Disability Arts History Australia

Items

• "Interview with Gayle Kennedy"
• "Interview with Michèle Saint-Yves"
  Michèle Saint-Yves is a playwright, filmmaker, poet, and director. Interview Summary Michèle Saint-Yves’ background includes a colonial upbringing in Pacific territories, a Scottish boarding school education, and a complex personal journey of confronting her own inherent racism and colonial legacy, particularly through her writing. Her work as an artist with disability is deeply informed by her sense of otherness and focuses on creating inclusive performance-based work that challenges mainstream audiences and systems, aiming for transformative experiences that impact disability justice and community. Michèle actively embraced the social model of disability, which shifted her understanding of herself and her art, and has received recognition for her pioneering work with the prize-winning show "Clock for No Time." However, recognising the social model’s limitations, her current creative endeavours are concerned with 'access intimacy' and evaluating the lasting impact of her performances, in collaboration with other artists and through research grants.
• "Interview with Nick Hughes"
  Nick has worked as an actor, director, writer, artistic director, dramaturg and was the Company Manager for Restless Dance Theatre Interview Summary Nick Hughes is a retired arts administrator who has worked in various capacities within the arts industry, including as an actor, writer, stage manager, and notably as the company manager for Restless Dance Theatre. Nick gained degrees in drama, and sociology, and moved from the UK to Australia in 1973. During the interview, Nick reflects on his significant contributions to the arts and disability sectors. Despite being unfamiliar with disability arts in the beginning, Nick says he became deeply involved and committed to the field, valuing disability arts for the social and political aspects. Nick discusses witnessing first-hand the growth and development of individuals through creative expression. Throughout his career, Nick says he has seen the evolution and increasing recognition of disability arts as a legitimate and powerful art form capable of altering people’s perceptions and advocating for inclusivity and equality in society.
• "Interview with Peter Vance"
  Peter Vance is a singer, songwriter, musician, performer, facilitator and disability arts advocate. Interview Summary: Peter Vance is a songwriter, performer, musician and singer. Peter suggested disability arts in the last 20 years has become more visible and popular reflecting a positive shift in how society views disability as part of the rich tapestry of human experience. This is reflected in how the arts now tell the stories of individuals with disabilities, not simply as artists with a disability, but as whole people whose varied experiences - visible and invisible - inform and enrich their creative expression. However, there are still challenges with funding and accessibility and ongoing struggles for recognition and support of disability art. Changes in how organisations operate to suit new funding such as the NDIS have potentially limited the spontaneity and personal touch that smaller, community-driven organizations once offered. Peter said it is essential to continue to push for better understanding, support, and visibility for people with all kinds of disabilities in every aspect of life, including the arts, to truly embrace inclusivity.
• "Interview with Pat Rix"
  Pat Rix is a Disability Ally and Social Change advocate, and the recently retired Founder and CEO of TUTTI ARTS Incorporated. Interview Summary Pat Rix is an Artistic Director who has made extraordinary and sustained contributions to Australia’s cultural life through her artistic practice and leadership. A significant arts contributor since 1985, Pat made her early mark through plays and music-theatre productions which drew attention to social injustice and championed social inclusion. Her journey in disability arts began in 1997 with the formation of an inclusive choir at Minda Inc. which in 2001 incorporated to become the independent multi arts organisation known as ‘Tutti’ - embodying the inclusive Italian term meaning ‘everyone’. At a time when there were no vocational pathways for learning disabled and neuro divergent people, Tutti became a national trailblazer in creating a work environment where learning disabled and neuro diverse artists could create visual art, theatre, music, film and experimental art in a way that authentically nurtured their professional growth and recognition. Pat stresses the importance of disabled artists having control over their work. She believes that art is inherently political, and that it is finding your voice, being heard and being taken seriously that contributes to any artist's success. Pat looks forward to the future evolution of disability arts and the role of technology in enabling disabled artists to develop local and global partnerships which continue to provide exciting opportunities for artistic development.
• "Interview with Graham Wilfred Junior"
  Graham Wilfred Junior is a Yolngu man and artist with Incite Arts where he works with different mediums including filmmaking, writing, performing and music. Interview Summary Graham, an emerging artist with spina bifida whose father inspired his passion for art, has pursued various art forms including painting, music, and digital art, now calls Mparntwe/Alice Springs home, and is venturing into theatre and filmmaking. His digital artwork, through the creation of the indigemoji app, helps teach the Arrernte, the language of the First Nations people of Mparntwe/Alice Springs. He now seeks to expand his impact through acting and creating films. Graham's motivation is to both celebrate and inspire people with disability, aiming for recognition as an artist rather than focusing solely on his disability. Graham shares his journey with Incite Arts, highlighting his involvement in music workshops, acting classes and script development, emphasizing the importance of representation and empowerment for individuals with disability. Ultimately, he aims to document his experiences and create impactful performances that leave a legacy to encourage others to pick up where he leaves off, ensuring the continuity of artistic expression within his community.
• "Arts Disability Technology Library Workshop"
  Internet demonstration; imaging and photography; creative adventures with computer technology; music (includes performance and demonstration by Chris Finnen)
• "High Beam Awards For Literature And Music"
  Held concurrent with the High Beam Festival 2004, "The Awards are open to any person who has been resident in South Australia for a period of not less than one year prior to the closing date, who has a permanent disability and is eligible to be a client of Options Co-ordination."
• "Access Arts Annual Report 2009"
  Access Arts Annual Report 2009 - Indigenous Projects, Visual Arts, SoundCircles, Creative Recovery Project, Professional Development
• "Access Arts Annual Report 2010"
  Access Arts Annual Report 2010 - Professional Development, Creative Recovery, Brisbane Outsider Artists (BOA), Indigenous Projects, Performances, Events, Workshops, Conferences, Training, Partners
• "Access Arts Annual Report 2011"
  Access Arts Annual Report 2011 - Indigenous Projects, Creative Recovery Project, Brisbane Outsider Artists (BOA), Wataboshi Festival, Visual Arts, Workshops, Events, Training, Professional Development
• "Access Arts Annual Report 2014"
  Access Arts Annual Report 2014 - Exhibition, Playwriting, Performance, Workshops, Indigenous Projects, Mentorship, Creative, and Professional Development, Awards
• "Accessible Arts - ACE Arts Creativity Expression - Dave King - Article: DADAA - Disability in the Arts/Disadvantage in the Arts- Iss5, Pg3"
  Accessible Arts - ACE Arts Creativity Expression - Dave King - Article: DADAA - Disability in the Arts/Disadvantage in the Arts- Iss5, Pg3reads, in part "DISABILITY IN THE ARTS/DISADVANTAGED IN THE ARTS AUSTRALIA (DADAA) is a group of artists/art workers who represent the states and territories of Australia. Its members are representatives from those groups who work towards artistic empowerment and filling the creative needs of people with disabilities - that is to name a few, ACCESSIBLE ARTS and ARTS ACCESS. All the current members attended a meeting in July. They all work with people with disabilities and three have disabilities. The inaugural meeting was held in late 1990. This group was formed to facilitate and maintain a responsive external overview of the trends in the arts for those experiencing disadvantage or a disability."
• "Accessible Arts - ACE Arts Creativity Expression - Peter Ross - Article: Arts Extraordinaire -1993 - Iss8, PG14-17"
  Accessible Arts - ACE Arts Creativity Expression - Peter Ross - Article: Arts Extraordinaire -1993 - Iss8, PG14-17 - reads, in part "Arts Extraordinary Celebrating Where The Arts Can Take You is Australia's first arts festival to celebrate the diverse creative talents and artistic skills of people with disabilities."
• "Accessible Arts - ACE Arts Creativity Expression -The Final Word: Two Poems By Gail Louise - 2000,Pg10"
  Accessible Arts - ACE Arts Creativity Expression -The Final Word: Two Poems By Gail Louise - 2000, Pg10
• "Accessible Arts and Noise - AART-BOXX - Framing Gravity Exhibition 2011 - Program"
  Accessible Arts - AART-BOXX Framing Gravity Exhibition 2011 Program - reads, in part "Framing Gravity addresses 'the forces that be' as factors which do not just impact upon us, but through our interaction with them, define who we are. The creative 'shaping' of the world by the artists in the exhibition reveal dedicated artistic processes reinforcing the full spectrum of our experience."
• "Accessible Arts and Tin Sheds Gallery - AART-BOXX 2008 - Program"
  Accessible Arts and Tin Sheds Gallery- AART-BOXX 2008 Program - reads, in part "AART.BOXX is an exhibition and cultural initiative that highlights the current and diverse art practices of young and emerging artists with a disability. Initiated by Accessible Arts, the peak arts and disability body in NSW, AART.BOXX aims to extend and challenge current discourses within contemporary art by including art practices that are informed by cultures of disability. These artists are a creative force whose unique voices are often marginalized within the broader cultural context."
• "Accessible Arts - Annual Report 1988"
  Accessible Arts - Annual Report 1988 - includes Part 1 Artistic Report (Summary of year's activities and evaluation); Part 2 Report on Riverina Project; Part 3 Report on RBS Project; Part 4 Report on Restructuring of Project; Part 5 Report on Melbourne Trip
• "Accessible Arts - Annual Report 1990"
  Accessible Arts - Annual Report 1990 - Accessible Arts Aims, Priorities for 1991, Coordinator’s and Treasuer’s Report, Excepts from 1990 program reports
• "Accessible Arts - Annual Report 1992"
  Accessible Arts - Annual Report 1992 - Staff, Management Committee, and contents including BACKGROUND INFORMATION REGARDING ACCESSIBLE ARTS, ACCESSIBLE ARTS' AIMS, CHAIRPERSON'S REPORT, SECRETARY'S REPORT, CO-ORDINATOR'S REPORT, TREASURER'S REPORT & AUDITOR’S REPORT, A.C.E. MAGAZINE, establishment of a national body - DISABILITY IN THE ARTS, DISADVANTAGED IN THE ARTS, AUSTRALIA (DADAA)
• "Accessible Arts - Annual Report 1996"
  Accessible Arts - Annual Report 1996 - Aims, Objectives, Brief History, Chairperson’s Report, Treasurer’s Report, Executive Officer’s Report, Project Officer’s Report
• "Accessible Arts - Annual Report 1997"
• "Accessible Arts - Annual Report 1998"
  Accessible Arts - Annual Report 1998 - ACE Magazine, Issue 20, 1999, includes Strategic Plan, 1998 Annual Report, 1998 Accounts, What's on & Info, with Staff, Strategic Plan includes Guiding Principles and Key Directions, Annual Report includes Aims and Objectives, Chairperson Report, Treasurer Report, Executive Officer Report , Consultancy, Regional Networks, Partnerships, Resources, Administrator Report , Financials
• "Accessible Arts - Annual Report 1999"
  Accessible Arts - Annual Report 1999 - ACE Magazine, Issue 22, October 2000, includes Annual Report 1998 - Chairpersons' Report, Treasurer’s Report, Executive Officer Report, Consultancy, Regional Networks, Partnerships, Resources, Training, Financials
• "Accessible Arts - Annual Report 2001"
  Accessible Arts - Annual Report 2001 - report from the chairperson, treasurer's report, independant auditor's report, report on the 2001 operational plan, report on the 2002-03 operational plan, Organisation Infrastructure, Consultative Services, Training, Regional Networks, Website development