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ACT DisAbility Arts Festival
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"Tutti Arts - Choir - Broadway Spectacular - Program" Tutti Arts Choir 'Broadway Spectacular' 2010 Program - reads, in part "The show is rich in melodies and potent lyrics by Berlin, Coleman, Porter, Gershwin, Bernstein, Sondheim, Lerner and Lowe, Rodgers and Hammerstein, and the Tutti Choir and soloists have worked with typical enthusiasm and joy to bring you their interpretation of the music." -
"Accessible Arts and Australia Council - Access All Areas: Guidelines for Marketing The Arts to People With Disabilities" Accessible Arts - Access All Areas: Guidelines for Marketing The Arts to People With Disabilities 1999 - reads, in part "People with disabilities is the issue of this guide. This guide is intended to be practical, covering actions which are within reach of arts organisations, especially marketing officers and their departments. How to identify this audience, how to reach them and how to provide what they want is the key advice contained here." -
"The first Arts Activated conference takes place" Accessible Arts NSW started biennial Arts Activated conferences in 2007 "to inform, connect and activate people and organisations involved with Australia’s arts and disability sector" https://aarts.net.au/arts-activate/
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"Incite Arts - Meeting Place Arts and Disability Forum Poster" Poster for Meeting Place Arts and Disability Forum, hosted by InCite Arts and Arts Access Australia in Alice Springs in 2018 -
"Interview with Jenny Simpson" Jenny is CEO and Artistic Director of AWESOME Arts Australia while also a Musical Director of the Mighty Camelot Community Choir and a Sessional Academic at the Western Australian Academy of Performing Arts at Edith Cowan University. Interview Summary Jenny Simpson is the CEO and Artistic Director of AWESOME Arts Australia. She grew up in a musical family and always had an interest in the arts. After working in the corporate world, she decided to pursue a role in the arts to make a difference in the community. She has since focused on engaging young people with disabilities in the arts, and has worked on projects and festivals that promote inclusivity and accessibility. She believes that the perception of disability arts is changing and hopes to see more individuals with disabilities involved in arts management. -
"The Arts and Disability No Date #1" Except as permitted by copyright law, you may not reproduce or communicate any of the content on this website, including files downloadable from this website, without the permission of the copyright owner. The Australian Copyright Act allows certain uses of content from the internet without the copyright owner’s permission. This includes uses by educational institutions and by Commonwealth and State governments, provided fair compensation is paid to the copyright owner. For more information, see www.copyright.com.au and www.copyright.org.au. -
"The Arts and Disability 2016-2017" Except as permitted by copyright law, you may not reproduce or communicate any of the content on this website, including files downloadable from this website, without the permission of the copyright owner. The Australian Copyright Act allows certain uses of content from the internet without the copyright owner’s permission. This includes uses by educational institutions and by Commonwealth and State governments, provided fair compensation is paid to the copyright owner. For more information, see www.copyright.com.au and www.copyright.org.au. -
"Australia Council for the Arts (2018) Arts and Disability a Priority as Australia Council Commits
Significant New Funding. 24 September 2018." Reads, in part "The Australia Council has committed $750k over three years to support sustainable careers and to recognise the artistic excellence of artists with disability."
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"Maree Roche, Ben Whitburn (2019) Mate, You’re Crippin’ Us Out: Biopolitics of the Arts Curriculum in Australia and the Swinging Identities of Dis/abilities. Journal of Literary & Cultural Disability Studies.13(3). https://doi.org/10.3828/jlcds.2019.25" Reads, in part "The article explores arts curriculum in Australia as developed in the contexts of schooling, community organizations, and higher education for people with disabilities and mental health concerns. Motivated to explore whether or not students provided access to modified arts curriculum are engaging in education or receiving therapy, the aim is to address a dichotomy that is seemingly present in educational institutions, but extends well beyond the school gate and informs organizational responses to arts in the lives of people with disabilities. Resourced with the theoretical contributions of dis/ability studies for its concern for the biopolitics of disability, the authors weave personal experiences through the discussion of participation in arts throughout their lives. The article concludes with a theoretical discussion of how arts provision in the Australian context might develop the social and political value of art in the lives of people with dis/abilities and for all, on the basis that its educative value is emphasized over its therapeutic one."
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"Bree Hadley, Gerard Goggin, Petra Kuppers, Colette Conroy, Meagan Shand, Donna McDonald, Martin Paten, Norm Horton, Sarah Moynigan, Veronica Pardo, Caroline Bowditch, Morwenna Collett, Kerry Comerford, David Doyle, Pat Swell, Clark Crystal, Peter Stuart (2019) The NDIS and disability arts in Australia: Opportunities and challenges. Australasian Drama Studies, 74, pp. 9-38." "In Australia, disabled people’s participation in the arts has historically been afforded by means of direct-to-organisation grants that arts, community services or disability services arms of government award to arts organisations, charities or disability service organisations, who then deliver programmes. The introduction of the National Disability Insurance Scheme (NDIS) is creating wide-reaching changes for disability arts practice in Australia. We undertake a first step in addressing the need for research into how the NDIS will alter the landscape of disability arts practice in Australia. We highlight a set of questions that all performing and creative arts industry stakeholders will need to respond to, in order to ensure that the excellent work done in disability arts in Australia to date can continue in the new climate that the NDIS brings."
- Rick Randall
- Richard Randall
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“The Asia-Pacific Wataboshi festival comes to Brisbane” Hosted by Arts Access Qld, in 2003, the Asia-Pacific Wataboshi festival was brought to Brisbane with the aim to raise the profile of disability arts. David Helfgott was the ambassador.
- Thomas Bradley
- Belinda Mason Lovering
- Belinda Mason
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"Arts Access Victoria - The Other Film Festival, captured 2022" Arts Access Victoria - The Other Film Festival - reads, in part "The Other Film Festival is a groundbreaking disability-led initiative that has put Deaf and Disabled people at the centre of the Australian screen industry for almost 20 years. Founded in 2004, it is Australia’s first international disability film festival and is a major artistic program of Arts Access Victoria." -
“Arts Access Victoria - Creative Arts Program Glenroy 1993 - Promotional Flyer" Arts Access Victoria - Creative Arts Program Glenroy 1993 - Promotional Flyer - Artists, Guest Artists, Participants, and Volunteers in Glenroy Creative Arts Program 1993 -
“Arts Access Victoria - Creative Arts Program Glenroy - Promotional Flyer" Arts Access Victoria - Creative Arts Program Glenroy - Promotional Flyer - information about Creative Arts Program coordinated by Barbara Doherty at Glenroy Uniting Church Hall - Australian Opera
- Tessa Crathern
- Trish Hensley
- Sandra Taylor-Bowman
- Sarah-Jane Rennie
- Simon Gould