Disability Arts History Australia

Items

• "Australia Council - Annual Report 1993-94"
  Australia Council Annual Report 1993-94 - discusses objectives, organisation chart, year in review, support for people with disabilities in Art and Working Life, artform development, main activities of Council and its Boards, and includes financial statements and lists of grants made including grants for programs, development of performance, visual art/crafts, media and multi arts, writers in community residence and local documentation projects as well as “Arts and Disability” research and collaboration in performance of “Love Dances (and other stories)”
• Sofya Gollan
• "Australia Council commissions a research study on people with disabilities' participation in arts activities"
  Australia Council commissioned a research study on the problems faced by people with disabilities attempting to participate in art activities (Australia Council Annual reports 1979/1980 and 1980/1981).
• "Making the arts work for everyone: a resource and information kit about arts and disabilities produced in 1995"
  Arts Access Victoria and Australia Council published 'Making the Arts Work for Everyone: A Resource and Information Kit about Arts and Disabilities' in 1995.
• Jung Yoon
• Jung Hyoung Yoon
• "Kevin Byrne AM leads protest outside Parliament House"
  The activist Kevin Byrne AM led a protest outside Parliament House. This coupled with the release of the Richmond Report led to the Hawke Government’s Handicapped Programs Review, which in turn led ‘New Directions: Report of the Handicapped Programs Review’.
• “Demonstrators protest inadequate funding for disability support in Adelaide, 1992”
  On the 13th March, 1992, 100 demonstrators gathered in Adelaide to protest inadequate funding for disability support. Deputy Prime Minister and Minister for Health, Housing and Community Services Brian Howe was “heckled” by the group outside an event at Jubilee Hall during a health care expo. Howe agreed later that year to “honour a federal government promise to expand the National Attendant Care Scheme,” that is, after another demonstration by 70 advocates outside Parliament House.
• Arts Access Australia
• “Arts Access Victoria – How it all began! (1974-1979)”
  Arts Access Victoria – How it all began! (1974-1979) started in Melbourne in 1974 by Judy Morton with funding from the Australia Council for the Arts with art and theatre workshops in institutions but intermittent funding meant AAV stopped at times but state government funding in 1979 allowed long term planning.
• "Accessible Arts - NSW Arts and Disability Partnership - Promotion Card"
  Accessible Arts - NSW Arts and Disability Partnership - Promotion Card - reads, in part "The NSW Government has committed $1.5 million to increase access to arts and cultural activities for people with a disability."
• ”Bree Hadley, Janice Rieger, Sarah Barron, Sarah Boulton, Catherine Parker (2023) Codesigning Access: A New Approach to Cultures of Inclusion in Museums and Galleries. In Cachia, Amanda (Ed.) Curating Access: Disability Art Activism and Creative Accommodation. Routledge, Abingdon, Oxon, pp. 183-195.”
  "In museums and galleries, access is often designed and implemented by staff and informed by regulations and guidelines. Codesign approaches have the potential to shift this understanding away from designing access “for” visitors and toward access as a creative process developed “with” visitors. This chapter focuses on the exhibition and practice-led research project Vis-ability: Artworks from the QUT Art Collection, which was presented at the Queensland University of Technology (QUT) Art Museum in Australia in 2019. Vis-ability represented the culmination of five years of international research into access in museums and galleries for visitors who are blind or have low vision."
• "Bree Hadley, Katherine Dionysius, Sarah Boulton (2019) Vis-Ability: Audio descriptions. In Vis-ability: Artworks from the QUT Art Collection. QUT Art Museum, Brisbane, Qld, pp. 45-53."
  "Bringing together a selection of recent acquisitions from the QUT Art Collection ,Vis-ability has been conceived as a project to broaden understanding of the lived experiences of people who are blind and people with low vision. Drawing on research in QUT's Creative Industries Faculty, Vis-ability proposes alternative ways of engaging with the collection, considering how technologies can deepen our understanding of vision and challenging our sight-driven experience of art. In this essay, QUT artist scholar and audio description author Associate Professor Bree Hadley, curator Katherine Dionysius, and blind artist and exhibition guide Sarah Boulton examine the principles, processes, and challenges of producing audio descriptions and associated engagement strategies to enable creative new forms of audio encounter with visual art works."
• "Sarah Austin, Chris Brophy, Lachlan MacDowell, Edward Paterson, and Winsome Roberts (2015) Beyond Access: The Creative Case for Inclusive Arts. Melbourne: Arts Victoria."
  Reads, in part "Beyond Access sought to create an evidence base for the creative case for inclusive arts practice to support greater recognition for artists with a disability by transforming and extending notions of what art is and who produces it."
• "Amanda Cachia (2022) Curating Access: Disability Art Activism and Creative Accommodation. London: Routledge"
  Reads, in part "This book is an interdisciplinary collection of twenty-four essays which critically examine contemporary exhibitions and artistic practices that focus on conceptual and creative aspects of access."
• “Australia Council - Grants, captured 1997”
  Australia Council (Creative Australia) grants captured December 1997. Website reads “extracted from the Australia Council Grants Handbook 1997” and includes Grant Categories: an Overview, Aboriginal and Torres Strait Islander Arts Board, Community Cultural Development Fund, Dance Fund, Literature Fund, Major Organisations Fund, Music Fund, New Media Arts Fund, Theatre Fund, Visual Arts/Craft Fund, Awards
• "CreativeAustralia/AustraliaCouncil - Website - NameChange 2023"
  The website reads “On Thursday 24 August 2023 the Australia Council became Creative Australia; a bigger, bolder champion and investor in arts and creativity”
• "Second Echo Ensemble - Chair's, Creative Producer's and Financial Reports 2018"
  Second Echo Ensemble Chair’s, Creative Producer’s and Financial Reports for 2018, including reports on work during the year (Contested Land, By My Hand, Let Me Dry Your Eyes, The Beauty Project)
• "Second Echo Ensemble - Chair's, Creative Producer's and Financial Reports 2020"
  Second Echo Ensemble Chair’s, Creative Producer’s and Financial Reports for 2020, including reports on work during the year (Let Me Dry Your Eyes, The CHAIN, What Makes You Beautiful), and reflections on the impact of Covid 19 Pandemic
• "Second Echo Ensemble - Creative Producer's Report 2017"
  Second Echo Ensemble Creative Producer’s Reports for 2017, including reports on work during the year (Performances of ‘Rite of Spring’, ‘Contested Land’), and plans for the future
• Sydney Mardi Gras Festival
• "Australian Theatre of The Deaf - Castles in the Air - Poster"
  Poster for Australian Theatre of The Deaf show Castles in the Air - reads, in part "Castles in the Air' is a series of short stories, comedy skits, images and songs."
• Melbourne Festival
• "Arts Access Victoria established in 1973 and provides valuable resources and conferences throughout the decades"
  In 1973, Judy Morton successfully applied for funding to start a 6-month pilot program and Arts Access Victoria was established the following year. However, due to lack of government funding and despite public appeal, programs were suspended in 1977. Fortunately, operation resumed in 1979 and AAV was formally constituted with a small School Commission fund as Arts Access Society Inc. Arts Access Victoria had both organisational and financial growth in the mid to late 1980s. This led to a diversification of arts projects and the beginning of long-term artistic programs which remain as the core programs of AAV. Arts workshops also began in regional Victoria during this time. In 1988, Arts Access was approached to run a national conference focusing on the arts and disability. Two years later, they convened P-art-ICIPATE '90 and subsequently published ‘P-art-ICIPATE '90: a conference report’. They also published ‘Inner Words Outer Spaces’, edited by Bev Roberts (1995), ‘Arts Alive: An Information Leaflet about the Ways the Arts Can Work for Older People’ (1995), ‘Accessible Theatresports’ (1996), and Bev Roberts's ‘Work Guide: How to Establish an Artist in Community Project’ (1996). In 1998, Arts Access (Victoria) assumed responsibility for its own financial management and administration. In 1999, Arts Access Victoria presented Verve!, a national symposium on arts and disability.
• “The arts sector is forced to adapt in the face of COVID-19 lockdowns”
  Government-enforced lockdowns in response to the COVID-19 pandemic saw arts events cancelled and disability arts organisations temporarily close physical premises as social distancing rules came into play. While Coronavirus 19 restricted social contact, there were some benefits that arose such as increased digital access for social connection, online ordering accessible via screen readers and home delivery, virtual tours of art galleries, online choirs, and telehealth appointments.