Disability Arts History Australia

Items

• "Accessible Arts and Arts OutWest - Artability Music Workshops - Press Release"
  Accessible Arts and Arts OutWest - Artability Music Workshops 1995 - Press Release - reads, in part "Local musicians in Bathurst, Orange, and Dubbo are being sought by Accessible Arts Inc to run music workshops for people with disabilities. Free Music Improvisation training days for local artists, musicians, arts, and disability workers will also be run by Accessible Arts in October 1995. Anyone interested in participating is invited to attend the community consultancy meetings in each centre, held from Monday 11 September to Wednesday 13 September 1995."
• "Interview with Veronica Pardo"
  Veronica Pardo is a disability arts ally and has been a disability advocate with previous leadership positions in organisations such as Arts Access Victoria and Multicultural Arts Victoria, Interview Summary Veronica Pardo, former Executive Director of Arts Access Victoria, discussed the evolution and impact of Disability Arts in Australia, detailing the political dimensions of the field and the importance of genuine representation and intersectionality. Pardo highlighted the importance of leadership transitions in arts organizations informed by a spirit of solidarity and mutual support, particularly citing Caroline Bowditch's role as significant in the sector. She emphasized a need for systems-level change within the arts to reflect true diversity, beyond tokenism, advocating for dismantling exclusive structures and creating new ones informed by those marginalized. Finally, Pardo stressed the importance of acknowledging the work of predecessors in Disability Arts to honour their legacy and inform current artistic and cultural practices.
• "New South Wales Theatre of the Deaf Future Goals 1982"
  New South Wales Theatre of the Deaf Future Goals 1982 – including change of name to Australian Theatre of the Deaf to reflect breadth of goals/remit, plans for training in acting movement, storytelling, sign-mime, continuing major focus on Theatre in Education, as well as development adult plays, and relationships TV broadcast stations - includes statement “We must highlight the expressiveness of what is normally considered a handicap and keep sign language at the core of our work. The concern here is to insure the professionalism and freshness of the·production values, the scripts, and the actors' performances.”
• "Indelability Arts - Website, captured 2018"
  Website includes Work, Workshops/Training, Contact
• "Indelability Arts - Website - Our Team, captured 2023"
  Website includes Our Shows, Workshops/Training, Gallery, Current Employment Opportunities
• "Sprung!! Integrated Dance Theatre - About Us, captured 2019"
  Webpage reads, in part "Sprung Integrated Dance Theatre Inc is a not for profit community organisation providing dance and theatre training and workshops for people with a disability. We use a collaborative and disability-led process to develop inspiring dance theatre works that explore the human condition and promote a more inclusive society."
• "Bree Hadley, Clark Crystal (2017) Style, stage presence, and the poetic subversion of stereotypes: A case study of Blue Roo Theatre Company. Social Alternatives, 36(4), pp. 15-21."
  "In this article, we consider the work of Blue Roo Theatre Company (http://www.bluerootheatre.org.au/), a Brisbane-based theatre company which “creates contemporary performances lead by the artistry, experiences and imaginations of an ensemble of artists with diverse ability and impairment” (http://www.bluerootheatre.org.au/). Writing from a dual insider-outsider perspective – as a scholar of disability theatre and a creator of disability theatre in conversation – we discuss the work done in the training and rehearsal room in the lead up to Blue Roo Theatre Company’s performances, such as the company’s recent sell-out performance of Orpheus and Eurydice in collaboration with Opera Queensland at the Judith Wright Centre for Contemporary Arts, and the way it creates a distinctive performance style, poetics, stage presence, pleasure for the spectators who come along to witness the results of the work, and sense of community. We document moments in which facilitators, collaborators, co-creating artists, audiences and the media alike feel the physical, psychological, and aesthetic focus and force of voice, movement and character work by people with disabilities. We identify ways in which this stage presence can subvert dominant depictions of people with disabilities as innocent, childlike, or inspirational as significantly as the content of a show. In doing so, we provide insights into Blue Roo Theatre Company’s processes, and the aesthetic results it produces, and contribute to a growing body of commentary around disability theatre and performance, which – though increasingly well understood by those working in the form – clearly can still provide surprises for audiences and commentators anticipating conventional representations of people with disabilities onstage."
• "Tutti Ensemble - Membership Form/Flyer"
  Tutti Ensemble Membership Flyer - reads, in part "At the heart of Tutti's work is the mission to develop a pioneering approach to integrated methods of performing arts and choral training. Together, the Tutti Choir and Tutti Arts perform to thousands of people every year. Hundreds of people of all ages and abilities from all walks of life regularly participate in Tutti's local and regional choral workshops."
• "Accessible Arts - Annual Report - Yearly Report - 1992"
• "Accessible Arts - Create Ability: A Conference on Creativity and Disability 1989 - Report"
  Accessible Arts - Create Ability: A Conference on Creativity and Disability 1989 - Report - Welcome Address- Michael Champion, Key Note Address: Vivienne Binns, Opening Up the Arts- Jeffrey St. John, The Philosophy of Arts Accessibility- Gay Hawkins, Community Attitudes to Integration (Summary) Barbara McEvoy, Tannia Vassallo, Models for Changing Community Attitudes- Jan Spencer, Locating Community Arts Activities and Setting Up an Arts Activity Group in a Community Centre- Judy Finlason, Resources for Community Arts Activities- Maria Guppy, Training the Community Artist to work with People with Disabilities- Annie Harvey, Gizmos, Gadgets and Ramps (Summary)- Bill Watson, Transport- a Moving Issue- Tim Sussman
• "Queensland Theatre of the Deaf - Kenneth J Donnell - Actor, Director, and Foundation Committee Member - CV"
  CV of Kenneth J Donnell, Foundation Committee Member, Actor, Director, and Artistic Director Queensland Theatre of the Deaf from 1980, dated 1998 - training (including as first profoundly Deaf Australian to be awarded a Churchill Fellowship), awards, shows as actor (An Evening with the Theatre of the Deaf, Snow White & Company, Ondine, The Crane, Jack the Simpleton & his master, Dick Woodington-Lord Mayor of Where?, Treasure Map, Seasons, Christmas Carol, Only an Orphan Girl, The Man from Snowy river, A Stranger at the Inn, Gotze, Wolf Boy), as director (Medieval Mime, Mime Skits for Expo'88', Spring Mime Madness), and as director/author (Follow That Sign, Robert the Bruce, Anonymous Addict, Nara's Journey, Our Eyes are Your Ears, Assimilation, The Devious Black Marble, Fate of The Rose)
• Kyle Powderly
• Cecelia Rochelli
• "Australian Film Commission created"
  In 1975, the Australian Film Commission was created, providing grants for film and television projects.
• Michael Camakaris
• Boris Cipusev
• Restless Dance Theatre
• Access2Arts
• “Arts Access Victoria – Annual Report 2002-03”
• Warren O’Brien
• “Arts Access Victoria – Annual Report 2001-02”
• Steven Ajzenberg
• Veronica Pardo
• “Arts Access Victoria – Annual Report 2000-01”
• Australian Film Commission