Disability Arts History Australia

Items

• Alanna Dodd
• Alana Dood
• "Tutti Arts - Beastly Exhibition - Georgetown Festival Malaysia - Promotional Card"
  Tutti Arts 'Beastly' Exhibition 2016 Georgetown Festival Malaysia - Promotional Card
• "Carriageworks (2015) NSW Arts and Disability Partnership Launched at Carriageworks Including $100,000 Support for Two Major New Works. Carriageworks, 30 January 2015"
  Reads, in part "Sydney, Australia: The NSW Minister for Disability Services, Minister John Ajaka MLC, today launched an extension of the NSW Arts & Disability Partnership, announcing funding of $475,000 for 2015 to support four programs that promote social inclusion through the arts and disability sector. The Partnership includes $100,000 support for Carriageworks to commission two major new works developed by artists with disability in collaboration with NSW arts companies and artists."
• "High Beam Festival 1998 Poster"
  High Beam Festival Poster 1998 reads "High Beam Festival PRESENTED BY: SPARC DISABILITY FOUNDATION in association with ARTS IN ACTION INC"
• "Australia Council for the Arts (2018) Arts and Disability a Priority as Australia Council Commits Significant New Funding. 24 September 2018."
  Reads, in part "The Australia Council has committed $750k over three years to support sustainable careers and to recognise the artistic excellence of artists with disability."
• "Maree Roche, Ben Whitburn (2019) Mate, You’re Crippin’ Us Out: Biopolitics of the Arts Curriculum in Australia and the Swinging Identities of Dis/abilities. Journal of Literary & Cultural Disability Studies.13(3). https://doi.org/10.3828/jlcds.2019.25"
  Reads, in part "The article explores arts curriculum in Australia as developed in the contexts of schooling, community organizations, and higher education for people with disabilities and mental health concerns. Motivated to explore whether or not students provided access to modified arts curriculum are engaging in education or receiving therapy, the aim is to address a dichotomy that is seemingly present in educational institutions, but extends well beyond the school gate and informs organizational responses to arts in the lives of people with disabilities. Resourced with the theoretical contributions of dis/ability studies for its concern for the biopolitics of disability, the authors weave personal experiences through the discussion of participation in arts throughout their lives. The article concludes with a theoretical discussion of how arts provision in the Australian context might develop the social and political value of art in the lives of people with dis/abilities and for all, on the basis that its educative value is emphasized over its therapeutic one."
• Lisa Havilah
• Pat Swell
• "IndelabilityArts - AnnualReport 2021"
  Indelability Arts Annual Report 2021, with information about Indelability Arts Point Of Difference – stated as “indelabilityarts pushes boundaries and expectations with its artists and audiences to think outside the box of what is attainable” – Goals, Achievements in performances, community engagement and workshop series, Statistics, Partners
• "Accessible Arts and Noise - AART-BOXX 2009 - Program"
  Accessible Arts - AART-BOXX 2009 Program - reads, in part "AART.BOXX is a national exhibition that gives emerging artists with a disability the opportunity to show their work in a professional context. Facilitated by Accessible Arts and driven by a committee of emerging arts workers, AART.BOXX presents 23 artists and artist collectives as a representative survey of the diverse practices and important new perspectives being developed by artists with a disability across Australia."
• "Tutti Arts - The Unbounded Collection Exhibition - Program"
  Tutti Arts 'The Unbounded Collection' Exhibition 2020 Program" - Tutti Arts is one of Australia's leading disability arts companies where artists with a learning disability create visual art, music, theatre, dance, film, new media and installations for a growing local and international audience. In 2017, Tutti was awarded a prestigious Arts South Australia Ruby Award for Sustained Contribution to the Arts by an Organisation or Group. Tutti has been operating visual arts and film & new media programs in the Barossa since September 2017 with ongoing support from the Barossa Council.
• "Australia Council - Annual Report 1993-94"
  Australia Council Annual Report 1993-94 - discusses objectives, organisation chart, year in review, support for people with disabilities in Art and Working Life, artform development, main activities of Council and its Boards, and includes financial statements and lists of grants made including grants for programs, development of performance, visual art/crafts, media and multi arts, writers in community residence and local documentation projects as well as “Arts and Disability” research and collaboration in performance of “Love Dances (and other stories)”
• "Interview with Jianna Georgiou"
  Jianna Georgiou is a professional dancer, director and choreographer and has been with Restless Dance since 2006. Interview Summary Jianna Georgiou, who has Italian and Cypriot heritage, shared her journey as a dancer. She expressed her aspirations to collaborate with friends from other dance companies and emphasized her desire to continue her path with Restless Dance Theatre. Jianna’s determination remains strong, fuelled by her goal to perform and the emotional connection she feels through dance. She hopes to explore various dance styles, including hip-hop, which currently resonates with her, and she is motivated by the creative and energetic environment at Restless Dance Theatre.
• "High Beam Festival 1998 Poster"
  High Beam Festival Poster 1998 reads "High Beam Festival PRESENTED BY: SPARC DISABILITY FOUNDATION in association with ARTS IN ACTION INC"
• Thomas Bradley
• Belinda Mason Lovering
• Belinda Mason
• Bruce Gladwin
• "Bree Hadley, Gerard Goggin, Petra Kuppers, Colette Conroy, Meagan Shand, Donna McDonald, Martin Paten, Norm Horton, Sarah Moynigan, Veronica Pardo, Caroline Bowditch, Morwenna Collett, Kerry Comerford, David Doyle, Pat Swell, Clark Crystal, Peter Stuart (2019) The NDIS and disability arts in Australia: Opportunities and challenges. Australasian Drama Studies, 74, pp. 9-38."
  "In Australia, disabled people’s participation in the arts has historically been afforded by means of direct-to-organisation grants that arts, community services or disability services arms of government award to arts organisations, charities or disability service organisations, who then deliver programmes. The introduction of the National Disability Insurance Scheme (NDIS) is creating wide-reaching changes for disability arts practice in Australia. We undertake a first step in addressing the need for research into how the NDIS will alter the landscape of disability arts practice in Australia. We highlight a set of questions that all performing and creative arts industry stakeholders will need to respond to, in order to ensure that the excellent work done in disability arts in Australia to date can continue in the new climate that the NDIS brings."
• Australian Centre for the Moving Image (ACMI)
• Dorothy O'Brien
• Angela Jaeschke
• “The National Disability Insurance Scheme (NDIS) is launched”
  Following the spike in interest in the mid to late 2000s, significant steps were made towards the development of the National Disability Insurance Scheme (NDIS). It came about as the result of discussions about alternatives of disability support arrangements from 2007 to 2011. This included National Disability Strategy 2010–2020. A trial phrase of the NDIS was launched in 2013, and the scheme was rolled out across the country from July 2016. The 2022 change of government, which saw the Labor party voted in for the first time in nine years, reflected voter concern for climate change and social policies. The new prime minister Anthony Albanese ordered an independent review of the NDIS. The NDIS Review report was published in 2023 and had a number of recommendations, including affording funding based on functional impairment rather than diagnosis, increasing support for children, a requirement that all providers be registered, and state governments providing supports through other services for people who do not meet NDIS criteria.
• "Tutti Arts - Tutti Voice Newsletter December 2009"
  Tutti Arts - Tutti Voice Newsletter December 2009 - reads, in part "It is great to be back in South Australia with the Tutti team who made the trip to Minnesota. Northern Lights, Southern Cross was a marvellous experience complete with huge challenges and moments of exhilaration, and it was wonderful working both with Interact and at the ultra-modern and very accessible Guthrie Theater. We were delighted that our South Aussie patron's film The Boys are Back opened around the same time and that both Scott and Tutti won critical acclaim from the Minneapolis press. In fact, Northern Lights, Southern Cross broke all box office records for the Guthrie and attracted a broad mainstream, Native American, and African American audience. Dozens remained behind after every performance for post-show discussions looking at themes of trauma and healing central to the show and by closing night Northern Lights, Southern Cross had truly succeeded in raising awareness about barriers that exclude. We also knew that audiences everywhere are hungry for original work created through the melting pot of radical inclusion."