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“Screen Australia launches an access coordinator training program”
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"Australia Council - Annual Report 2016-17"
Australia Council Annual Report 2016-2017 – discusses purpose, reports from chair and CEO, year in review, report from the CEO, Strategic priorities, funding overview, statement of outcome, about the Australia Council including The Governing Council and the Board, Structure of the Australia Council with new grants model; performance outcomes, manageability and accountability, financial statements and discussion of the final year of delivering $1.3 million over four years to support artists with disability with their careers and funding more organisations to support producing and touring disability-led and mixed-ability arts practice as well as mentoring arts leaders with disabilities and publication of the Council’s 2014–16 Disability Action Plan review. -
"Office for the Arts (2013) Creative Australia: National Cultural Policy. https://www.arts.gov.au/publications/creative-australia-national-cultural-policy-2013" Reads, in part, "Creative Australia (2013) celebrates Australia’s strong, diverse and inclusive culture. It describes the essential role arts and culture play in the life of every Australian and how creativity is central to Australia’s economic and social success: a creative nation is a productive nation."
- Barbara Doherty
- John Paxinos
- Isi Plack
- Carriageworks
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“Arts Access Australia established” Arts Access Australia was established in 1992 as a national body for arts and disability with funding support from the Australian Council for the Arts.
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"Australia Council - Annual Report 1974-75"
Australia Council Annual Report 1974-75 lists funding to Spectrum Films for a screenplay on social pressures of deaf mute, grant to Lloyd Nickson to attend theatre for deaf children (USA & UK), funding to Wheelchair and Disabled Association (as it was known 19for jewellery making tools and equipment, and Arts Council of Australia/Victoria (as it was known 1966-1998, before name changed to Regional Arts Australia) for salary of assistant and utilities for Arts Access Program -
“Australia Council - Events, captured 1998”
Australia Council (Creative Australia) events captured December 1998, including Online Australia Day, National Arts Awareness Research and Strategy, Next Stage - The Performing Arts in the 21st Century Forum, 30th Anniversary, Media Releases and Artforce -
“Australia Council - People with a disability - attendance at cultural events 2008"
Australia Council - People with a disability - attendance at cultural events 2008 - reads, in part "A 2003 survey by the Australian Bureau of Statistics showed that over 40 per cent of people with a disability went to the cinema. According to the 2003 Survey of Disability, Ageing and Carers, one in five people in Australia reported that they had a disability which restricted their everyday activities and which had lasted, or was expected to last, for at least six months." -
“Australia Council - Grants, captured 1997”
Australia Council (Creative Australia) grants captured December 1997. Website reads “extracted from the Australia Council Grants Handbook 1997” and includes Grant Categories: an Overview, Aboriginal and Torres Strait Islander Arts Board, Community Cultural Development Fund, Dance Fund, Literature Fund, Major Organisations Fund, Music Fund, New Media Arts Fund, Theatre Fund, Visual Arts/Craft Fund, Awards -
“Australia Council releases its first Disability Action Plan” In 1996, the Australia Council for the Arts released its first Disability Action Plan.
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“Office of the Arts releases 'Creative Australia – National Cultural Policy' (2013) , is critiqued for its reference to 'tolerance' of disabled people” The national cultural policy ‘Creative Australia’ was published in 2013. It was critiqued for its lack of disability arts funding and its reference to 'tolerating' disabled people. As Arts Hub reported, “By now you will have heard that the National Cultural Policy offers little for Australians with a disability. Not only is there no funding for the National Arts and Disability Strategy, but instead, the policy calls for a culture of tolerance towards people with a disability.”
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"David Throsby, Katya Petetskaya (2017) Making Art Work: An Economic Study of Professional Artists in Australia, Australia Council for the Arts, 2017." Reads, in part "Making Art Work: An Economic Study of Professional Artists in Australia by David Throsby and Katya Petetskaya is the sixth in a series carried out independently over thirty years by Professor Throsby at Macquarie University, with funding from the Australia Council. The series tracks trends in the lives and working conditions of Australian artists over 30 years and identifies challenges and opportunities for artists’ careers into the future."
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"Commonwealth of Australia, 2018. Research Overview: Arts and Disability in Australia. Barton: Department of Communication and the Arts, Cultural Ministers Council. Available from: https://www.arts.gov.au/sites/g/files/net1761/f/research_overview_of_arts_and_disability.pdf." Reads, in part "The Research Overview brings together published and unpublished data and research about arts and disability in Australia, and case studies highlighting arts and disability practice around the country. The Research Overview is part of the evidence base for a renewed National Arts and Disability Strategy. The evidence gathered here will be complemented by submissions and survey during a national consultation in 2018."
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"Interview with Jeremy Smith"
Jeremy Smith is a Senior Producer in Western Australia at Performing Lines, has a long career across community, experimental and performing arts, is a disability advocate and previously worked in Australia Council for the Arts (now Creative Australia) as Director – Community Arts and Experimental Arts. Interview Summary Jeremy Smith has vast experience in the arts including working as a director with Australia Council (Creative Australia). Jeremy is currently an arts worker in the performing arts sector. While Jeremy lives with Achondroplasia, he has not always identified as disabled however a transformative project for the 2016 Perth Festival led him to embrace his identity as a disabled person with pride recognising the complexities surrounding personal identification with disability. Jeremy talks about artists and organisations he finds inspirational who are leading change in the disability arts sector and his motivation to also advocate for inclusion and the evolution of public perception of disability arts work. - Riffka Knox
- Rifka Knox
- Claire Humphrys-Hunt
- Claire Humphries-Hunt
- Weave Movement Theatre
- Trina Gaskill
- Sandy Fernee
- RMIT Life Drawing Class
- The Sisters Hayes