fruition in partnership with local governments and other community arts organisations.?
• "ArtsHub (2013) Cultural Policy fails people with disabilities-Arts Access Australia is running a campaign to get a better deal for people with disabilities from the National Cultural Policy. 20 Mar 2013, ArtsHub"
  Reads, in part "By now you will have heard that the National Cultural Policy offers little for Australians with a disability. Not only is there no funding for the National Arts and Disability Strategy, but instead, the policy calls for a culture of tolerance towards people with a disability."
• "Tutti Arts - Tutti Voice Newsletter February 2009"
  Tutti Arts - Tutti Voice Newsletter February 2009 - "A new year, a new creative opportunity. Welcome to 2009 and the new look Tutti newsletter where we remember the highlights of 2008 and alert you to two exciting events coming up in the near future. The official launch of Tutti Kids in partnership with Novita Children's Services by the Honourable Jennifer Rankine, Minister for Disability, is on February 14th at the Odeon Theatre. In March, Tutti presents the Australian premiere of Richard Chew and Orlando Gough's radical community opera The Shouting Fence at the State Opera Studio for the Adelaide International Fringe Festival."
• "Australia Council - Annual Report 2008-09"
  Australia Council Annual Report 2008-09 - discusses letter from chairman, year in review, from the CEO, How we achieved our outcomes, About the Australia Council, Governance, Organisation, Accountability, Workplace and Financial statements but no longer listing grants of organisations or individuals however discusses the DADAA WA radio play “The Proper Shoes” - a series of stories written by young women with a disability, was first broadcast nationally on ABC Radio and then invited to tour the play as part of the TRASNA Festival of Inclusive Theatre.
• Katya Petetskaya
• Access Arts
• "Australia Council - Annual Report 2015-16"
  Australia Council - Annual Report 2015-16 - discusses year in review, strategy, funding, and key facts, including "18% identified as Aboriginal or Torres Strait Islander 6% identified as experiencing disability", and running Sync Leadership Program for artists with disability
• ”Racheal Missingham, Bree Hadley (2022) Oppression and allyship in Australia's Deaf Arts. Australasian Drama Studies, 80, pp. 304-332.”
  "In this article, we investigate the history of Deaf theatre in Australia, through the lens of oppression and allyship. Through a review of the to date limited academic, industry, and media literature, in conjunction with survey and interview research with Deaf theatre practitioners, this research sheds light on Deaf theatre makers’ perceptions of the ways in which ally support can operate to create both social benefits and barriers, and how this has impacted on the non-linear development and recent decline in Deaf theatre companies in Australia. It finds that, in developing a framework to scaffold stronger allyship relationships with d/Deaf and hard of hearing artists, it is critical to consider the accessibility and cultural requirements not just in relation to theatre methodologies, but in relation to arts management practices, which support continuing company production, too."
• Carriageworks
• "Bree Hadley (2020) Allyship in disability arts: Roles, relationships, and practices. Research in Drama Education, 25(2), pp. 178-194.”
  "In this article, I propose that investigation of allies, ally skills, and allyship in disability arts is overdue. I articulate some of ways in which non-arts approaches to allyship need to be adapted to meet the needs of disabled artists, given the aesthetic as well as professional and social dimensions of allyship distinctive to disability arts. In doing so, I highlight the need for new theory, terminology, and frameworks to define the different approaches to allyship, developed by different artsworkers, operating in different roles, across the different domains of disability arts and/or arts and disability practice."
• "Interview with Alison Richardson"
  Alison Richardson is an ally and advocate for people with disability with experience as an inclusive arts organisation artistic director and access and inclusion officer. Interview Summary Alison Richardson, artistic director and CEO of Crossroad Arts at the time of the interview, has had a 25-year journey through the fields of drama, theatre, and inclusive arts, starting in Sydney and leading to her role in Mackay, Queensland. Her work began by engaging with diverse young people and evolved into a focus on disability arts, recognising a gap in services and opportunities for people with disabilities in artistic expression. Throughout her career, she has witnessed and contributed to the gradual increase in visibility and opportunities for artists with disabilities, acknowledging the fluctuating support and funding in the sector. Despite challenges, Alison has observed progress in how disability arts are valued and the emergence of conversations around identity and representation within this community.
• "Accessible Arts - ACE Arts Creativity Expression - Juliet London - Article: Artwise -1994 - Iss9, Pg22-23"
  Accessible Arts - ACE Arts Creativity Expression - Juliet London - Article: Artwise -1994 - Iss9, Pg22-23 - reads, in part "Artwise, a Lismore-based artists' initiative catering for the needs of artists with varying intellectual and physical challenges, has changed its name! We have succeeded, after twelve months, in becoming officially incorporated. We are now known as Growth Through Art Artwise the Lismore Inc., although the company sign at the doorway still proudly announces simply Artwise."
• "DADAA - Bridging the Gap: Process Evaluation"
  Bridging The Gap: Process Evaluation - Reads, in part "Results from early formative evaluation indicated that relationships among core partners were a key strategy in the success of Bridging the Gap. Based on this, the Project Reference Group was selected as a focus of the process evaluation."
• “Studio A – Emily Crockford – The Phantom – Sydney Opera House 2021”
  Information about the Sydney Opera House's Diversity, Inclusion & Belonging Strategy for 2021-23, and Emily Crockford's artwork "The Phantom (Sydney) Opera House" which was liscenced for the cover, along with other words by Sally M. Nangala Mulda and Jason Phu.
• "Access Arts Annual Report 2015"
  Access Arts Annual Report 2015 - Undercover Artist Festival, Performing Arts Program, Exhibitions, Indigenous Advancement Strategy, Awards, Grants
• Melbourne Symphony Orchestra