Items
Search full-text
“Handicapped Persons Assistance Act 1974”
-
“Restless Dance – Exposed Promotional Poster Seoul International Dance Festival" Restless Dance Theatre "Exposed" Promotional Poster Seoul International Dance Festival -
“Restless Dance – Exposed Promotion Card” Restless Dance 'Exposed' Promotion Card - reads, in part "Exposed. directed by Michelle Ryan is a new work exploring vulnerability, uncertainty and risk. Be taken on a journey where the breath is a metaphor for feeling threatened or safe, agitated or calm, and the sonic possibilities of breath are entwined into the mesmerising score." -
"Restless Dance - Exposed Program" Restless Dance Theatre Program 'Exposed' - reads, in part “Most of us are free to make choices about what parts of our life we keep private and what is public. But for some, this choice Is often not so straight forward We need to rely on others, sometimes strangers to help us with moments in life that you might take for granted And if we are lucky, we win have people around us who we trust. Trust is built slowly over time, relinquishing ourselves to the hands of others. With our backs to !he wall creating edges and boundaries, we build a community around us to keep our fragility protected is when we feel safe enough to let our guards down, we can show the little pieces of ourselves that are our most personal To be brave, yet vulnerable, is when we feel safe and not exposed.” -
“Restless Dance – Exposed Program Seoul International Dance Festival" Restless Dance Theatre "Exposed" Program Seoul International Dance Festival - reads, in part "<Exposed>, directed by Michelle Ryan is a new work exploring vulnerability, uncertainty and risk through movement, design, and music. Be taken on a journey where the breath is a metaphor for feeling threatened or safe, agitated or calm, and the sonic possibilities of breath are entwined into the mesmerising score." -
"Restless Dance - Education Outreach Program" Restless Dance Theatre Education Outreach Program - reads, in part "Restless Dance Theatre is Australia's leading dance theatre company working with people with and without disability. Our artistic voice is loud, strong and original Restless invigorates, influences and diversifes dance by creating innovatIve and highly distinctive works of dance theatre. Restless Is a place where diversity Is celebrated and all artists thrive creatively. Restless has many ways your school can connect with our organisation . whether it's through the creativity of a dance workshop, the anticipation of watching a live performance or the knowledge gained throug sessions with our industry professionals". -
"Restless Dance - Celebrating 30 Years - Poster" Restless Dance Celebrating 30 Years Poster - reads, in part "A celebration of dance, film and live music showcasing the works of Restless Dance Theatre." -
"Restless Dance Theatre Debut 5 Promotional Poster" Restless Dance Theatre Debut 5 – reads, in part “the dancers direct five stunning and diverse short works directed by Restless dancers” -
"A Creative Leap: Beyond Disability" A Creative Leap: Beyond Disability provides “ … six examples of how others are creating access for people with a disability to participate in artistic activity and develop their creative potential,” including Club Contagious Music Club, Malee Music Program, Karrarendi Visual Art Workshops, Southern Youth Theatre Ensemble, Restless Dance Theatre -
"Tutti Arts - Tutti Voice Newsletter December 2009" Tutti Arts - Tutti Voice Newsletter December 2009 - reads, in part "It is great to be back in South Australia with the Tutti team who made the trip to Minnesota. Northern Lights, Southern Cross was a marvellous experience complete with huge challenges and moments of exhilaration, and it was wonderful working both with Interact and at the ultra-modern and very accessible Guthrie Theater. We were delighted that our South Aussie patron's film The Boys are Back opened around the same time and that both Scott and Tutti won critical acclaim from the Minneapolis press. In fact, Northern Lights, Southern Cross broke all box office records for the Guthrie and attracted a broad mainstream, Native American, and African American audience. Dozens remained behind after every performance for post-show discussions looking at themes of trauma and healing central to the show and by closing night Northern Lights, Southern Cross had truly succeeded in raising awareness about barriers that exclude. We also knew that audiences everywhere are hungry for original work created through the melting pot of radical inclusion." -
"Tutti Arts - Tutti Voice Newsletter May 2010" Tutti Arts - Tutti Voice Newsletter May 2010 - information about choir, visual arts, performing arts, and digitech programs -
"Tutti Arts - Annual Report 2011" Tutti Arts Annual Report 2011 - includes Values, Artistic Director’s and President’s Report, Partnerships, Collaborations, and Programs, including Dance, Choral, Film and Outreach Programs, productions of ‘One’ and ‘Magic Flute,’ Financials, Artists and Staff -
“Tutti Arts – 10th Anniversary Report” Tutti Arts 10th Anniversary Report 2007 - Messages from Patron, President, and Artistic Director, information about shows ‘My Life, My Love,’ ‘The Singing of Angels,’ ‘Circles,’ ‘The Laughter Project,’ ‘Northern Lights, Southern Cross’ -
"Tutti Ensemble - Membership Form/Flyer" Tutti Ensemble Membership Flyer - reads, in part "At the heart of Tutti's work is the mission to develop a pioneering approach to integrated methods of performing arts and choral training. Together, the Tutti Choir and Tutti Arts perform to thousands of people every year. Hundreds of people of all ages and abilities from all walks of life regularly participate in Tutti's local and regional choral workshops." -
"Tutti Arts - Stand and Deliver Showcase - Program" Tutti Arts - 'Stand and Deliver Showcase' 2019 Program - reads, in part "ABOUT STAND & DELIVER In 2019 Tutti Arts received NDIS ILC grant funding to run a program called Stand & Deliver which aims to increase the capacity of individual artists or groups of artists with disability to promote their work to the world. The program was tailored to the goals and skills of individuals and offered a mix of one-on-one and group sessions." -
"Tutti Arts - Making the Journey: New Publication About Arts and Disability in Australia By Arts Access Australia - Launch Event - Promotional Flyer" Tutti Arts 'Making the Journey: New Publication About Arts and Disability in Australia By Arts Access Australia - Launch Event' 2005 - Promotional Flyer -
"Tutti Ensemble - Holdfast Choir History, Goals, Friends & Supporters 2002" Tutti Ensemble Holdfast Choir History, Goals, Friends & Supporters 2002 - reads, in part " The development of the Tutti Ensemble's Holdfast Community Choir seems like magic. It has grown in less than four years from a small group of 11 intellectually disabled people and two support workers at Minda enjoying choral singing as a recreational option, to a diverse group of 60 - 70 singers and musicians. The philosophy of the choir is that there are no barriers to participation, therefore people with physical and intellectual disabilities and members of the community from widely differing age groups and musical experience are accepted and encouraged. Our repertoire has evolved to include gospel, popular and traditional songs as well as old favourites. We also sing songs from other cultures and original songs by contemporary writers" -
"Dot2Dot - Working in the arts with young people with and without disability" -
“Restless Dance – Ecoute Pour Voir / Listen To See Promotional Card" Promotional Card for Ma"i(g)wenn et les Ortells and Danse Carpe Diem/Emmanuel Jouthe and Restless Dance Theatre CoProduction ‘Ecoute Poir Voir/Listen To See’ – one duet and seven solos -
“Restless Dance – Counterpoise: Dancing Against The Odds Program" Restless Dance Theatre ‘Counterpoise: Dancing Against The Odds’ Program 2023 – reads, in part “The work features 9 artists with and without disability from two ground-breaking companies, 'Restless Dance Theatre' and '29Dong Dance Theater', KOREAN MUSIC PROJECT collaborating on music. The collaboration process is documented by 'University of South Australia Connect2Abilities', for submission and screening at the 2024 Adelaide Film Festival.” -
“Restless Dance – Annual Report 2007" Restless Dance Theatre Annual Report 2007 - Chair's, Artistic Director’s, Dancers’, and Company Manager Reports, Members and Board, Financials, information about production ‘Rebel Rebel,’ Reviews, Supporters -
“Restless Dance – Annual Report 2008" Restless Dance Theatre Annual Report 2008 - Chair's, Artistic Director’s, Dancers’, and Company Manager Reports, Members and Board, Financials, information about productions ‘The Heart of Another is A Dark Forrest,’ ‘Safe From Harm,’ ‘Necessany Games,’ Reviews, Supporters -
“Restless Dance – Annual Report 2009" Restless Dance Theatre Annual Report 2009 - Chair's, Artistic Director’s, Dancers’, and Company Manager Reports, Members and Board, Financials, information about productions ‘Bedroom Dancing,’ ‘Necessary Games,’ ‘DEBUT 2: The Dancers Direct,’ Reviews, Supporters -
“Restless Dance – Annual Report 2010" Restless Dance Theatre Annual Report 2010 - Company History, Chair's, Artistic Director’s, Dancers’, and Company Manager Reports, Members and Board, Financials, information about productions ‘Beauty,’ ‘Next of Kin,’ other performances and workshops, Supporters -
“Restless Dance – Annual Report 2011" Restless Dance Theatre Annual Report 2011 - Chair's, Artistic Director’s, Dancers’, and Company Manager Reports, Members and Board, Financials, information about productions ‘Take Me There,’ ‘Superhero Island,’ ‘Debut 3: The Dancers Direct,’ ‘Howling Like A Wolf,’ other performances and workshops, Supporters -
“Restless Dance – Annual Report 2012" Restless Dance Theatre Annual Report 2012 – Company History, Chair's and Company Manager Reports, Productions including ‘Howling Like A Wolf,’ ‘High Voltage,’ and new work in development ‘Second Nature,’ workshops, Financials