Disability Arts History Australia

Items

• "Weave Movement Theatre - State Of Flux"
  Image of work - Weave Movement Theatre - State Of Flux
• "Accessible Arts - ACE Arts Creativity Expression - Promotional Notice - Public Television Conference and Commonwealth State Disability Agreement - 1992 - Iss7, Pg5"
  Accessible Arts - ACE Arts Creativity Expression - Promotional Notice - Public Television Conference and Commonwealth State Disability Agreement - 1992 - Iss7, Pg5
• State of Flux
• Magpie State Theatre in Education (TIE) Company
• "Arts Project Australia - connected06 Exhibition 2006 - Promotional Card"
  Arts Project Australia - connected06 Exhibition 2006 - Promotional Card - reads, in part "connected is an exhibition of artworks celebrating the talents and achievements of artists with a disability. Saturday 13 May - Sunday 21 May 2006 > 24/7 hrs/days The exhibition is a project by State Trustees and Arts Project Australia. Both organisations are dedicated to providing opportunities for individuals with a disability - State Trustees via providing financial support and independence, and Arts Project Australia by supporting the development of individual artistic expression."
• "REWIND - Strategies for _Integration - A training seminar presented by Accessible Arts Inc - 1992"
  REWIND - Strategies for _Integration - A training seminar presented by Accessible Arts Inc - 1992 - reads, in part "Accessible Ans Inc. is an organisation which encourages and promotes the development of opponunities for people with disabilities to have access to and participation in all creative artforms. Accessible Arts began, in 1985, as an arts project for people with disabilities at Community Activities Network. In 1989 Accessible Arts became an independent, non-profit organisation incorporated as an Association. During 1990 Accessible Arts was financially supported by the State and Federal Governments to establish a statewide service for people with disabilities. The change from activities project to a statewide service has been significant. The organisation has compiled a state profile on what art facilities are available to people with disabilities in New South Wales; provides a consultancy service for artists, people with disabilities, disability services and arts organisations; assists the general community to initiate their own art programs and projects through the establishment of regional networks; provides training programs in the area of art and disability; produces publications; and, acts as an advocacy/educational body for the promotion of access and equity in the arts. The Rewind Seminar was initiated after expressions of interest and concern were directed to Accessible Arts about the need for strategies to effectively involve people with disabilities in arts practice."
• “Tutti Arts - The Shouting Fence – Promotional Flyer"
  Tutti Arts and State Opera of South Australia ‘The Shouting Fence’ 2009 Promotional Flyer - reads, in part "The production has been devised so that the audience becomes the barrier between the two communities, thus allowing them to witness the emotional turmoil experienced when close-knit communities are forcefully separated, as well as reinforcing the divisive and destructive nature of the 'fence' itself. The Shouting Fence importantly highlights the human needs of communication, mutual love, and the frustrations of not being able to physically connect."
• “Tutti Arts - The Shouting Fence – Promotional Card”
  Tutti Arts and State Opera of South Australia ‘The Shouting Fence’ 2009 Promotional Card - reads, in part "'The Shouting Fence' is about real events in the village of Majdal Shams on the Israel-Syrian border, which was divided by a stretch of no-man's-land during the war, and where the separated occupants shouted news to each other across the divide. Every Friday evening they were allowed to gather on either side of the fence to converse. To hear each other they communicated across fifty metres of no-man's land."
• "Tutti Arts - The Shouting Fence - Program"
  Tutti Arts and State Opera of South Australia ‘The Shouting Fence’ 2009 Program - reads, in part "“The Australian Premiere of The Shouting Fence is the first of our Operatu coproductions and three Tutti soloists are making their debut alongside professional singers.”
• "Queensland Government (2024) Arts and Disability Plan. 25 September 2024. https://www.arts.qld.gov.au/projects-and-initiatives/arts-and-disability-plan-web"
  Reads, in part "The Queensland Government acknowledges the rights of people with disability to participate equally in the state’s cultural life and to have the opportunity to develop and use their creative, artistic and intellectual potential, as recognised in the United Nations Convention on the Rights of Persons with Disability."
• "Bree Hadley (2021) Ex/centric Fixations Project (theatrical play). In Sefel, John Michael, Slamcik Lassetter, Amanda, & Summerville, Jill (Eds.) At the Intersection of Disability and Drama: A Critical Anthology of New Plays. McFarland Publishers, Jefferson, USA, pp. 317-344.”
  "The Ex/Centric Fixations Project is a postdramatic performance work which renders the feeling of otherness visceral for spectators, without anchoring it any specific singlular experience of otherness, with the text unfolding with the musical flow and rhythm of a fugue state."
• "Bree Hadley (2022) A ‘Universal Design’ for audiences with disabilities? In Reason, Matthew, Connor, Lynne, Johanson, Katia, & Walmsley, Ben (Eds.) Routledge Companion to Audiences and the Performing Arts. Routledge, Abingdon, Oxon, pp. 177-189.”
  “Understanding of how to create inclusive performance experiences for spectators with disabilities remains nascent in research, policy, and practice. In this chapter, I survey the state of knowledge in this field – or, as it turns out, fields, given that specialist knowledge of sign language interpretation for d/Deaf spectators, audio description for blind spectators, and relaxed performance for neurodiverse spectators, has developed separately, without intersection. I then investigate recent efforts to create inclusive aesthetics that incorporate accessibility features into performance work, as an integral part of the aesthetic, rather than as interpretations, captions, or descriptions alongside the work. I examine why this ‘Universal Design’ approach has been embraced with enthusiasm, both by disabled producers and spectators, and by non-disabled producers and spectators.”
• "The Other Film Festival - Website, captured 2018"
  The Other Film Festival website, captured 2018 - with links to About and Archive pages, and 2016 Festival report
• "Restless Dance - Residencies"
  Restless Dance Theatre website, 'Residencies,' captured 2020 - reads, in part "In 2016 Frantic Assembly visited Australia to work with the State Theatre Company of South Australia. While they were here they conducted a residency with Restless. Over 3-days they created and performed an original devised Frantic Assembly performance."
• "Tutti Arts - Website - History, captured 2008"
  Tutti Arts Website History captured 2008 - reads, in part "“Founded by South Australian playwright/composer Pat Rix, Tutti began as a small singing group for people with an intellectual disability at Minda Inc in August 1997."
• “Protesters gather in Lismore (NSW) to oppose proposed cuts to services”
  In 2004, 300 disabled persons, along with their relatives and carers, gathered in Lismore to protest proposed cuts to adult, training, learning, and support programs, among other services. These were a part of a series of demonstrations against the state government that included hundreds of demonstrators in Newcastle and resulted in the state government reversing its position on modifications to the Post-Schools Options Disability Program.
• "Commonwealth of Australia (2014) National Arts Disability Strategy Evaluation 2009–2012. Canberra: Meeting of Cultural Ministers: National Arts and Disability Implementation Working Group."
  Reads, in part "The first evaluation was completed in October 2013 and explores the Strategy's outcomes from October 2009 to December 2012. The Evaluation Report includes input from the Australian, state and territory governments, following targeted consultation with arts and disability stakeholders. The Evaluation Report was endorsed by cultural ministers in October 2014."
• "Commonwealth of Australia (2019) Key Results of the 2018 Public Consultation: National Arts and Disability Strategy. Canberra: An initiative of the Meeting of Cultural Ministers"
  Reads, in part "Between 24 September and 3 December 2018, people shared their stories and ideas about arts and disability in Australia. The Meeting of Cultural Ministers asked to hear these ideas and stories. The Meeting of Cultural Ministers is made up of the Cultural Ministers from the Australian Government and state and territory governments. The statistics in the report all come from the online survey. These ideas and stories will help Ministers to make a new National Arts and Disability Strategy.
• "Anthony White (2021). Anthony Mannix's mixed realities. Art Monthly Australasia, (327), pp. 80-87."
  The Australian artist Anthony Mannix has produced a large body of work, mostly in the form of artist books. His art has featured in dozens of exhibitions; has been the subject of catalogues, journal articles and a PhD thesis; and has entered national and international collections. One of his most recent works, the dazzling, vibrantly decorated 2020 cover of I Am Cut Viciously, features a harrowing self-portrait of the artist. The work depicts Mannix with injuries he sustained while in 'a psychotic state' during a period in 1986 when he was homeless and living in the Royal National Park, New South Wales. As an artist with experience of complex mental health issues, or what he prefers to describe as 'mixed realities', Mannix has often been categorised as an 'outsider' artist.
• "Juliet London and Des Walsh (1995) Arts & Disability: Report Australia Council: Surry Hills."
  Juliet London and Des Walsh - Arts & Disability, Australia Council 1995 - Reads, in part "The Australian Bureau of Statistics estimates that 18 per cent of the Australian population has a disability. There is a basic lack of data on participation in the arts by artists with a disability. No figures were available on the number of people with disabilities applying for grants from the Australia Council or from State or Territory arts agencies. The current dearth of statistical information needs to be overcome by systematic and sustained research."
• "Juliet London and Des Walsh (1995) Arts & Disability: Report Australia Council: Surry Hills."
  Juliet London and Des Walsh - Arts & Disability, Australia Council 1995 - Reads, in part "The Australian Bureau of Statistics estimates that 18 per cent of the Australian population has a disability. There is a basic lack of data on participation in the arts by artists with a disability. No figures were available on the number of people with disabilities applying for grants from the Australia Council or from State or Territory arts agencies. The current dearth of statistical information needs to be overcome by systematic and sustained research."
• "DADAA Annual Report 2017-2018"
  DADAA Annual Report 2017-2018 - Chairperson and Executive Director’s Reports, New premises, NDIS, Workshops, Exhibitions, Galleries, Online Gallery, Art Link Programs, Arts Access Australia International Forum, Nexus Arts Grants, Professional Mentorships, Financials
• “Arts Access Victoria - Access Newsletter Spring 1999”
• “Arts Access Victoria - Access Newsletter Spring 2000”
• "The Other Film Festival Program 2016"
  The Other Film Festival Program 2016 – Australian works screened include The Globe Collector (2012) 7min Summer DeRoche; Super (2014) 7min Samara Hersch; Gimpsey (2015) 12min Sofya Gollan; All of the Above (2016) Distinctive Options 3min; Auslan Music video (2016) Arts Access Victoria 3min; Chop Secret (2016) Distinctive Options 2min; Mum's Place (2015) Brigid Canny 6min; Mrs Bean and the Security Guard (2016) Distinctive Options 3min; The Stars (2015) Heidi Everett 5min; Archie (2016)Heidi Everett 5min; The Darkness (2016) Paul Khoury 6min; Ballarat - My Town (2016) Barry Devine 5min; Listening Eyes at Manus and Nauru (2016) Selwyn Hoffman 4min