Disability Arts History Australia

Items

• Website Tour Video
• 'Conferences' Infographic
• 'Festivals' Infographic
• 'Government Policy, Strategy, Funding' Infographic
• Welcome!
• "Sally Northfield (2014) Canvassing the Emotions: Women, Creativity and Mental Health in Context" PhD Thesis Victoria University, Melbourne,  https://vuir.vu.edu.au/29985/, Australia, https://vuir.vu.edu.au/29985/1/NORTHFIELD%20Sally-thesis_nosignature.pdf "
  Reads, in part, "A multimedia movement-theatre show, incorporating dance, video- and slide- projections, a life-sized puppet and an original soundtrack. A diary come to life, portraying the true story of an Australian dancer who – after paralysing one of his arms in a motorcycle accident – journeys through the worlds of medicine, rehabilitation and disability, in recovery of self-expression. He finds new angles on perceiving the body, and new ways to move. "Body image" and concepts of "normality" are questioned."
• "Quippings presents Risky Business"
  Reads, in part "Risky Business is the Quippings crew daredevils taking over the Melba Spiegeltent with our cabaret wordfest game show extravaganza!"
• "DADAA Program - Cover"
  DADAA Program 2009 - Cover
• "DADAA Service Directory - Cover"
  DADAA Service Directory 2005 - Cover
• "Sprung!! Integrated Dance Theatre - Dis-Coball"
  Page reads, in part "Dis-Co Ball is Sprung’s new annual disability community ball, bringing people together for an evening of unashamed joyous dancing, inspired by and featuring our Community Artists."
• “Restless Dance – Annual Report 2005"
  Restless Dance Theatre Annual Report 2005 - Chair's, Artistic Director’s, Dancers’, and Company Manager Reports, Members and Board, Financials, information about productions Sustenance,’ ‘Vocabulary,’ ‘Present Tense,’ ‘Unspoken Out Loud,’ Reviews, Supporters
• “Restless Dance – Annual Report 2006"
  Restless Dance Theatre Annual Report 2006 - Chair's, Artistic Director’s, Dancers’, and Company Manager Reports, Members and Board, Financials, information about productions ‘Continual Unfolding of Now,’ ‘Within these lines,’ Reviews, Supporters
• "Blue Roo Theatre Company - SongCircleReport"
  The Song Circle Evaluation Report (2014), written by Kirsty Martin, reads "In 2013 a creative partnership was formed between Blue Roo Theatre Company Inc. and Opera Queensland’s Open Stage. The Arts Queensland and Centacare Disability Services Queensland funded partnership resulted in ‘Song Circle’, a song-based production performed over three days at the Judith Wright Centre of Contemporary Arts, Fortitude Valley, Brisbane."
• "Writeability website, captured 2016"
  Webpage reads, in part “Before the advent of Write-ability, writing programs for people with disability in Victoria were few and far between. Examples of successful Australia writers with disability are rare (and deaf writers even more so). Consequently, the number of authentic voices recording the stories of the lived experience of disability has been limited.” Webpage contains information about Write-ability Mentor-in-Residence; Write-ability Fellowships; Write-ability recent projects such as a series 2014 postcards/memes profiling writers, and support, professional development, and writers groups.
• "Kath Duncan, Gerard Goggin, Christopher Newell (2005) ‘Don’t Talk about Me... Like I’m Not Here': Disability in Australian National Cinema. Metro Magazine: Media & Education Magazine.146/147, pp. 152-159. https://search.informit.org/doi/10.3316/informit.043842788583710"
  Reads, in part "Disability is a central cultural identity and category in Australia, but this is not often realized. We seek to make a contribution to conversations and critical analyses of disability in Australian culture through an exploration of a privileged national cultural form, namely film. The trope of disability looms large in late twentieth century Australian cinema, and yet cultural comment on these ‘disabled’ scripts and performances has not yet considered a disabilities studies perspective. Accordingly, in this article we combine our different perspectives on disability and film into an account of how specific films use disability. In particular, we analyse key films from the 1990s as examples of powerful displays of bodies and personhood." References a range of films, including Proof (Jocelyn Moorhouse, 1991), Romper Stomper (Geoffrey Wright, 1992), Bad Boy Bubby (Rolf de Heer, 1993), Muriel's Wedding (PJ Hogan, 1994), Shine (Scott Hicks, 1996), Moulin Rouge! (Baz Luhrmann, 2001), My One Legged Dream Lover (writer Kath Duncan with dir. Penny Fowler-Smith, Christine Oslen 1998), Pins and Needles (writer Genni Batterham with dir. Barbara Chobocky, 1979), Riding the Gale (Genni Batterham with dir, Hugh Piper, 1987), Dance Me to My Song (writer Heather Rose with dir. Rolf De Heer, 1998), Heather Rose Goes to Cannes (Chris Corin, 1999), Myself When Fourteen, (Ivor, Arthur and Corinne Cantrill 1989),Film of Circles, Squares, Triangles, Lines and Dots (Arthur and Corinne Cantrill 1981), Rainbow Diary (Arthur and Corinne Cantrill 1984), House Gang (Mandy smith, 1997), Quentin Crashes Big Brother (Quentin Kenihan, 2002), Quentin, World at My Wheels (Quentin Kenihan, 2000), Ability Trek (Jacob Baldwin 1998)
• "Anthea Skinner (2017) ‘I love my body’: Depictions of sex and romance in disability music culture. Sexualities. Volume 21, Issue 3. https://doi.org/10.1177/1363460716688"
  Reads, in part "The international disability music scene is a thriving musical subculture consisting of performers self-identifying as disabled who use their performances to explore experiences of living with disability. As a genre predominantly written by, about and for people with disabilities, it provides a space for discourse about life with disability which is largely unmediated by governmental policy, political correctness or able-bodied facilitators. As such, it is a medium through which people with disability are free to express opinions about sex and romance rarely seen in mainstream media. This article examines the ways in which the topics of sexuality and romance are explored within disability music culture."
• "Katie Ellis, Gerard Goggin (2015). Disability media participation: Opportunities, obstacles and politics. Media International Australia, 154 (1), pp. 78-88."
  This article discusses participatory media from a critical disability perspective. It discusses the relative absence of explicit discussion and research on disability in the literatures on community, citizen and alternative media. By contrast, disability has emerged as an important element of participatory cultures and digital technologies. To explore disability participatory cultures, the article offers analysis of case studies, including disability blogs, ABC's Ramp Up website and crowd-funding platforms (such as Kickstarter).
• "Katie Ellis, Tama Leaver, Mike Kent, M, eds. (2023). Gaming Disability: Disability Perspectives on Contemporary Video Games. London and New York: Routledge."
  This book explores the opportunities and challenges people with disabilities experience in the context of digital games from the perspective of three related areas: representation, access and inclusion, and community. Drawing on key concerns in disability media studies, the book brings together scholars from disability studies and game studies, alongside game developers, educators, and disability rights activists, to reflect upon the increasing visibility of disabled characters in digital games.
• Bernzerk Productions
• Yum Productions
• Art Day South
• Guiness Entertainment
• Wielding Theatre
• State of Flux
• Company Chaos