Disability Arts History Australia

Items

• "Australia Council - Annual Report 1986-87"
  Australia Council Annual Report 1986-87- discusses functions and objectives, structures, process and membership of Council, Council Committees and members, board members, assessment panels, staff lists, organisation chart, main activities of Council and its Boards, and includes financial statements and lists of grants made including grants for programs, workshops for disabled people in community arts, funding for posters on theme of disability, grant for Theatre of the Deaf Braille Book of the Year award and Sound Pot Purri literary magazine for Royal Blind Society
• Melbourne Fringe Festival
• “Arts Access Victoria – Sharing knowledge (early – mid 1990s)”
  In 1990 AAV hosted the Participate conference. From this the DADAA (Disability in the Arts, Disadvantage in the Arts, Renamed Arts Access Australia in 2003) network was born. AAV created a guidebook on creating art projects in hospitals while programs and exhibitions “Stormy Weather”, “FEELEN BOORDUP” were gaining recognition with location and purchase of artwork.
• Bronwen Barton
• Bronwyn Barton
• "Interview with Matthew Shilcock"
  Matthew Shilcock is a stage and film performer, dancer, director, choreographer, producer, project planner, manager, consultant and disability advocate. Interview Summary Matthew Shilcock, a contemporary dancer, lives with osteogenesis imperfecta, a condition that led him to discover dance as an affordable alternative to physiotherapy. His 12-year dance career has been shaped by working with both disabled and non-disabled artists, including elite companies and individual dancers, where he found a passion for the unique problem-solving and rewarding experiences that come with working with disabled dancers. As he transitions from performer to dance maker, Matthew's motivation has shifted from personal excitement and self-discovery to a focus on the next generation, aiming to pass on his unique experiences and methodologies. He acknowledges that while being on stage as a disabled artist can be inherently political, he values his authenticity and the impact of his work over the perceptions and labels placed upon disability in the arts.
• “Australia Council - Artists with Disability Program 2014”
  The website reads “The Artists with Disability Program provides funding for Australian artists with disability (including Deaf artists) to create, develop, present, produce, exhibit and/or tour their work”
• Australian Pops Orchestra
• Rhonda Whittaker
• Mary Brogan
• Mary Longman
• Jane Haley
• Henry E.P. Steel. Henry E.P. (Chinka) Steel
• "Australia Council - Annual Report 1975-76"
  Australia Council Annual Report 1975-76 discusses membership, the year in review, National theatre of the Deaf from New York show and directors development program assisting Theatre of the Deaf, programs including salary and costs for Arts Access (Vic), Salaries, equipment and materials for program of multi-arts activities to Adult Deaf Society, Braille Book of the Year Award and funding program of entertainment for the old, sick and handicapped in homes.
• "Australia Council - Annual Report 2015-16"
  Australia Council - Annual Report 2015-16 - discusses year in review, strategy, funding, and key facts, including "18% identified as Aboriginal or Torres Strait Islander 6% identified as experiencing disability", and running Sync Leadership Program for artists with disability
• "Arts Project Australia - Working Art Exhibition 1994 - Promotional Flyer"
  Arts Project Australia - Working Art Exhibition 1994 - Promotional Flyer - reads, in part "Arts Project Australa is pleased to inivte you to working art the official launch - of the supported employment program"
• "Arts Project Australia - Telltale - ParagonOfVirtue Exhibition 2016 - Email Promotional Flyer"
  Arts Project Australia - Telltale - ParagonOfVirtue Exhibition 2016 - Email Promotional Flyer - Telltale is a writing and exhibition project centred on a narrative conceived by ten artists, written by Justin Hinder and explored over a series of collaborative workshops and studio sessions at Arts Project Australia. Telltale was developed through Next Wave's Emerging Curators Program with Arts Project Australia for Next Wave Festival 2016."
• "Arts Project Australia - Tim Williams 'Solo' Exhibition 2013 - Email Promotional Card"
  Arts Project Australia - Tim Williams Solo Exhibition 2014 - Email Promotional Flyer - reads, in part "Tim Williams creative imagination is populatedb y heroes and villains from films and books."
• "Arts Project Australia - Drawing On Experience 1996 - Promotional Card"
  Arts Project Australia - Drawing On Experience 1996 - Promotional Card
• "Arts Project Australia - The Art Of Living Exhibition 2018 - Promotional Card"
  Arts Project Australia - The Art Of Living Exhibition 2018 - Promotional Card - reads, in part "The Art of Living marks Arts Project Australia's inaugural 'Artist as Curator' program."
• "Arts Project Australia - The Art Of Living Exhibition 2018 - Promotional Flyer"
  Arts Project Australia - The Art Of Living Exhibition 2018 - Promotional Flyer - reads, in part "The Art of Living marks Arts Project Australia's inaugural 'Artist as Curator' program."
• Morwena Collett
• Morwenna Collett
• “Captioned films launched in Australia”
  In 2001, captioned films were launched in Australia with a speech by then Disability Discrimination Commissioner Dr Sev Ozdowski OAM. The process with a series of submissions from both the film industry and the Deaf and hard of hearing community. These submissions led to the establishment of a Forum comprised of representatives from the film distribution and exhibition sector, the Deaf and hearing impaired communities and the Australian Caption Centre. After a trial run in Sydney and Melbourne, three major cinema exhibiters (Greater Union, Hoyts, and Village) agreed to show open captioned films at selected venues throughout the country.
• "CreativeAustralia/AustraliaCouncil - Website - NameChange 2023"
  The website reads “On Thursday 24 August 2023 the Australia Council became Creative Australia; a bigger, bolder champion and investor in arts and creativity”