Disability Arts History Australia

Items

• Arts Access Australia
• "Interview with Gayle Kennedy"
• “Tutti Arts – 10th Anniversary Report”
  Tutti Arts 10th Anniversary Report 2007 - Messages from Patron, President, and Artistic Director, information about shows ‘My Life, My Love,’ ‘The Singing of Angels,’ ‘Circles,’ ‘The Laughter Project,’ ‘Northern Lights, Southern Cross’
• "Tutti Ensemble - Holdfast Choir History, Goals, Friends & Supporters 2002"
  Tutti Ensemble Holdfast Choir History, Goals, Friends & Supporters 2002 - reads, in part " The development of the Tutti Ensemble's Holdfast Community Choir seems like magic. It has grown in less than four years from a small group of 11 intellectually disabled people and two support workers at Minda enjoying choral singing as a recreational option, to a diverse group of 60 - 70 singers and musicians. The philosophy of the choir is that there are no barriers to participation, therefore people with physical and intellectual disabilities and members of the community from widely differing age groups and musical experience are accepted and encouraged. Our repertoire has evolved to include gospel, popular and traditional songs as well as old favourites. We also sing songs from other cultures and original songs by contemporary writers"
• “The Art of Difference Disability and Deaf Arts Festival takes place in 2009”
  The Art of Difference Disability and Deaf Arts Festival in 2009 featured visual, performing, literary and new media artists as a two-week international arts festival.
• "Australia Council: Australian Arts Snapshots - Disability & the Arts (2002)"
  Reads, in part "Australians who have a disability are recognised as being creators of innovative, thought provoking, high quality, and often very irreverent artistic product. They are active across all artforms in mainstream and community arts contexts"
• Harmonie Downes
• Morwenna Collett
• Morwena Collett
• Tony Doyle
• "Access Arts Projects 2011-2013"
  Access Arts Projects, captured 2013, including Wataboshi Music Festival, Access Arts Professional Development Seminar, Brisbane Outsider Artists (BOA) Exhibitions, Polyphonic – Many Voices Many Styles, Community Showcase 2011, The Truth - Pete Vance Quintet, Access Arts Soundscape Project, Indigenous Projects, Creative Recovery- FNQ Friends of Access Arts Annual Event.
• "High Beam Local 2006"
  High Beam Local Festival Flyer 2006 reads "Adelaide the home to Some of Australia's most innovative festivals is aiving birth to a new invigorated High Beam Festival. In 1998, the vision and passion of many dedicated South Australians brought about the biennial High Beam Festival with unforgettable performances by artists with disabilities from Australia and around the globe. Arts Access SA's High Beam, like Australia's largest festival, the Adelaide Fringe has undergone a few changes and with it for 2006/07, comes two festivals, High Beam Local and High Beam Global. International Day for People with Disabilities on 3 December is when High Beam Local comes to life. While Beam Global will be part of Adelaide Fringe 2007. What ever takes your fancy Hiah Beam will undoubtedly provide you with a show or three that will amaze, excite and light your fire of healthy, artistic curiosity"
• "Wann Hues and Cool Blues Sunday"
  Invitation reads "Wann Hues and Cool Blues Sunday - Enjoy fantastic gourmet food and fine wine by an open fire in the blissful surroundings of the Governor Hindmarsh Hotel, all the while soaking up the smooth blues of Chris Finnen."
• "Accessible Arts - Arts Extraordinare Festival 1993 - Promotional Flyer"
  Accessible Arts - Arts Extraordinare Festival 1993 - Promotional Flyer - reads, in part "Arts Extraordinaire -Celebrating Where The Arts Can Take You is Australia's first festival to celebrate the diverse talents and artistic skills of people with disabilities. "
• “Australia Council grants funding for projects about disability or for disabled participants throughout the 1970s”
  The 1974/75 Australia Council annual report states $1,350 in funding granted to Spectrum Films (NSW) to "develop a screenplay for a feature film of the social pressures on a deaf mute”, as well as a $4,500 travel/study grant to Lloyd Nickson (QLD) "to attend summer schools in children's theatre and theatre for deaf children (USA and UK) for six months". In the same year, the Council reported Bryan Gracey as one of numerous individuals in receipt of Experimental Film funding for his short film ‘The World of a Blind Child’ (1975) about the emotional and physical difficulties 10-year-old Peter faces and how he navigates his disability. In the 1974/75 financial year, Australia Council’s crafts board awarded $1,288 to the Wheelchair and Disabled Association (NSW) for "Jewellery making tools and equipment". The 1979/1980 Australia Council annual report describes the following funding: "As in previous years, a grant was given to the Braille and Talking Book Library for its Braille Book of the Year.”
• "Kath Duncan, Gerard Goggin, Christopher Newell (2005) ‘Don’t Talk about Me... Like I’m Not Here': Disability in Australian National Cinema. Metro Magazine: Media & Education Magazine.146/147, pp. 152-159. https://search.informit.org/doi/10.3316/informit.043842788583710"
  Reads, in part "Disability is a central cultural identity and category in Australia, but this is not often realized. We seek to make a contribution to conversations and critical analyses of disability in Australian culture through an exploration of a privileged national cultural form, namely film. The trope of disability looms large in late twentieth century Australian cinema, and yet cultural comment on these ‘disabled’ scripts and performances has not yet considered a disabilities studies perspective. Accordingly, in this article we combine our different perspectives on disability and film into an account of how specific films use disability. In particular, we analyse key films from the 1990s as examples of powerful displays of bodies and personhood." References a range of films, including Proof (Jocelyn Moorhouse, 1991), Romper Stomper (Geoffrey Wright, 1992), Bad Boy Bubby (Rolf de Heer, 1993), Muriel's Wedding (PJ Hogan, 1994), Shine (Scott Hicks, 1996), Moulin Rouge! (Baz Luhrmann, 2001), My One Legged Dream Lover (writer Kath Duncan with dir. Penny Fowler-Smith, Christine Oslen 1998), Pins and Needles (writer Genni Batterham with dir. Barbara Chobocky, 1979), Riding the Gale (Genni Batterham with dir, Hugh Piper, 1987), Dance Me to My Song (writer Heather Rose with dir. Rolf De Heer, 1998), Heather Rose Goes to Cannes (Chris Corin, 1999), Myself When Fourteen, (Ivor, Arthur and Corinne Cantrill 1989),Film of Circles, Squares, Triangles, Lines and Dots (Arthur and Corinne Cantrill 1981), Rainbow Diary (Arthur and Corinne Cantrill 1984), House Gang (Mandy smith, 1997), Quentin Crashes Big Brother (Quentin Kenihan, 2002), Quentin, World at My Wheels (Quentin Kenihan, 2000), Ability Trek (Jacob Baldwin 1998)
• "South Australian Film Corporation (2018) Disability Screen Strategy"
  Reads, in part "Launched in 2018 under the SAFC’s Delivering Diversity umbrella, FULL TILT is the SAFC’s initiative for an inclusive approach to skills development for screen content makers with disability, and a starting point for driving change across the industry to achieve greater inclusion for practitioners with disability to develop their craft."
• "Tutti Arts - Annual Report 2011"
  Tutti Arts Annual Report 2011 - includes Values, Artistic Director’s and President’s Report, Partnerships, Collaborations, and Programs, including Dance, Choral, Film and Outreach Programs, productions of ‘One’ and ‘Magic Flute,’ Financials, Artists and Staff
• "Tutti Arts - Annual Report 2017"
  Tutti Arts Annual Report 2017 – President’s, Artistic Directors, Disability & Quality Manager's, Arts Manager Reports, information on Visual Arts, Performing Arts, Film and New Media and Choral and Kids & Youth Programs, Projects, and Exhibitions, including information on Impersonal Space, Frozen Girl, Sit Down Shutup and Watch Film Festival, The Sisters of Invention, Company AT, Financials, Staff and Board Members, Supporters
• "Tutti Arts - Annual Report 2018"
  Tutti Arts Annual Report 2018 – President’s, Artistic Directors, Disability & Quality Manager’s, Arts Manager Reports, information on Visual Arts, Performing Arts, Film and New Media and Choral and Kids & Youth Programs, Projects, and Exhibitions, including information on Say No More, Standing Up Standing Out, BEASTLY!, Sit Down Shutup and Watch Film Festival, The Sisters of Invention, Company AT, Financials, Staff, Supporters
• "Tutti Arts - Annual Report 2022"
  Tutti Arts Annual Report 2022– What Tutti Does, Artists Making An Impact, Music, Performance, Visual Arts, and Film work in 2021, information on ‘Reaching out’ Project, Sit Down Shutup and Watch Film Festival, The Sisters of Invention, Company AT, Tutti’s Strategic Plan 2023 – 2026, Supporters
• "Emily's Eyes - IMDB"
  Emily's Eyes' Internet Movie Database (IMDB) entry - review reads in part "Something to nudge you out of your comfort-zone! You might think YOU have problems once in a while! Little Emily Wu was born blind in one eye (The film is actually correctly known as EMILY'S EYE), totally deaf and was expected to be intellectually impaired to say the least - she had other ideas!
• SunshineTroupe
• Sydney Film Festival
• Alex Sideratos