Disability Arts History Australia

Items

• "Fusion Theatre - Perfectly Imperfect"
  Promotion for Fusion dance theatre performance 'Perfectly Imperfect' on disability and parenthood, reads, in part "This highly emotive dance-drama takes a no-holds-barred look at the question of parenthood for women with disability."
• "South Australian Film Corporation (2018) Disability Screen Strategy"
  Reads, in part "Launched in 2018 under the SAFC’s Delivering Diversity umbrella, FULL TILT is the SAFC’s initiative for an inclusive approach to skills development for screen content makers with disability, and a starting point for driving change across the industry to achieve greater inclusion for practitioners with disability to develop their craft."
• "Katie Ellis (2019) Disability and Digital Television Cultures Representation, Access, and Reception. London & New York: Routledge."
  Reads, in part "Disability and Digital Television Cultures offers an important addition to scholarly studies at the intersection of disability and media, examining disability in the context of digital television access, representation and reception."
• "Hickey Moody, Anna. 2009. Unimaginable Bodies: Intellectual Disability, Performance and Becomings. Rotterdam: Sense."
  Reads, in part "Unimaginable Bodies radically resituates academic discussions of intellectual disability. Through building relationships between philosophy, cultural studies and communities of integrated dance theatre practice, Anna Hickey-Moody argues that dance theatre devised with and performed by young people with and without intellectual disability, can reframe the ways in which bodies with intellectual disability are known."
• "Gerard Goggin, Christopher Newell (2003). Digital disability: The social construction of disability in new media. Rowman and Littlefield."
  Media representation of and for the disabled has been recharged in recent years with the expansion of new media worldwide. Interactive digital communications--such as the Interact, new varieties of voice and text telephones, and digital broadcasting--have created a need for a more innovative understanding of new media and disability issues. This engaging analysis offers a global perspective on how people with disabilities are represented as users, consumers, viewers, or listeners of new media, by policymakers, corporations, programmers, and the disabled themselves.
• "NuunaRon Art Group - ‘Learning and Sharing’ Artwork Story by Jiha Cornwell"
  First Peoples Disability Network NuunaRon Art Group - ‘Learning and Sharing’ Artwork Story by Jiha Cornwell - reads, in part "The 'Culture is Inclusion' art exhibition showcases art work by the NuunaRon First Nations art group, with a lived experience of disability, telling their stories of resilience and strength through connecting to their culture"
• "NuunaRon Art Group - ‘Tracks in the Sand’ Artwork Story by Brendan Ball"
  First Peoples Disability Network NuunaRon Art Group - ‘Tracks in the Sand’ Artwork Story by Brendan Ball - reads, in part "The 'Culture is Inclusion' art exhibition showcases art work by the NuunaRon First Nations art group, with a lived experience of disability, telling their stories of resilience and strength through connecting to their culture"
• "NuunaRon Art Group - ‘Kinship Caring’ Artwork Story by Suzy Kitchener"
  First Peoples Disability Network NuunaRon Art Group - ‘Kinship Caring’ Artwork Story by Suzy Kitchener - reads, in part "The 'Culture is Inclusion' art exhibition showcases art work by the NuunaRon First Nations art group, with a lived experience of disability, telling their stories of resilience and strength through connecting to their culture"
• Heather Lawson
• Tuan van Tran
• Peter Flavelle
• Maureen Watson
• Michael Nolan
• Lindey Morrison
• Linsey Pollack
• Louisa Rank
• Josh Kyle
• Jess Keepence
• Glen Shepard
• David Shortland
• Ant McKenna
• "Rawcus - Productions and Awards"
  Rawcus promotional document, with information on award and commendations, including Melbourne Fringe Festival ‘Best Performance’ Award for ‘The Heart of Another is a Dark Forrest’ (2008), Green Room Nominations for ‘Hunger’ (2007), Most Outstanding Production for ‘Not Dead Yet’ (2005), and a Department of Human Services Art and Culture Inclusion Award
• "Restless Dance - Program 2022"
  Restless Dance Theatre Program 2022 – information about works Seeing Through Darkness, Ecoute Pour Voir (Listen To See), Exposed, and Home, and promotion of tour ready works Guttered and Intimate Space
• "Restless Dance - Exposed - Promotion Card - Madalene Macera, Charlie Wilkins and Bhodi Hudson"
  Restless Dance - Exposed - Promotion Card - image of Madalene Macera, Charlie Wilkins and Bhodi Hudson - reads, in part "Loud. Strong. Original."
• “Restless Dance – Exposed Promotion Card”
  Restless Dance 'Exposed' Promotion Card - reads, in part "Exposed. directed by Michelle Ryan is a new work exploring vulnerability, uncertainty and risk. Be taken on a journey where the breath is a metaphor for feeling threatened or safe, agitated or calm, and the sonic possibilities of breath are entwined into the mesmerising score."