Disability Arts History Australia

Items

• "Organisation Profile - Salubrious Productions, ACE Magazine Issue 27 April 2003"
  Organisation Profile, descibing the work of Salubrious Productions, in ACE Magazine, Issue 27 2003, published by Accessible Arts (New South Wales)
• “Restless Dance – Guttered Promotional Poster”
  Restless Dance Theatre 'Guttered' Promotional Poster
• "Crossroad Arts Annual Report 2009"
  Crossroad Arts Annual Report 2009 - Artistic Director/CEO Report, major outcomes of the year including new works, education, operating model, and outcome indicators
• "Australian Theatre of The Deaf - Sing & Sign Workshop/Performance Information Form 1"
  Australian Theatre of the Deaf Sing 'N' Sign workshop performance information/registration form 1994 - "SING 'N' SIGN is a combination workshop/perfonnance in which the children work with the actors to learn the skills of Sign-Singing"
• "Australian Theatre of The Deaf - Sing & Sign Workshop/Performance Information Form"
  Australian Theatre of the Deaf Sing 'N' Sign workshop performance information/registration form 1994 - "SING 'N' SIGN is a combination workshop/perfonnance in which the children, divided into groups, work with the actors to learn the skills of Sign-Singing"
• "Australian Theatre of The Deaf - Sing & Sign Workshop/Performance Information Form 2"
  Australian Theatre of the Deaf Sing 'N' Sign workshop performance information/registration form 1994 - "SING 'N' SIGN is a combination workshop/performance in which the children with with the actors to learn the skills of Sign-Singing!"
• "High Beam Festival 1998 Poster"
  High Beam Festival Poster 1998 reads "High Beam Festival PRESENTED BY: SPARC DISABILITY FOUNDATION in association with ARTS IN ACTION INC"
• "High Beam Festival 1998 Poster"
  High Beam Festival Poster 1998 reads "High Beam Festival PRESENTED BY: SPARC DISABILITY FOUNDATION in association with ARTS IN ACTION INC"
• "High Beam Festival 1998 Flyer"
  High Beam Festival Flyer 1998 reads "This is the first High Beam disability inclusive festival in Australia. It is happening in South Australia and its your opportunity to be involved so don't miss out. … HIGH BEAM FESTIVAL INCLUDES: • A spectacular opening night of celebration. • A lively Cabaret/Porty featuring some of Australia's top entertainers. • Two days of stimulating seminars with topics covering arts, disability and healthy communities. • A week-long program of disability inclusive events at The Governor Hindmarsh Hotel. • A promotional campaign that will attract people from around Australia. • Multi-media promotional opportunities including free entry in the official festival program."
• High Beam Festival
• "Interview with Simone Flavelle"
  Simone Flavelle is a producer and consultant to artists with disability and the arts and film sectors. Interview Summary During an in-depth discussion about disability arts, Simone Flavelle outlined their career trajectory, emphasizing early work at Rocky Bay, involvement with Disability in the Arts Disadvantage in the Arts Australia (DADAA), and noted milestones in the field, including the impact of the NDIS on choice and control for artists. She discussed the evolution of public perception towards disability arts and the ongoing challenges with inclusivity and accessibility in various spaces. Simone also touched on the politicization of art by disabled artists, the complexity of identity among these artists, and the spectrum of how disability pride is embraced.
• "Interview with Mike Moshos"
  Mike Moshos is a creative director, writer, actor and disability advocate. Interview Summary Mike Moshos is an arts worker and creator living with achondroplasia who provides support to young adult artists with disabilities and engages in community theatre and interactive performances for children with special needs. His personal experiences and growing political awareness have led him to advocate for the rights of disabled individuals and strive for equity in the arts. Mike has a deep passion for storytelling and is currently writing a science fiction novel while enjoying his role as Bing in an interactive children's show. He believes that all art is inherently political and that every piece of work, whether overtly or subtly, expresses a stance on societal issues.
• "Interview with David Doyle"
  David Doyle is the Executive Director of DADAA and has spent over 30 years leading large-scale Community Arts and Cultural Development (CACD) and arts projects globally and in Western Australia, significantly contributing to the arts and disability sectors through his work with DADAA and his dedication to community wellbeing and access to arts and culture. Interview Summary David Doyle, who originally trained in printmaking and ceramics with a background in community arts, has worked extensively in community arts and cultural development with a focus on addressing social issues through the arts. His experience with a disability from a young age and a deep understanding of power dynamics and privilege have influenced his motivation and commitment to disability arts in Australia. David highlights the significance of the Disability Discrimination Act and NDIS in empowering artists with disabilities and notes the uneven distribution of resources for disability arts across Australia. As the leader of an arts organization, he values the transition of power to individual artists with disabilities, stressing the importance of equipping them with the skills and contacts needed to lead and redefine the sector.
• Janice Florence
• "Interview with Patricia Wozniak"
  Patricia Wozniak is a neurodivergent visual arts coordinator at Tutti Arts and is a disability arts advocate and ally. Interview Summary Patricia Wozniak, a visual arts coordinator at Tutti Arts with 14-15 years of experience, initially volunteered while studying for her master's and found joy and liberation in making art with the organisation. Tutti Arts has grown from offering two days to five days of visual arts each week and supports artists to enjoy creating, access quality materials, and earn income. While faced with challenges like NDIS funding intricacies and the need for easy-to-understand contracts, Patricia emphasizes the importance of artist-driven practice and equal opportunities. She observes a shift toward digital art and commercial endeavours among artists and asserts the vitality of educating artists about their rights and the political aspect of disability art in cultivating change and expression of identity.
• "Australia Council - Annual Report 2016-17"
  Australia Council Annual Report 2016-2017 – discusses purpose, reports from chair and CEO, year in review, report from the CEO, Strategic priorities, funding overview, statement of outcome, about the Australia Council including The Governing Council and the Board, Structure of the Australia Council with new grants model; performance outcomes, manageability and accountability, financial statements and discussion of the final year of delivering $1.3 million over four years to support artists with disability with their careers and funding more organisations to support producing and touring disability-led and mixed-ability arts practice as well as mentoring arts leaders with disabilities and publication of the Council’s 2014–16 Disability Action Plan review.
• Arts Project Australia
• Australia Council
• Australia Council for the Arts
• Creative Australia
• The Other Film Festival
• Restless Dance
• Restless Dance Company
• Restless Dance Theatre
• Victoria Peel