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An/Other Film Festival
- Kate Larson
- Robin Eames
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"DADAA Outreach and Partnerships Webpage, captured 2023" DADAA Outreach and Partnerships Webpage, captured 2023 – reads, in part "In addition to its three main hubs, DADAA works with other organisations to take our services and programs to communities, or to develop new services and programs that enhance access to arts and cultural activities for artists and audiences. Arts programs can be customised to respond directly to the needs of your community or clients, to ensure inclusive practice or to bring new audiences to your organisation." -
"Hot Pink Goanna Studios - Deadly With Disabilities, Website captured 2024" Hot Pink Goanna Studios: Deadly With Disabilities, website captured 2024 - with About, Gallery, Commisions, and Prints sections - reads, in part "Hot Pink Goanna was developed by Uncle Paul Constable Calcott a proud Wiradjuri man and artist living with a disability on Gubbi Gubbi Country. Hot Pink Goanna showcases the works of Uncle Paul and other First Nations artists living with a disability." -
"Restless Dance - Our Work" Restless Dance Theatre website, ‘Our Work,’ captured 2020 – links to pages on history, performances, workshops, resources, gallery, shop, and bequests – information about the core Company, workshop programs, and other opportunities -
"Access Arts - Grants" Website reads "Access Arts can help you make the first, or next step through one of our grant funding opportunities. Provided with support and in partnership with other arts organisations, our grants and awards fund the development opportunities, guidance, and exposure artists with disability or disadvantage need to pursue their artistic practice." -
"Fusion Theatre Ensembles, captured 2022" Fusion Theatre Ensembles, captured 2022 - information about morning ensemble, evening ensemble, and ‘Movement in Conversation’ described as "and occasional project that Fusion Theatre offers in association with the Asylum Seeker Resource Centre (ASRC), and other local groups" -
"Interview with Emiko Artemis" Dr Emiko Artemis is a visual artist with a PhD and a history of both solo and group exhibitions. Interview Summary Emiko Artemis identifies as a non-binary queer disabled visual artist. Emiko acknowledges their work essentially reflects their personal experiences with disability and comments on society. Despite interpersonal challenges due to disabilities, Emiko cherishes occasional collaborations, facilitated by clear structures or supportive relationships. Their artwork, often seen as "weird" to the public, aims to be thought-provoking rather than being particularly political. Emiko values the growing visibility of disability in the arts and the increase in acceptance of diversity in society. They proudly embrace their own identity as an integral aspect of their creative practice -
"Interview with Kate Larsen" Kate Larsen (she/her) is a writer, consultant, leader and advocate with Australian and international experience in the arts and disability sector. Interview Summary Kate Larsen (she/her) is a recognised arts and disability advocate who emphasises the importance and inherent politics of self-expression and access in the arts. A non-disabled ally, Kate was influenced to pursue a career in the sector by the profound impact of learning about the social model of disability, which sparked a commitment to creating opportunities for and by disabled individuals. Larsen's work has involved fostering leadership among disabled artists and arts workers, advocating for disability-led organisations, and driving systemic change within Australia’s arts and cultural sector. She hopes to see continued progress towards equity and representation in the arts, with the NDIS playing a crucial role, and an increased presence of disabled artists, arts workers and leaders in mainstream organisations. -
"Arts Project Australia - Annual Report 2003" Arts Project Australia - Annual Report 2003 - President’s Report, Director’s Report, Studio Manager’s Report, Exhibitions Report, Financials – reads, in part “Arts Project Australia was founded in 1974. It had the express purpose of exhibiting the art work of people with an intellectual disability in a manner that accords them the same dignity and respect as other artists.” -
"Arts Project Australia - Annual Report 2004" Arts Project Australia - Annual Report 2004 - President’s Report, Director’s Report, Studio Manager’s Report, Exhibitions Report, Financials - reads, in part “Arts Project Australia was founded in 1974. It had the express purpose of exhibiting the art work of people with an intellectual disability in a manner that accords therr1 the same dignity and respect as other artists.” -
"Arts Project Australia - Portrait Exchange Exhibition 2010 - Program" Arts Project Australia - Portrait Exchange Exhibition 2010 - Program - reads, in part "Portraits are an expression of our fundamental desire to connect with each other. They are evidence of a relationship of one kind or another. It may be fleeting or established, it might even be the result of a commercial transaction. Every portrait tells a different story. Painting a portrait can be a way of paying homage to someone we admire or may be a study in technique, but this inherently intimate process always requires that a connection be made between the artist and the sitter. It is this social aspect of portraiture that was the initial focus of Portrait Exchange." -
"Back to Back Theatre - Light Letters" Back to Back Theatre Light Letters - artist statements, script sketches, and other materials - reads, in part “In mid-2007 Back to Back Theatre invited schools and community groups from the Corio Bay area to enter into collaboration with the company under the direction of Marcia Ferguson. The company was very excited to welcome into the creative venture Nelson Park Schol, Norlane West Primary School, Cloverdale Community Centre and Dorthy Thompson Centre as well as collaborating local Geelong artists Leane Stein, Ross Meuller, David Dellafiora, Mark Cuthbertson and Stephen Oakes.” -
"Australia Council - Annual Report 1993-94" Australia Council Annual Report 1993-94 - discusses objectives, organisation chart, year in review, support for people with disabilities in Art and Working Life, artform development, main activities of Council and its Boards, and includes financial statements and lists of grants made including grants for programs, development of performance, visual art/crafts, media and multi arts, writers in community residence and local documentation projects as well as “Arts and Disability” research and collaboration in performance of “Love Dances (and other stories)” -
"InCite Arts - Lowdown NT Column Entry on ‘Community Mosaic Bench Project’” InCite Arts and Arts Access Central Australia announcement about Community Mosaic Bench Project, in Lowdown NT Column Entry. Entry reads, in part, “The project involved 2 curved concrete seating benches being covered with mosaic flowers, local fauna e.g., witchetty grubs, parrots, hawks and other flora and fauna representing Central Australia” -
“Restless Dance – Annual Report 2010" Restless Dance Theatre Annual Report 2010 - Company History, Chair's, Artistic Director’s, Dancers’, and Company Manager Reports, Members and Board, Financials, information about productions ‘Beauty,’ ‘Next of Kin,’ other performances and workshops, Supporters -
“Restless Dance – Howling Like A Wolf Program" Restless Dance Theatre 'Howling Like a Wolf' Program - reads, in part "In Howling Like A Wolf humans are both the observer and the observed. The work explores facial expressions, our body language and the way our brains process complex and subtle information. The performers have shared their experiences of connection and isolation, the joy and confusion of human interactions, and how we all prepare ourselves for "this terribly significant business of 'other people'." -
“Restless Dance – Safe From Harm Program" Restless Dance Theatre 'Safe From Harm' Program - reads, in part “Safe from Harm launches the company’s new professional and touring ensemble, and is different from the other works I have directed for Restless, which were all made with the youth ensemble with casts of at least 12 people.” -
“Studio A – Emily Crockford – The Phantom – Sydney Opera House 2021” Information about the Sydney Opera House's Diversity, Inclusion & Belonging Strategy for 2021-23, and Emily Crockford's artwork "The Phantom (Sydney) Opera House" which was liscenced for the cover, along with other words by Sally M. Nangala Mulda and Jason Phu. -
"Tutti Arts - End of Year Concert: Everything Changes - Program" Tutti Arts 'End of Year Concert- Everything Changes' 2015 Program - reads, in part "’Everythlng changes, seasons will come and go Life rearranges all that we think we know’ from The Six Swans, by Jehane Markham and Richard Chew Welcome to the 2015 Tutti Christmas Concert! The above words taken from the finale of The Six Swans, a one act opera Tutti performed with UniSA students in June this year means a great deal to Tutti as we work for social change. They also remind us of the deep meaning in the story of the birth of Jesus and the themes of redemption, hope, salvation and love associated with Christmas. Let's make Christmas 2015 a time of caring, a celebration of true emancipation of the earth from racial and ethnic hatred. Regardless of our religious ties or other belief systems, this Christmas let's all take time to envision what kind of world we want to live in, and do what we can in our own lives to restore peace, love and goodwill to Australia and the world.” -
"Tutti Ensemble - Holdfast Choir - Inaugeral Christmas Concert 1997 - Program" Tutti Ensemble Holdfast Choir - Inaugeral Christmas Concert 1997 Program - reads, in part “You are invited to attend the Holdfast Bay Community Choir Inaugural Christmas Concert, featuring an evening of carols and other songs” -
"Tutti Arts - Mouth Music - Program" Tutti Arts 'Mouth Music' 2006 Program - reads, in part "Jem has recently made a big decision, and Mouth Music is his story. Because Jem is non-verbal, the idea of speaking and not being heard is a major theme. Jem has some important things he wants to say to the world, not least that we must look after the earth and also learn a thing or two about looking after each other. Mouth Music has involved Tutti in the very roots of vocal music-making and has strong emotional resonance for anyone concerned about the voice of the individual and the state of the world. It has been a pleasure to develop this very different new work with Jem and poets.“ -
"Tutti Arts - Northern Lights Southern Cross - Promotional Flyer 2006" Tutti Arts - 'Northern Lights Southern Cross' 2006 Promotional Fyyer - Two Theatre companies from oPposite sides of the planet: Interact & the Tutti Ensemble come together in the Minnesota Wilderness and the Australian Outback to create an exciting new collaboration 'Northern Lights, Southern Cross: Tales from the Other Side of the Worid' Featuring Kevin King, this international collaboration will premiere in 2007! -
"Mary Hutchison (2005) Making the Journey: Arts & Disability in Australia. Sydney: Arts Access Australia." Reads, in part "A collection of inspiring examples of how to include people with disabilities in the arts, as participants, creators and organisers"
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"Commonwealth of Australia, 2018. Research Overview: Arts and Disability in Australia. Barton: Department of Communication and the Arts, Cultural Ministers Council. Available from: https://www.arts.gov.au/sites/g/files/net1761/f/research_overview_of_arts_and_disability.pdf." Reads, in part "The Research Overview brings together published and unpublished data and research about arts and disability in Australia, and case studies highlighting arts and disability practice around the country. The Research Overview is part of the evidence base for a renewed National Arts and Disability Strategy. The evidence gathered here will be complemented by submissions and survey during a national consultation in 2018."