Disability Arts History Australia

Items

• "Katie Ellis (2008) Disabling Diversity: The Social Construction of Disability in 1990s Australian National Cinema"
  Reads, in part "This book critically examines numerous 1990s Australian films with reference to socio-political influences to approach disability as a problem with society rather than as one within a damaged body."
• “Arts Access Victoria – The Present and the Future (2020 – present)”
  Arts Access Victoria – The Present and the Future (2020 – present)- increased technology and digital literacy training and online programs and projects including Alter State Festival and celebrated 50 years in 2024
• “Arts Access Victoria - Creative Arts Program North and West 1993 - Promotional Flyer"
  Arts Access Victoria - Creative Arts Program North and West 1993 - Promotional Flyer - Information about Creative Arts Program (North & West) providing arts opportunities, via workshops in visual and performing arts, including painting, printmaking, drawing, mask making, ceramics, music, movement, dance, and drama, for adults with Intellectual Disability
• "DADAA Accessibility Services Webpage, captured 2023"
  DADAA Accessibility Services Webpage, captured 2023 - reads, in part "Working towards larger social and political goals of cultural democracy, DADAA offers services that are designed to facilitate access to arts and cultural activity for artists and audiences with disability."
• "The Other Film Festival - Creating Change"
  The Other Film Festival Creating Change webpage, captured 2022 - reads, in part "The Other Film Festival is a groundbreaking disability-led program that has put Deaf and Disabled people at the centre of the Australian screen industry for almost 20 years. The days of Deaf and Disabled people being erased, misrepresented or under-employed by the mainstream have gone. We encourage the screen sector to embrace inclusive production structures and processes, including paid employment opportunities and career pathways for Deaf and Disabled screen practitioners and performers."
• Georgia Cranko
• Meeting Place Arts and Disability Forum
• ACT DisAbility Arts Festival
• “Tutti Arts 2018 Highlights”
  Tutti Arts 2018 Highlights – information about The Sisters of Invention , Sit Down Shutup and Watch Film Festival, Company AT, OzAsia Festival
• "Arts Project Australia - Annual Report 2003"
  Arts Project Australia - Annual Report 2003 - President’s Report, Director’s Report, Studio Manager’s Report, Exhibitions Report, Financials – reads, in part “Arts Project Australia was founded in 1974. It had the express purpose of exhibiting the art work of people with an intellectual disability in a manner that accords them the same dignity and respect as other artists.”
• “The Cunningham Dax Collection of artworks opens”
  In 1952, an English psychiatrist Dr Eric Cunningham Dax was appointed as the Chairman of the Mental Hygiene Authority in Melbourne. In the UK, Dr Dax had introduced art therapy in programs for patients in psychiatric care and introduced art programs to Victorian Hospitals. In 1959, Dr Dax organised the first art exhibition of psychiatric patients held at Gallery A, Flinders Lane. The Cunningham Dax Collection of artworks grew, and an official opening occurred in Faraday Street Gallery in the 1980s. “Two distinct eras are represented in the Cunningham Dax Collection; artworks produced within psychiatric hospitals from 1940s into 1970s and artworks donated to the Collection by artists and community groups from 1980s until the present.” Dr Dax had introduced art therapy in programs for patients in psychiatric care and introduced art programs to Victorian Hospitals. In 1981, the National Gallery of Australia received 68 paintings from the Dax Collection - these were returned in 1994.
• Jan Spencer
• Daniel Savage
• "Tutti Arts - Between the Worlds - Program 2007"
  Tutti Arts - 'Between the Worlds' 2007 Program - reads, in part “The first stage of Between the Worlds In May 2004 was called Circles and was about relationships with significant people In our lives. The second stage development this year Involved Interviewing all our actors to explore deeper relationship themes. One of these interviews was with our talented male lead, Alistair Brasted who said: "I've always felt between the worlds, not knowing where I really belong". This Insight resonated with all our artists and became the theme of the whole script because they had all experienced feelings of exclusion. The story of Romeo and Juliet and their love which transcends hate and divisiveness served as inspiration for Between the Worlds. In our story the Innocence of Isabella and Oliver's love In the face of adversity has allowed us to explore universal questions of discrimination and difference which lie at the heart of violence. Such stories have been with us since the beginning of time. Like the script, the songs and music for Between the Worlds are the expression of the Individual voices of our actors.”
• Rudely Interrupted
• "Accessible Arts - ACE Arts Creativity Expression - Jack Skidmore - Creative Writing: A Fishy Story - Iss17, Pg13"
  Accessible Arts - ACE Arts Creativity Expression - Jack Skidmore - Creative Writing: A Fishy Story - Iss17, Pg13
• "Accessible Arts - ACE Arts Creativity Expression -The Final Word: Two Poems By Gail Louise - 2000,Pg10"
  Accessible Arts - ACE Arts Creativity Expression -The Final Word: Two Poems By Gail Louise - 2000, Pg10
• "Arts Project Australia - Annual Report 2010"
  Arts Project Australia - Annual Report 2010 - Board and Staff, Supporters and Volunteers, About Arts Project Australia, President's Report, Executive Director's Report, Artists, Exhibitions Report, Financial Statements, Independent Audit Report, John Northe Obituary - reads, in part "To support people with disabilities to become practitioners in the visual arts and to promote their work as integral to the broad spectrum of contemporary arts practice."
• "Arts Project Australia - Annual Report 2014"
  Arts Project Australia - Annual Report 2014 - President's Report, Executive Director's Report, Board & Staff, Personal Perspectives, 40 Years of Highlights, Our Artists, Exhibition Report, Studio Philosophy, Financial Statements - reads, in part "OUR MANIFESTO We march to the beat of our own drum and map our own future. Fuelled by an unwavering belief in our artists, we're buoyed by the creativity and authenticity that exists in our space, and heartened by those who delight in sharing in it."
• "Betsy and I"
  Page reads, in part, "BETSY AND I: CONVERSATIONS WITH MY WALKER By Alexandra Ellen is indelabilityarts latest production. Led by ensemble member Alexandra Ellen, BETSY AND I is a live performance piece that follows the relationship between Ivy and her wheelie walker, Betsy."
• “Flow Festival, Australia’s Deaf Arts festival, is founded”
  Flow Festival, Australia’s Deaf Arts festival, was founded in 2018 by Ramas McRae, Irene Holub, and Medina Sumovic. The Deaf-led biennial festival provides a groundbreaking and dedicated platform for established and emerging Deaf/Hard of Hearing artists. Flow is held in Victoria but is described as “Australia’s national celebration of Deaf arts and culture”.
• National Gallery of Australia
• “Arts Access Victoria - Access Newsletter Winter 1997”
• "Tutti Arts - Tutti Voice Newsletter September 2009"
  Tutti Arts - Tutti Voice Newsletter September 2009 - reads, in part "Congratulations to Tutti's amazing team of staff, artists, and volunteers who have recently presented three outstanding artistic events: the lively and colourful launch of the Extensions exhibition at the Bay Discovery Centre for SALA, the Let it Shine concert on 19 July at Christ Church, North Adelaide, and an extraordinary work in progress performance of Doghouse aka The Psychology of Loneliness at Restless Big Space in June. Special thanks to Mel Fulton, Juha Vanhakartano, Philip Griffin, Daisy Brown, and Jonathan Bligh for their creativity and leadership of these profile-raising events."
• “Deaf Arts Network (DAN) established in 2000”
  The Deaf Arts Network (DAN) was established with the aid of Arts Access Victoria in Melbourne in 2000. DAN “is dedicated to increasing the participation of deaf and hard of hearing people in the arts as artists, arts workers and audiences. […] DAN provides an authentic and unique cultural voice for the deaf community, a community historically marginalised from participation in the arts.”