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“The Australian Government’s Creative Nation policy released in 1994”
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"Interview with Andy Jackson" Andy Jackson is a published poet focusing on disability and difference, has completed a PhD and is a lecturer of poetry and creative writing. INTERVIEW SUMMARY This is an oral history interview with poet Andy Jackson. Andy, who has Marfan syndrome, discusses how disability and visible difference have shaped his writing and poetry, explaining that he often writes about the meaning of the body within society. He emphasizes the importance of Disability Arts, noting a growing community of disabled writers and expressing the need for both disability-specific literary spaces and mainstream recognition. Andy also highlights the transformative role of online communities in creating networks for disabled individuals and the emergence of disability-focused literary journals, anticipating an anthology from a collaborative writing project he is involved with. -
"Accessible Arts - ACE Arts Creativity Expression -1998 Win - Iss2" Accessible Arts - ACE Arts Creativity Expression News Publication issue 2 Winter 1998 - information/reviews of Creative Writing, Music, Dance, Theatre and Performance programs,opportunities, resources, Accessible Arts AGM -
"Accessible Arts - ACE Arts Creativity Expression -2001 May - Iss5" Accessible Arts - ACE Arts Creativity Expression News Publication Issue 5 May 2001 - information/reviews of Creative Writing, Music, Dance, Theatre and Performance programs,opportunities, resources -
"Accessible Arts - ACE Arts Creativity Expression -2002 Mar - Iss7" Accessible Arts - ACE Arts Creativity Expression News Publication Issue 7 March 2001 - about Accessible Arts (including membership), information/reviews of Creative Writing, Music, Dance, Theatre and Performance programs,opportunities, resources -
"Accessible Arts - ACE Arts Creativity Expression -2003 Nov - Iss29" Accessible Arts - ACE Arts Creativity Expression News Publication Issue 29 November 2003 - information/reviews of Creative Writing, Music, Dance, Theatre and Performance programs,opportunities, resources, including establishment of a Disability Arts Workers Network, and new accessible theatre for Sydney Theatre Company -
"Australia Council - Annual Report 1985-86" Australia Council Annual Report 1985-86 - discusses functions and objectives, structures, process and membership of Council, Council Committees and members, Board Members, Assessment panels, staff lists, organisation chart, main activities of Council and its Boards, and includes financial statements and lists of grants made including grants for programs, workshops, tuition and skill development for disabled people in community arts, grant for Theatre of the Deaf Playwright, travel/study grant, Braille Book of the Year award and establishing audio visual gallery accessible to deaf and blind. -
"Australia Council - Annual Report 1987-88" Australia Council Annual Report 1987-88- discusses functions and objectives, structures, process and membership of Council, Council Committees and members, board members, assessment panels, staff lists, organisation chart, main activities of Council and its eight Boards, and how council endorsed a code of practice for arts organisations working with people with disabilities, equal employment opportunities and includes financial statements and lists of grants made including grants for programs, projects, performances and promotion and reading for Royal Blind Society and Brail and Talking Book Library -
"Australia Council - Annual Report 1990-91" Australia Council Annual Report 1990-91 - discusses objectives, organisation chart, year in review, support for artform development, main activities of Council and its Boards, and includes financial statements and lists of grants made including grants for Self Advocacy tor Intellectually Disabled, programs, artists and playwrights in residence and resource development and an increase of Australia Council staff with disabilities following Equal Opportunity Employment program. -
"Australia Council - Annual Report 1991-92" Australia Council Annual Report 1991-92 - discusses objectives, organisation chart, year in review, support for artform development, main activities of Council and its Boards, and includes financial statements and lists of grants made including grants for programs, artists and playwrights in residence and resource development and an award for the Royal Blind Society's Talking Book of the Year for “Poppy” -
"Australia Council - Annual Report 1992-93" Australia Council Annual Report 1992-93- discusses objectives, organisation chart, year in review, support for artform development, main activities of Council and its Boards, and includes financial statements and lists of grants made including grants for programs, projects, writers fees and expenses and resource development - Film Australia
- Margaret Davis
- Matthew Fargher
- Steven Ripley
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"Australian Theatre of The Deaf - TheatroQuest II - Fundraiser" Australian Theatre of The Deaf promotional flyer for TheatroQuest 2 fundraiser, plus interpreted performance of 'Rent' - "After the success of the first TheatroQu~ Australian Theatre of the Deaf (ATOD) is pleased to bring you TheatroQuest II. And this time we have decided to combine the fun antics with the biggest Christmas celebration &t farewell send off for our Artistic Director, Mike Canfield" - Natasha Moszenin
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"The Other Film Festival Program 2004" The Other Film Festival Program 2004 - Australian work screened includes CALLAHAN: HE WON'T GET FAR ON FOOT D: Liz O'dea Documentary, 26 Min, Aust, 2001; D-TUNE: MOTIF 1 D: Katherine Chinnick & Tony Nirta, Animation, 5 Min, Aust, 2004; PART ANIMAL, PART MACHINE D: Warren Macdonald, Documentary, 20 Min, Aust, 2003; THE WORLD REALLY IS W… D: Kim Miles, Experimental, 6 Min, Aust, 2003; THE COMPANY YOU KEEP D: Lucy Paplinska, Documentary, 28 Min, Aust, 2003; UNTOLD DESIRES D: Sarah Barton, Documentary, 52 Min, Aust, 1994; BIRD from Art Day South Program, Fiction, 6 Min, Aust, 2001. Australian work screend in the ‘The Other Program’, described as “Screening films by Australia’s new, emerging and independent filmmakers and featuring Q&A sessions,” Australian work screened includes THE ABILITY TREK from Guiness Entertainment, 8TH OF MAY from Winfred Kwan Weng Fook, JAM from Lee Galea, WHEEL LOVE from Emma Butler, THE DANCE from Bee Williamson, THEATRE OF HOPE from City of Port Phillip, 12 WAYS TO OPEN A DOOR from Theatre of Speed/ Back to Back Theatre, A DAY IN THE LIFE from No Strings Attached, EXIT Q from Phil Heuzenroeder, THE JOB from David King, IN THEORY from Remo Camerot, THE TOY TUB from Telen Rodwell, THE GOODLOOKING FILM from Art Day South, STAR STREET from The Geelong Arts Alliance, FUTURE FILMS from Yum Productions, BLACK DANCE and MILES TO GO from Tony Sarre, THROUGH MY EYES from Lisa Warne, EACH NEW MORNING from Alycia Johnston, TEAMHANDCYCLE, A FISTFUL OF HEART, and SIZE 9(RIGHT) from Bernzerk Productions. - Crossroad Arts
- Janice Florence
- Kerreen Ely-Harper
- Kerreen Ely Harper
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"Australia Council for the Arts (2014) A Million Dollar Commitment to Artists with Disability. Australia Council for the Arts. 28 October 2014" Reads, in part "Australia Council Chief Executive Officer Tony Grybowski made the announcement today at the Arts Activated Conference in Chatswood, Sydney. Mr Grybowski said the decision to extend the dedicated arts and disability funding was made after a successful pilot was run earlier this year."
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"Australia Council for the Arts (2014) Australia Council Promotes Disability Leadership in the Arts. Australia Council for the Arts. 25 June 2014." Reads, in part "The Australia Council for the Arts is presenting a suite of activities from next month to develop the leadership skills of people with disability and enhance their access to leadership roles across the cultural sector."
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"Fayden D'Evie (2022) From Dust to Dust: Hallucinating the Absent Exhibition, in Amanda Cachia ed. Curating Access: Disability Art Activism and Creative Accommodation. London: Routledge, 87-98" Reads, in part "Over several months in 2018, I developed a hybrid artist-curatorial project for the Old Castlemaine Gaol, with the working title From Dust to Dust , which sought to invert the site’s association with the sensorial policing of bodies."
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"Boram Lee, Ruth Rentschler, and Shin-Eui Park (2022) Connect2Abilities: Staging Virtual Intercultural Collaboration during COVID-19 in Amanda Cachia ed. Curating Access: Disability Art Activism and Creative Accommodation. London: Routledge, 45-58" Reads, in part "As a pilot project, Restless Dance Theatre in Adelaide, Australia and SNU MUSIC in Seoul, Korea collaborated to create a digital performing arts piece entitled Dialogue for Six Strings."