Disability Arts History Australia

Items

• "Tutti Arts - Sit Down Shut Up & Watch - Awards - Press Release 2014"
  Tutti Arts - 'Sit Down Shut Up & Watch' Awards 2014 Press Release - reads, in part, "Best Animation Award Cafe Chat - North Melbourne Institute of Technology (NMIT), Victoria; SA Film Corporation Most Original Film Award Our Story - William Gregory, South Australia; The Hive Award Wild@Heart Community Arts, Victoria; Funniest Film Award Next Factor - Caleb Rixon, Victoria; Best Special Effects Award- Eye TV - James Kurtze, South Australia; Arts Access Australia Best New Media/ Video Art Award- Dexter Aliens - James Kurtze, South Australia; People's Choice Award- Our Story- William Gregory, South Australia.”
• “Arts Access Victoria – Art For Everybody – Promotional Program”
• "Undercover Artist Festival Program Released 2021"
  Undercover Artist Festival 2021, curated by Festival Director Madeleine Little, including Lauren Watson’s Nerve, Andi Snelling’s Happy-Go-Wrong, Naavikaran’s Brown Church, Oliver Hetherington-Page’s The No Bang Theory in the ‘Creative’ program track, and work by Timothy Orton, Mitchell Runcie and Allycia Staples from The Sunshine Troupe in the ‘Community’ track.
• "High Beam Festival Program 2006"
  High Beam Festival Program 2006 reads "High Beam is a 10 day integrated arts festival showcasing work inspired by or influenced by experiences of disability. Presenting both professional and recreational artists, audiences will see many of the world's most exciting and innovative achievements in arts and disability."
• "High Beam Festival Program 2000"
  High Beam Program 2000 reads "High Beam 2000 will he launched with an opening parade and concert that promises to he LOUD. IARGE and LAVISH! Weaving a rhythmical and colourful journey along King William Street through to Elder Park where the entertainment will begin. AS 22% of South Australia’s population have a disability, High Beam 2000 Festival presents an inspiring and unique opportunity for all South Australians to discover the wealth of talent within our midst and from abroad."
• "High Beam Festival Program 2004"
  High Beam Festival Program 2004 reads "Welcome to evolve High Beam 2004 – A stimulating and inspiring seven-day cultural experience for people with a disability, families, friends and support workers, artists with a disability, professionals working in the disability sector, art workers and others."
• Adelaide Film Festival
• Adelaide International Film Festival
• "Back to Back Theatre - Website - BriefHistory, captured 2008"
  Back to Back Theatre 'Brief History' page, with PDF document of history captured 2008 - reads, in part "Back to Back Theatre evolved out a community arts project that began in Geelong in 1987. The project included disability service providers Corilong and Karingal, the Geelong Children's and Youth Support Services (CYSS) and Deakin University's Performing Arts Course (attached to the Mill Theatre) Individual artists and other members of the Geelong community were also involved." Includes list of Professional Productions (including ‘Big Bag’ 1987-88; ‘Stinking Houses’ 1989; ‘The Peg Machine’ 1990; ‘Everything and the Mermaid’ 1990, ‘I Don’t Want to Live in Lara Anymore 1991; ‘Yell Blue Murder’ 1991; ‘Woodenhead’ 1992; ‘The Adventures of Bobbi Dazzler’ 1992; ‘Voices of Desire’ 1993; ‘Freak Show with Circus Oz 1994; Back to Back in Shorts 1995; Road Movie with Melbourne Workers Theatre 1996; Minds Eye with Handspan Visual Theatre 1996; Peter Pan with Arena Theatre Company 1997; Mr September 1997; Boomtown with Snuff Puppets 1998; Mental 1999; Dog Farm 2000; Pornstar 2001; Soft 2002; Cow 2003; Small Metal Objects 2005), and Community Productions (including Ritual with Matthew Flinders Girls Secondary College 1998; Push Push 1999; Drag Racers in Love with Nelson Park School 1999; Arnold 2000 Fishman with Theatre of Speed 2001; Inside the Angel House with Theatre of Speed 2003; Minotaur with Theatre of Speed 2005; DMI with Theatre of Speed 2007; Pod Residences with Night School, Awakenings Festival, Brr Theatre Group, Ants Pantz Arts, Break of Day Players, Theatre of Speed, Arts Action and Amalgamation Festival 2003-2006), and films (including Mullet (1995), White Maggots (1996), Spill (1997), Mark Deans Human Cannonball (1998), Underpants (1999), Backscratch (2000), Porn Star (2002), Rhian Hinkley Theatre of Speed vs. BOZ'n'HOK, vs. HUGE COVILL (2004), D9 (2005), Out of our Minds (2001)).
• "Jodee Mundy Collaborations - Imagined Touch - Documentary"
  Reads, in part "When two deafblind women Heather Lawson and Michelle Stevens approached director Jodee Mundy to make a show, they pulled off the impossible. They turned their small community performance into IMAGINED TOUCH, a theatre production that became a sell-out success at the Sydney Festival, going on to win at the Victorian Green Room Awards. This documentary has followed Imagined Touch with cameras from the very beginning."
• "Interview with Jess Cochran"
  Jess Cochran (they/them) is an actor, model, writer and disability advocate. Interview Summary: Jess Cochran is a queer, non-binary, neurodivergent, performing artist, advocate, writer, and consumer consultant with a background in both physical and psychosocial disabilities. Their journey into the performing arts began accidentally with a role in the Awards winning Melbourne Fringe Festival production, Qualia, which opened doors to more local and international Awards-winning work in film and stage. Jess identifies proudly with their disabilities and considers their art both a personal expression and a political act aimed at highlighting the issues faced by the disability community. Jess’s work spans across writing, modelling, and various performance arts, and they wish to see an increase of disability arts representation in mainstream media with authentic casting, opportunities and improved accessibility for disabled performers. Jess is also passionate about highlighting intersectionality in disability arts.
• “Deaf film ‘A Silent Agreement’ is released in 2017”
  The Deaf film ‘A Silent Agreement’ was released in 2017 (written and directed by Davo Hardy). This romantic drama features a profoundly Deaf human rights activist and his filmmaker boyfriend with a speech impediment. It is said to be the first Australian film to feature Auslan as the main dialogue. Some scenes are entirely in Auslan. Screen Australia calls it the “first Australian film to feature Auslan.”
• “Tutti Arts - The Shouting Fence – Promotional Card”
  Tutti Arts and State Opera of South Australia ‘The Shouting Fence’ 2009 Promotional Card - reads, in part "'The Shouting Fence' is about real events in the village of Majdal Shams on the Israel-Syrian border, which was divided by a stretch of no-man's-land during the war, and where the separated occupants shouted news to each other across the divide. Every Friday evening they were allowed to gather on either side of the fence to converse. To hear each other they communicated across fifty metres of no-man's land."
• "High Beam Festival Program 2008"
  High Beam Program 2008 reads "Australia's international celebration of Arts and Disability - COMEDY | THEATRE| MUSIC | VISUAL ARTS | COMMUNITY EVENTS"
• "High Beam Festival 1998 Poster"
  High Beam Festival Poster 1998 reads "High Beam Festival PRESENTED BY: SPARC DISABILITY FOUNDATION in association with ARTS IN ACTION INC"
• "Interview with Pat Rix"
  Pat Rix is a Disability Ally and Social Change advocate, and the recently retired Founder and CEO of TUTTI ARTS Incorporated. Interview Summary Pat Rix is an Artistic Director who has made extraordinary and sustained contributions to Australia’s cultural life through her artistic practice and leadership. A significant arts contributor since 1985, Pat made her early mark through plays and music-theatre productions which drew attention to social injustice and championed social inclusion. Her journey in disability arts began in 1997 with the formation of an inclusive choir at Minda Inc. which in 2001 incorporated to become the independent multi arts organisation known as ‘Tutti’ - embodying the inclusive Italian term meaning ‘everyone’. At a time when there were no vocational pathways for learning disabled and neuro divergent people, Tutti became a national trailblazer in creating a work environment where learning disabled and neuro diverse artists could create visual art, theatre, music, film and experimental art in a way that authentically nurtured their professional growth and recognition. Pat stresses the importance of disabled artists having control over their work. She believes that art is inherently political, and that it is finding your voice, being heard and being taken seriously that contributes to any artist's success. Pat looks forward to the future evolution of disability arts and the role of technology in enabling disabled artists to develop local and global partnerships which continue to provide exciting opportunities for artistic development.
• David Helfgott
• "Bree Hadley (2017) Disability theatre in Australia: a survey and a sector ecology. Research in Drama Education, 22(3), pp. 305-324.”
• Josh Pether
• Joshua Pether
• “Disabled actor and writer Heather Rose stars in ‘Dance Me to My Song’ (1998)”
  The 1998 film ‘Dance Me to My Song’ stars Heather Rose, who also co-wrote the film. It is about a woman with cerebral palsy, whose carer resents the job. The dramatic tension rises when the two women both take an interest in the same man. The Rolf de Heer-directed film is significant for casting a disabled actor at a time when authentic disability representation was rare, not to mention Rose’s contribution to the screenplay. ‘Dance Me to My Song’ was selected to feature in the Cannes International Film Festival in May 1998. The documentary ‘Heather Rose Goes to Cannes’ (1998, Christopher Corin) follows Rose’s journey from Adelaide to Cannes.
• "Jodee Mundy Collaborations - Imagined Touch - Live Show"
  Reads, in part "Imagined Touch is a multi-sensory arts performance project exploring the fascinating world of Deafblind culture with its own tactile sign language, unique relationship to the senses, space and navigation of the world."
• "Undercover Artist Festival Program 2017"
  Undercover Artist Festival 2017, curated by Festival Director Harmonie Downes, including “Here we all are, assembled” by Kathryn Ash, “The Grumpy Cripple” by Thane Pullan, “Environment Moves Me” by Eleonora Ginardi, “Rock ‘n’ Country Blues Show” with Steve Sparrow, “Inside”, by Wielding Theatre, “Explorations” by Vulcana Women’s Circus, “Stories So True” by Ged Maybury, “Whiplash” by Scott Wings, “Hotel Pantelone” by Blue Roo Theatre Company, “Alone with the Keyboard Kat” with Jeff Usher, “Love Me” by Indelability Arts, “Just Dance” by InsideOutside Dance Ensemble, “Ambition Road” with David Truong, “Morgan Stern” by Company of Rogues, “Sing It Out” with Leah Cotterell, “Tribal Disco Ball” by Velvet Pesu and Tichawona Noble Mashawa, “Songs from the Vault” by Donna Dyson and Friends””, “Unmasterclass” by Back to Back Theatre, “What Does Your Artist Statement Say About You?” workshop with Dr Kari Sullivan, “Disability Voices and Mainstream Stages” panel facilitated by Morwenna Collett.
• Undercover Artist Festival
• "High Beam Festival Program 1998"