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“The Australian Government’s Creative Nation policy released in 1994”
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"Australia Council - Annual Report 2000-01" Australia Council Annual Report 2000-2001 - discusses letter from chair of council, corporate overview, year in review, financial statements, analysis of funding and grants for projects, initiatives, new work, programs, presentation and promotions including funding for music development, implementing the Commonwealth Disability Strategy by evaluating current and changing needs of people with disabilities in the arts sector and reflecting this in funding and policies, arts marketing and audience development and triennial grants to disability arts organisations in NSW, South Australia and Victoria -
"Australia Council - Annual Report 2001-02" Australia Council Annual Report 2001-2002 - discusses letter from chair of council, corporate overview, year in review, financial statements, analysis of funding and grants for projects, initiatives, new work, programs, presentation and promotions including funding for implementing the Commonwealth Disability Strategy by evaluating current and changing needs of people with disabilities in the arts sector and reflecting this in funding and policies, arts marketing and audience development and triennial grants to disability arts organisations in NSW, South Australia and Victoria as well as an image from Crossroad Arts for the exhibition “Shades of White” and the publication “Making the Journey” -
"Australia Council - Annual Report 2002-03" Australia Council Annual Report 2001-2002 - discusses letter from chair of council, corporate overview, year in review, financial statements, analysis of funding and grants for projects, initiatives, new work, programs, presentation and promotions including funding for implementing the Commonwealth Disability Strategy by evaluating current and changing needs of people with disabilities in the arts sector and reflecting this in funding and policies, arts marketing and audience development and triennial grants to disability arts organisations in NSW, South Australia and Victoria as well as a Fellowship by the Community Cultural Development Board (CCDB) to Tony Doyle to develop models for disability-led community building and on-the-job training for disability support workers and performance of “Soft” by Back to Back theatre at the Melbourne Festival and on tour to Switzerland and Germany. -
"Australia Council - Annual Report 2003-04" Australia Council Annual Report 2003-2004 - discusses letter from chair of council, letter from CEO, corporate overview, year in review, financial statements, analysis of funding analysis and grants list, including funding for conduct national research to identify ways of addressing barriers to access for audiences with disabilities and their carers, funding for the publication, “Don’t Give Up Your Day Job”, included survey questions specifically related to artists with disabilities, arts marketing and audience development and triennial grants to disability arts organisations in NSW, South Australia and Victoria as well as funding to conduct national research to identify ways of addressing barriers to access for audiences with disabilities and their carers and three year funding for Accessible Arts to continue Audience Development. -
"Australia Council - Annual Report 2005-06" Australia Council Annual Report 2005-2006 - discusses letter from chair of council, letter from CEO, corporate overview, year in review, goals, financial statements, analysis of funding analysis and grants list, including various artistic and community projects - “Stickybricks” – exploring the history of a Sydney Housing Estate where 95% of residents receive aged or disability benefits were traumatised by by murders, suicides, assaults and drug and alcohol-related crimes and they partnered with Big hART to tell their story at the Sydney Festival, “Small Metal Objects” by Back to Back Theatre presented at the Melbourne international arts festival, and the DADAA (WA) regional collaborative “Bridging the Gap” project in Bunbury and publication of “Making the Journey: Arts and disability in Australia” -
"Tutti Arts - History of Autism - Program" Tutti Arts 'History of Autism' 2014 Program - reads, in part "History of Autism is about two things, firstly it is about the evolution of Autism as a clinical diagnosis in the Twentieth Centurv, ax well a giving an overview of a "Nut Shell" explanation of how Autism can be viewed. Secondly, it's the untold story of what generations of forgotten people went through. The pain, anguish and ridicule suffered by people when diagnosis a was not an option, as well as the constant striving tor an identity. About Company @ (Autistic Theatre) Company @ began as AAA Theatre group run by Autism SA in the 1990's and it is believed to be the only wholly Autistic run and led Theatre Company in the world. Company @ inspires and connects people with an Autism Spectrum Disorder through the process of creating and presenting powerful theatre pieces. The company contributes to the creative and cultural life of the Australian and broader communities through collaboration, innovation and education.” -
"Tutti Arts - Tutti Voice Newsletter February 2009" Tutti Arts - Tutti Voice Newsletter February 2009 - "A new year, a new creative opportunity. Welcome to 2009 and the new look Tutti newsletter where we remember the highlights of 2008 and alert you to two exciting events coming up in the near future. The official launch of Tutti Kids in partnership with Novita Children's Services by the Honourable Jennifer Rankine, Minister for Disability, is on February 14th at the Odeon Theatre. In March, Tutti presents the Australian premiere of Richard Chew and Orlando Gough's radical community opera The Shouting Fence at the State Opera Studio for the Adelaide International Fringe Festival." -
“Australian Caption Centre opened in 1982” The Australian Caption Centre was opened 13 September, 1982. A tour took place at the Australian Caption Centre in Sydney in the 1990s; the video (now available on YouTube) explains how the Centre worked. In 2005, the Centre sold its commercial operations including the captioning services to Red Bee Media and formed Media Access Australia.
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"Screen Australia (2016) Seeing ourselves: Reflections on diversity in Australian TV drama. Screen Australia" Reads, in part "Whose stories are our TV dramas exploring? Screen Australia has benchmarked current levels of diversity in Australian TV drama and explore the challenges and opportunities involved in making TV drama more broadly representative of Australian society."
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"Nola Colefax and Annee Lawrence (1999) Signs of change : my autobiography and the history of Australian Theatre of the Deaf 1973-83. Deaf Resources Australia" "The story of a small group of people making theatre history in a little known Australian community. The book interweaves the personal history of Nola Colefax with the history, culture and development of the deaf community." More on Nola Colefax's contribution to Theatre of the Deaf at https://web.archive.org/web/20241113210108/https://deafinnsw.com/nola-colefax.
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"Ted Evans, Michelle Bellon, Brian Matthews (2017). Leisure as a human right: An exploration of people with disabilities’ perceptions of leisure, arts and recreation participation through Australian community access services. Annals of Leisure Research, 20(3), 331–348." Reads, in part "Community Access Services (CAS) are defined as ‘Services designed to provide opportunities for people with disability to gain and use their abilities to enjoy their full potential for social independence’ [Australian Institute of Health and Welfare. 2015. Disability Services National Minimum Data Set Collection: Data Transmission and Technical Guide. Canberra: AIHW]. A notable absence of international research regarding leisure, arts and recreation through CAS exists. This study explores perceptions of people with disabilities on their participation in leisure, arts and recreation through Australian CAS."
- Tutti Arts
- Screen Australia
- Belvoir Street Theatre
- Australian National Museum
- Australian Film Commission
- Film Finance Corporation Australia (FFC)
- Film Australia Limited
- Tutti Ensemble
- Damien Walters
- Graham Pitts
- Hilary Beaton
- Hillary Beaton
- Ian Watson
- Mitzi Zaphir